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Vicente Fernández at 2002 Latin GRAMMYs

Vicente Fernández at 2002 Latin GRAMMYs

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Vicente Fernández's Everlasting Legacy vicente-fernandez-dies-mexican-icon-legacy-eulogy-tribute-latin-grammys

The Everlasting Legacy of Mexican Ranchera Icon, Vicente Fernández

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As the world mourns the Mexican icon in the wake of his Dec. 12 passing, the impact of his six-decade career continues to live on
Isabela Raygoza
GRAMMYs
Dec 17, 2021 - 3:54 pm

As one of the most illustrious charros ever, Vicente “Chente” Fernández globalized ranchera music with fervor and a gigantic heart. 

His unmatched vocal prowess — an electrifying vibrato that would easily turn thunderous in an instant — had the capacity to permeate deep into the soul of any bystander. His timeless, passionate ballads, like “Por Tu Maldito Amor” or “Acá Entre Nos,” were easily capable of wrenching out tears, even to the toughest of men. His chivalrous image exemplified that of a true Mexican caballero, earning several powerful nicknames throughout his career: "El Charro de Huentitán" (The Charro from Huentitán), "El Ídolo de México" (The Idol of Mexico), and "El Rey de la Música Ranchera" (The King of Ranchera Music).

Remembering Vicente Fernández

After the world lost the 81-year-old Fernández on December 12, the reaction among the Mexican music community reflected the indelible mark he made. Mexican superstar Christian Nodal paid tribute to the Mexican idol in his opening number during a show in Fresno, California, the night of Fernández’s passing. “Today the mariachi, cinema, Mexican race, and our culture are mourning because we all know this great man planted a seed for all of Latin America, and for the entire world,” Nodal said.

In a similar spirit, the prodigious ranchera wunderkind Ángela Aguilar — granddaughter to the late, great Antonio Aguilar — honored Chente in a heartfelt post on Instagram. “But you are still the King,” she wrote. “A great honor to have known you. A great privilege to have received your affection. You will be eternal, accompanying us always with your melodies. My deepest condolences to your family, friends, and fans. May you rest in peace, fly high.” Her father, Pepe Aguilar, echoed her sentiment in his own post: “A great among the greats! Now his oeuvre has become eternal!”

Perhaps the most heart-wrenching tribute came from Fernández’s son (and star in his own right) Alejandro Fernández. “The lights never shone brighter in the sky,” he captioned a candid photo with his father. “Without a doubt, I could not have asked for a better father, friend and teacher. Thank you for showing me the way. And though we will miss you daily, your spirit and voice will live forever in your family, your town, and your people. I love you, pa’.” 

Born on February 17, 1940, Vicente Fernández Gómez grew up in the village of Huentitán El Alto in the municipality of Guadalajara — the globally-recognized capital of mariachi music and charrería, an equestrian tradition. Thanks to Fernández’s monumental success as a singer and actor, the artform ascended far and wide, becoming a symbol of Mexican culture. It’s a style that’s often characterized by men decked in elegant embroidered suits, paired with cowboy boots, large sombreros, and occasional horses in tow. For Chente, it was a way of life. While this culture dates back nearly a century ago (at the tailend of the Mexican Revolution, when rural street performers began inventing the sound), legends like him have helped give rancheras and mariachi music everlasting life.  

His legacy expanded beyond music, too: Starring in more than 40 films, the Mexican superstar made his first appearance on the big screen in 1971, at the tailend of the Golden Age of Mexican Cinema. Back then, it was customary to see male protagonists also be spectacular singers, just like other greats before him, including Pedro Infante, Jorge Negrete, Javier Solís, and Antonio Aguilar. 

Read More: GRAMMY Rewind: Watch A Suave Vicente Fernandez Thank All Of Latin America At The 3rd Latin GRAMMY Awards

But long before he reached worldwide stardom, young Vicente already knew of his destiny at a mere 6 years old, when he told his mom, “When I grow up, I’m going to be like them,” referring to Negrete and Infante while watching a classic Mexican film. With that goal in mind, he began picking up the guitar and learned the local folk songs of his birth town at just 8 years old. 

By his teenage years, Fernández and his family migrated to Tijuana where he became a jack of all trades. Working blue-collar jobs to get his start, he garnered large appeal with his colleagues upon revealing his impressive singing abilities. He soon became a wedding and party singer and fronted local mariachi bands. After being rejected by several big record labels, in 1966 CBS México bid on the future King of Ranchera music — and the rest is history. 

With an immense discography comprising over 100 albums (which span six decades, from 1965 to 2018), Fernández accumulated nine Latin GRAMMYs and three GRAMMY Awards throughout his highly prolific career. In 2002, Chente was recognized as the Latin Recording Academy Person of the Year. 

Just two years ago, El Rey stepped out of retirement to sing alongside his son and grandson Alejandro and Alex Fernández at the 2019 Latin GRAMMYs. The electrifying performance  showcased an impeccable range and power for a man wearing no ear monitor headphone, and who was 79 years old at the time. 

Throughout his 64-year career, Vicente Fernández left an everlasting impression on his countless fans, admirers and beyond. He left behind an eternal legacy that will continue to transcend generation after generation of regional Mexican newcomers and ranchera lovers alike. ¡Arriba, El Rey! 

The Latin Recording Academy And The Recording Academy Remember Vicente Fernández

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Vicente Fernandez smiles while holding Latin GRAMMY

Vicente Fernandez

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Watch Vicente Fernandez Win Person Of The Year grammy-rewind-watch-ranchero-legend-vicente-fernandez-win-person-year-2002-latin-grammys

GRAMMY Rewind: Watch A Suave Vicente Fernandez Thank All Of Latin America At The 3rd Latin GRAMMY Awards

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Watch ranchera legend Vicente Fernandez humbly accept the Person Of The Year award at the 3rd Latin GRAMMYs in 2002 in the latest episode of GRAMMY Rewind
Taj Mayfield
GRAMMYs
Sep 24, 2021 - 2:38 pm

Imagine a time capsule, but instead of containing items, it contained moments. Rather than being filled with the games and technology that represented how people lived, it featured the coolest experiences of the era.

Well, you can stop imagining—because the below edition of GRAMMY Rewind is that time capsule, and ranchera icon Vicente Fernandez accepting his Person Of The Year award at the 3rd Latin GRAMMYs in 2002 is the moment.

Nicknamed "El Ídolo of Mexico" ("The Idol of Mexico"), Fernandez lives up to his title as he dedicates his entire acceptance speech to thanking Mexico and all of Latin America.

Watch Vicente Fernandez Win Person Of The Year

With 13 GRAMMY nominations, three GRAMMY wins, and eight Latin GRAMMY wins, the singer has his fair share of acceptance speeches under his belt. Still, his commitment to sharing the honor with his homeland makes this episode of GRAMMY Rewind hard to top.

Make sure to watch the Biggest Night in Latin Music: The 2021 Latin GRAMMYs Awards, officially known as the 22nd Latin GRAMMY Awards, take place Thursday, Nov. 18.

Check out the video above to go back in time and enjoy more episodes of GRAMMY Rewind below.

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Vicente Fernandez performs at the 2002 Latin GRAMMY Awards

Vicente Fernandez performs at the 2002 Latin GRAMMY Awards

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The Latin Recording Academy And The Recording Academy Remember Vicente Fernández

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In a joint statement, Latin Recording Academy CEO Manuel Abud and Recording Academy CEO Harvey Mason jr. pay tribute to Regional Mexican music legend, cultural icon, and multiple GRAMMY and Latin GRAMMY winner Vicente "Chente" Fernández
GRAMMYs
Dec 12, 2021 - 12:26 pm

The following is a joint statement from Latin Recording Academy CEO Manuel Abud and Recording Academy CEO Harvey Mason jr. about the passing of three-time GRAMMY winner and eight-time Latin GRAMMY winner Vicente Fernández, who died Sunday, Dec. 12.

With heavy hearts, we bid adiós to Regional Mexican legend and cultural icon Vicente "Chente" Fernández. For more than 60 years, the singer, producer and actor brought the musical traditions of his beloved country to audiences worldwide through his amazing performances and his gifted voice, which featured impressive operatic power and range.

Known as "El Rey de la Música Ranchera" (The King of Ranchera Music), Fernández, whose discography comprises more than 100 albums, won multiple Latin GRAMMYs and GRAMMYs throughout his career. In 2002, he was recognized as the Latin Recording Academy Person of the Year.

Watch Vicente Fernandez Win Person Of The Year

A man of hard work, Fernández was true to his word. Even after formally retiring in 2016, he continued performing and making music. In a 2002 interview with The Latin Recording Academy, when asked if he would ever retire, he proudly declared that "as long as my physical voice and faculties are intact, I'll be there."  And so, in 2019, he took the stage at the 20th Annual Latin GRAMMY Awards for an unforgettable, first-time-ever performance with his son, Alejandro Fernández, and grandson, Alex Fernández. Making music to the very end, he released what would be his final album, A Mis 80's, which just won a Latin GRAMMY under the category Best Ranchero/Mariachi Album and is currently nominated for the 64th GRAMMY Awards under the category of Best Regional Mexican Music Album (Including Tejano).

At The Latin Recording Academy and the Recording Academy, we celebrate the life and career of Don Vicente Fernández and pay homage to his legacy. We offer our gratitude for his vast contributions to Latin music and our deepest condolences to his family, friends and fans.

Manuel Abud Harvey Mason jr.
CEO, The Latin Recording Academy CEO, Recording Academy
Christina Aguilera

Christina Aguilera

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Songbook: How Pop Icon Christina Aguilera Traversed Two Cultures & Languages Across Her Discography

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International pop star Christina Aguilera is set to take the Latin GRAMMYs stage for the first time in more than 20 years. Ahead of her performance at the 2021 Latin GRAMMYs, GRAMMY.com is taking a deep dive into all of her English and Spanish albums.
Lucas Villa
GRAMMYs
Nov 17, 2021 - 10:39 am

Presented by GRAMMY.com, Songbook is an editorial series and hub for music discovery that dives into a legendary artist's discography and art in whole — from songs to albums to music films and videos and beyond. 

While many artists dream of pop success in one language, Christina Aguilera is one of the few icons who has translated success both in the American market at-large and the Latin music market. That duality has been cemented with wins at both the GRAMMYs and Latin GRAMMYs. And after performing at the very first Latin GRAMMY Awards in 2000, Aguilera is set to return to the stage at the 2021 Latin GRAMMYs for the first time in more than 20 years.

Aguilera was one of the biggest female artists to emerge from the teen pop explosion of the late '90s, thanks in part to her 1999 self-titled debut album and breakthrough single "Genie in a Bottle." After racking up multiple chart-topping hits on the Billboard Hot 100, Aguilera also won over her peers, as evidenced by her win for Best New Artist at the 42nd GRAMMY Awards in 2000. With an extraordinary career that now spans over two decades, that first award stands as a testament to Aguilera's longevity in the music industry.

Following her commercial and critical success in the 2000s, Aguilera decided to try her hand at the Latin market and embrace her Ecuadorian roots. In September of that year, she released Mi Reflejo, her first Spanish-language album. The LP features Spanish-sung versions of Aguilera's biggest hits at the time, as well as a few new original songs and covers. 

At the inaugural Latin GRAMMY Awards in 2000, Aguilera performed the bolero classic "Contigo En La Distancia" and "Genio Atrapado," the latter of which is the Spanish version of "Genie in a Bottle." A year later, Mi Reflejo netted Aguilera her first, and only, Latin GRAMMY win for Female Pop Vocal Album.

On Nov. 18, Aguilera is set to return to the Latin GRAMMYs stage with the first live performance of her new single "Pa Mis Muchachas," alongside Becky G, Nathy Peluso and Nicki Nicole. With her triumphant comeback to Latin music on the horizon, GRAMMY.com is revisiting all of Christina Aguilera's iconic albums.

Looking for more GRAMMYs news? Here's everything you need to know about the 2022 GRAMMYs Awards show and nominations!

For Beginners

Christina Aguilera (1999)

True Christina Aguilera fans remember when she sang the ballad "Reflection" for the soundtrack to Disney's Mulan in 1998. 

The song was included on her 1999 self-titled debut, but "Genie in a Bottle" launched the album into the public consciousness. The song reached No. 1 in multiple countries, including the U.S., the U.K., Spain, and Italy, with the anthemic "What a Girl Wants" closely following as her second No. 1 on the Hot 100 chart. 

To keep the momentum going, Aguilera released up-tempo radio edits of "What a Girl Wants" and her third No. 1 hit, "Come On Over Baby (All I Want Is You)" — the latter of which offering a preview of the more mature Xtina that was to come. 

Aguilera also proved her prowess as a powerhouse vocalist with the soaring single "I Turn To You", penned by Diane Warren. Reflection retains its power to this day, proven by the re-recording of  "Reflection" Aguilera shared for Disney's live-action Mulan in 2020.

Stripped (2002)

While her pop peers were continuing to churn out albums every year, Aguilera made sure to take her time with her second record, 2002's Stripped. Now 21 years old, Aguilera looked to shed her teen-pop past with the aptly-titled banger "Dirrty" featuring hip-hop icon Redman. 

While that track exemplified her new embrace and harnessing of the power of her sexuality, the sensual cut "Get Mine, Get Yours" pushed even further. But for the second single, Aguilera opted for the most important song of her career: "Beautiful." Linda Perry penned the empowering self-love ballad, but Aguilera took the track into the stratosphere with her soaring voice. 

The Jonas Åkerlund-directed music video was ahead of its time in its prominent depictions of queer culture, prominently featuring a trans woman and a gay couple kissing. 

In the intervening years, "Beautiful" has become an anthem for the LGBTQ+ community. In 2004, the song earned Aguilera  the GRAMMY Award for Best Pop Female Vocal Performance. 

The empowerment theme continues elsewhere on the album with the Dave Navarro-featuring kiss-off track "Fighter" and the girl power anthem "Can't Hold Us Down" with rap legend Lil' Kim. 

After assembling an impressive team of writers for her debut record, Aguilera is credited as co-writer on the majoriy of Stripped, including the deeply personal power ballad "The Voice Within." 

On pressings of the album in Latin America, Aguilera included a Spanish version of "Get Mine" as "Dame Lo Que Yo Te Doy."

Read More: How & What Time To Watch The 2021 Latin GRAMMYs Awards: A Viewer's Guide On Where You Can Watch The Biggest Night In Latin Music

Back to Basics (2006)

After pushing her boundaries in 2002, double-album Back to Basics embraced retro elements from the days of Ella Fitzgerald, Etta James, and Billie Holiday. 

Aguilera's signature growl heralded the first disc in the lead single "Ain't No Other Man," a funky track that exemplifies Aguilera's ability to blend vintage sounds with a fresh hip-hop edge. 

In fact, the DJ Premier-produced song would go on to help Aguilera earn the GRAMMY for Best Pop Female Vocal Performance. 

While the first disc finds Aguilera delivering brassy cuts like "Slow Down Baby" and "Still Dirrty" (a clever wink to her previous album), the second disc embraces more over-the-top, theatrical sounds. 

Produced by Linda Perry and co-written by Perry and Mark Ronson, heartbreaking ballad "Hurt" stands as a second half highlight, while . the flirty bop "Candyman" put a sexy twist on Andrews Sisters-esque boogie-woogie music.

Deeper Dives

Bionic (2010)

While Aguilera was looking to the past with Back to Basics, 2010's Bionic looked to the future, embracing elements of electronica and synthpop. 

Helmed by hip-hop hit-maker Polow da Don, lead single "Not Myself Tonight" channeled Aguilera's powerful voice into a club anthem about giving into the evening's temptations. 

For the follow-up singles, Aguilera joined forces with then-rising rap star Nicki Minaj for the tongue-in-cheek banger "Woohoo," and then rounded things out with one of her most underrated ballads, "You Lost Me." 

Before Sia became a go-to collaborator, Aguilera tapped the Australian singer-songwriter to co-write the mesmerizing "All I Need" with producer Samuel Dixon. 

Multiple high-profile electronic acts contributed as well, including M.I.A., who co-wrote "Elastic Love," Peaches and Le Tigre in "My Girls," and Ladytron in the bonus track "Birds of Prey." 

While it may not be the focus of the album, Aguilera ensured that Latin music threads through the catalog here in the form of Spanglish banger "Desnudate." 

Lotus (2012)

After going through personal struggles, including divorce, Aguilera decided to channel it into her fifth album, 2012's Lotus: "The unbreakable lotus in me, I now set free," she sings on opener "Lotus Intro". 

For lead single "Your Body," Aguilera teamed up for the first time with Max Martin, the pop hit-maker behind classics from Britney Spears, Backstreet Boys and *NSYNC. Elsewhere, Aguilera flexed her versatility as an artist that can thrive in any genre. 

As a new coach for The Voice, she turned to then-colleague Blake Sheltonfor the country-pop ballad "Just a Fool."  The haunting "Cease Fire" alludes to the battles in her personal life, complete with production from Alex Da Kid. 

As a gift to her fans for supporting the album, Aguilera released a self-made music video for the electrifying "Let There Be Love," a song that has become another anthem upheld by the LGBTQ+ community,one she often performs in a flurry of rainbows.

Learn More: The Wait Is Almost Over: How To Watch The 2022 GRAMMYs Awards Show Nominations Livestream Event

Liberation (2018)

To celebrate two decades in the industry since Reflection, Aguilera's sixth album, Liberation, finds the pop star freed of the expectations placed on pop stars to keep chasing hits, instead resulting in an LP that came from the heart. 

Aguilera embraced hip-hop influences, as evidenced by lead single "Accelerate", which was produced by Kanye West, Mike Dean, and Charlie Heat, with guest spots from rappers Ty Dolla $ign and 2 Chainz. 

For the follow-up single "Fall in Line," Aguilera teamed up with another pop powerhouse, Demi Lovato, to hit back at the sexism and unfair expectations that women can face in the music industry. 

In the music video, Aguilera and Lovato are survivors of the system that was trying to control them, empowering each other and the next generation of female artists with their passionate performances.

In 2019, the dynamic duet was nominated for Best Pop Duo/Group Performance at the GRAMMY Awards. 

Burlesque soundtrack (2010)

In 2010, Aguilera made her big screen debut in the movie Burlesque alongside pop legend Cher. Aguilera performed on a majority of the soundtrack as her character, aspiring burlesque dancer Ali Rose. 

The album opened with her roaring cover of Etta James' "Something's Got a Hold On Me," followed by fierce performances in full-band club bangers like "Express" and "Show Me How You Burlesque." 

Elsewhere, Aguilera and Sia were nominated for the Golden Globe Award for Best Original Song in 2011 for co-writing the breathtaking ballad "Bound to You." 

Cher performed two songs on the soundtrack, including the commanding show-stopper "You Haven't Seen the Last of Me." In 2012, the Burlesque soundtrack was nominated for Best Compilation Soundtrack for Visual Media at the GRAMMY Awards.

For Latin Pop Fans

Mi Reflejo (2000)

Following the release of her debut self-titled album, Aguilera decided to embrace her Ecuadorian roots and tap into the Latin market with 2000's Mi Reflejo. 

The LP's cover, featuring Aguilera with red streaks in her hair, echoes its English-language counterpart, as do the new Spanish versions of all the singles from Christina Aguilera. "Ven Conmigo (Solamente Tú)," the Spanish version of "Come On Over Baby," reached No. 1 on Billboard's Hot Latin Tracks chart. 

Aguilera proved her powerful balladeer prowess could translate in Spanish with the heartwrenching "Pero Me Acuerdo De Tí," a cover of Puerto Rican singer Lourdes Robles' 1991 original. Aguilera released an original song as the album's third single, the fiery "Falsas Esperanzas." 

Other highlights include an early collaboration with Luis Fonsi for the dreamy duet "Si No Te Hubiera Conocido."

Holiday Homework

My Kind of Christmas (2000)

Fresh off the success of albums in both English and Spanish, Aguilera opted for holiday warmth with My Kind of Christmas in late 2000. 

The 11-track album tackles yuletide classics like "The Christmas Song (Chestnuts Roasting On An Open Fire)," "Have Yourself A Merry Little Christmas" and "This Christmas." The true highlights of the set is Aguilera's absolutely heavenly cover of "Oh Holy Night,"

And a rendition of "Merry Christmas, Baby," complete with a partnership with blues music legend Dr. John, who gave her rousing rendition some extra oomph. The album also featured original songs like the twinkling bop "Christmas Time" and mesmerizing "This Year." 

The elements all come together to make this one of the best holiday albums by a pop star next to Mariah Carey's iconic Merry Christmas LP. 

The 2021 Latin GRAMMYs, hosted by Ana Brenda Contreras, Carlos Rivera and Roselyn Sánchez, will air live on Univision on Thursday, Nov. 18, at 8 p.m. ET/PT (7 p.m. CT). It will also air on cable channel TNT at 19.00 (MEX) / 20.00 (PAN-COL) / 21.00 (VEN) / 22.00 (ARG/CHI), and on Televisa on Channel 5. Learn more about the 2021 Latin GRAMMYs Awards via the Latin Recording Academy's official website.

Los 2021 Latin GRAMMYs Awards Nominations Announced: See The Complete List

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Jhay Cortez sits and poses in all-white clothing

Jhay Cortez

Photo: Natalia Aguilera

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The Skyward Ascension Of Jhay Cortez jhay-cortez-new-2021-album-timelezz-interview-latin-trap-reggaeton-musica-urbana

The Skyward Ascension Of Jhay Cortez: How The Latin Trap And Reggaetón Star Is Blurring The Lines Of Música Urbana

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Puerto Rican superstar Jhay Cortez is turning up the heat, shooting for the stars, and proving exactly why he's risen to the top of Latin trap and reggaetón
Isabela Raygoza
GRAMMYs
Nov 10, 2021 - 8:24 am

When formulating the ingredients that would create Timelezz, Jhay Cortez had one objective in mind. "My main goal was not to make an album, it was to create an experience," he proclaims.

Cortez's second full-length album arrives over two years after his wildly successful debut, Famouz, where he solidified himself as one of the most exhilarating up-and-comers in Latin trap and reggaetón. The record featured one inescapable single, "No Me Conoce," whose remix, starring Bad Bunny and J Balvin, accelerated Cortez to global stardom. "That's when everyone gave me a chance … but that's just the start of it," he tells GRAMMY.com.

Cortez's star ascended further when he featured in Bad Bunny's whirling hit "Dákiti" late last year. The song, which is currently nominated for Best Urban Song at the 2021 Latin GRAMMYs, landed in the Top 10 of Billboard's Hot 100, and debuted at No. 1 on Hot Latin Songs, among other chart achievements. Cortez, alongside Bad Bunny, even performed "Dákiti" in at the 2021 GRAMMY Awards show. "It was something that I never imagined," he muses. "To be the first [Latin artist to sing in Spanish at the GRAMMYs] from this decade is super impressive for me."

Born in 1993 in Río Piedras, Puerto Rico, Jesús Manuel Nieves Cortez split his childhood between his native island and Camden, New Jersey. While on the East Coast, young Jhay got schooled in hip-hop, taking lessons from some of the movement's most formidable rappers. He traced his roots in the Caribbean, where he immersed himself in the hotbed of reggaetón. "I have many different roots and inspirations from different [places]," he points out. "That is what really helped me to be able to create all these different things."

On Timelezz, Jhay Cortez turns up the heat, maneuvering between slinky and hard-hitting rhythms alchemized by producers Tainy, MVSIS, Taiko, and Cortez himself, among others. He shoots for the stars with EDM brilliance ("En Mi Cuarto," featuring Skrillex), then manages to hang from somewhere in the aether with trap-mospheric pop alongside indie darlings Buscabulla. Meanwhile, Cortez narrates stories of heartache, lust, and nights of debauchery. "It was really about evolving Jhay Cortez," he says.

GRAMMY.com caught up with the multi-hyphenate artist a day before he performed at J Balvin's NEON event in Las Vegas, also starring Karol G, Rauw Alejandro, and Tainy, where he offered a glimpse behind the scenes on what it's like to live in the shoes of Jhay Cortez.

This interview was conducted in Spanglish and translated to and edited in English for clarity.

What were some of the main goals you had when creating your new album, Timelezz?

One of my main goals was to evolve from Famouz. Not to make a better album, or to compete with it, but trying to make another part of myself. I felt like I was in a great moment where I [had] really good control over my voice. I have found my flow. My verses are better. The production and my mixing engineers are a lot better. So it was really [about] evolving Jhay Cortez. I have found myself now that I have total control of how I want to look visually, stylistically, and how I want to sound. Now it's about paying tribute to all of those things that helped me excel. Don Omar was the artist that inspired me to be an artist, to make music. I finally got [creative] control to play with everything that I loved growing up. My main goal was not to make an album, it was to create an experience.

You also step beyond reggaetón, like when you produced an EDM song alongside Skrillex. How did that collaboration come about?

When we completed the "Dákiti" video, I started producing "En Mi Cuarto." I had this whole idea and melodies for it. Then, one day, I was scrolling down Instagram and I came across Skrillex's profile, and I realized I wasn't following him. I'm like, "Shit, why am I not following Skrillex?" He was one of my biggest inspirations growing up. So when I saw his profile, it said, "follow back," and I went crazy. I wrote to him saying, "Respect. You were a big inspiration to me." Then he told me that he really liked my music too. Reggaetón is mostly my base, but I knew that if I wanted to take that record ["En Mi Cuarto"] to the next level, I had to give it to somebody that knows what to do. And who better than Skrillex? So, I sent that out to him. He really connected with it, and we just started working on it.

You mention Bad Bunny's "Dákiti," which you famously star in. It's a tremendous multi-record breaking hit, and you performed it at the 2020 GRAMMYs in Los Angeles. What was it like performing at one of the most important events in music?

It was something that I never imagined. Obviously, I had dreams of singing at the GRAMMYs, Latin GRAMMYs, or even singing at Premios Juventud or the Billboard [Music Awards]. But to perform at the actual GRAMMYs? I think the last [Spanish-singing] Latino [performing] was Luis Fonsi and Daddy Yankee [with "Despacito" in 2018], and then Ricky Martin. But to be the first from this decade is super impressive for me. I'm really grateful and feel blessed that I went through all these barriers as a Latino, and being able to get to places that no one imagined previously.

In your new album, you step into atmospheric pop by incorporating trap elements alongside New York-Puerto Rican duo Buscabulla in the outro track "Eternamente." What was that collaboration like?

They're one of my favorite bands. One day, somebody asked them on Instagram if they listened to urban music, and if they did, who. They wrote "Jhay Cortez." That really surprised me because I was already a fan of them. So I hit them up and invited them over to my house. I thought it was a great idea to have them on my album, because this album is everything that I like and have liked before. I knew then and there that I wanted to genuinely click with them. It's not all about me. It was really about making the moment, and if it was a vibe, and they agreed to it, then we would collaborate. But thank God that everything went better than we thought, and we did more than one song. We got to work on different things, so that for me is a dream come true.

You were born in Puerto Rico, but grew up in Camden, New Jersey. How did the geographical and cultural shift and getting exposed to an entirely new environment shape your creativity at such a young age?

That is what really helped me to be able to do all these different things. I have many different roots and inspirations from different [places]. I used to listen to Eminem, then 50 Cent, Don Omar, Arcángel, Drake, and then The Weeknd. I like salsa, and I like reggae group Cultura Profética. I have so many inspirations from so many different places that it's impossible not to take the best things out of each one of them and make cool things in reggaetón. That is one of the most important things that has helped me be able to emulate [my idols].

That's inspiration from across the board, from different genres and generations. So, for Timelezz, what music were you most influenced by?

I would say reggaetón's golden era, like Luny Tunes' Mas Flow, Don Omar, Hector El Father, Tego [Calderón], Wisin & Yandel. That's the era that I grew up in, when I really dreamed of making music like that. So it was a moment of being able to do what I always wanted to do as a kid, but having the ability to do it a little bit better — not better than them, just better in this era, better than anybody in this era. There's not a lot of people that know how to really mix, I would say, different eras of reggaetón and make it sound super dope. I was really just having fun.

Before you became a vocalist, you were a songwriter. You wrote hits for Zion & Lennox and Tito El Bambino as a teen, then Bad Bunny and Daddy Yankee.

Yeah, I started [songwriting] when I was 17 because I didn't work. I needed to make money somehow, so I said to myself, "Yo llego a donde quiero llegar" ("I'm going to where I want to go"). I had to make money and eat, so I started working. That was also my way to network and make connections. That also really helped me at the end.

Several years ago, you started blowing up, particularly with "No Me Conoce." That song has continued to resonate in my Brooklyn neighborhood of Bushwick since it was released over two years ago. That song was a massive moment for you.

That's when everybody gave me a chance, like, "Okay, he has something and maybe we should pay more attention to his music." I think that's how you prove yourself en este género ("in this genre"), in this music. It's all about the competition, how well you can do, and how big you can do it. That was my first big global hit. And that was just the start of it. But that's always going to be a special record for me because it was my first one.

Well, enjoy the rest of your time in Vegas. Are you also planning on checking out the city and gambling?

I'm not a big gambler — well, I gamble with clothes. I love buying clothes and shoes, so after this, I'm going to the mall. I've got to buy stuff for tomorrow's performance [at NEON]. I'm going to the studio, and I have a car, so I'm driving around. I'm definitely having fun in Vegas.

The 2021 Latin GRAMMYs, hosted by Ana Brenda Contreras, Carlos Rivera and Roselyn Sánchez, will air live on Univision on Thursday, Nov. 18, at 8 p.m. ET/PT (7 p.m. CT). It will also air on cable channel TNT at 19.00 (MEX) / 20.00 (PAN-COL) / 21.00 (VEN) / 22.00 (ARG/CHI), and on Televisa on Channel 5. Learn more about the 2021 Latin GRAMMYs Awards via the Latin Recording Academy's official website

J Balvin On His New Album Jose, The Future Of Reggaeton & Getting Back On Stage: "It's About Getting Back To Feeling That Vibe Again"

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