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Rick Ross

Rick Ross

Photo: Jonathan Mannion

News
Rick Ross Is Making Music With "No Expiration" rick-ross-interview-richer-than-i-ever-been-album

Rick Ross On Double Meaning Of 'Richer Than I Ever Been' & His Desire To Make More Rap Classics: "There's No Expiration Date On Incredible Music"

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As the hip-hop mogul prepares to release his 11th studio album, Rick Ross is feeling on top of the world in multiple ways — and it resulted in what he calls his best work yet.
Victoria Moorwood
GRAMMYs
Dec 8, 2021 - 7:18 am

For Rick Ross, Richer Than I Ever Been is not just the title of his upcoming 11th studio album, nor a testament to his growing economic empire. Fifteen years after releasing his debut project, Port of Miami, and some 20-odd business partnerships later, the 45-year-old rap star says he feels the most fulfilled in his life and career than ever before.

Whether he's setting up his children for their own financial success or finding the joy in mowing his 235-acre Georgia lawn, Rozay is fully enjoying the fruits of his two decades' worth of labor.

"This is when I feel the richest," he told GRAMMY.com about spending time with his family and discovering what matters most to him. "Because usually those are the moments that feed all my creations."

Though Ross often makes headlines for his entrepreneurial ventures (which range from Wingstop, to Rap Snacks, to, most recently, his own line of hemp rolling papers), music is still his number-one motivator. The South Florida native announced the release date for Richer Than I Ever Been on the jumbotron at a Miami Heat game and followed up the news with the album's cover art that features Ross in crisp white gloves with an enormous gold pinky ring and diamond-encrusted brooch — an image he says "just felt godly."

Style and luxury have always been major parts of the hip-hop mogul's brand, but it's his hustle that's kept him in the game. He'll discuss his career and dive deeper into Richer Than I Ever Been during "A Conversation With Rick Ross," presented by the GRAMMY Museum and Culture Impact Agency and hosted by Billboard Hip-Hop Editor Carl Lamarre. After the sold-out event takes place on Dec. 8, fans can watch a recording of the event on COLLECTION:live. 

Ahead of Ross' latest release, GRAMMY.com spoke with the icon about making music with longevity, inspiring the next generation and more.

Back in September, you said you feel Richer Than I Ever Been is your best album yet. What stands out about this album the most?

As artists, we have personal goals when we're putting together a body of work. And for me, coming into my 11th album, the focus has shifted a little bit. It's more personal. My recording sessions were that much tighter.

I actually sat in the studio a few nights by myself, and one thing that kept coming back to me was making sure the music felt timeless. Where it wouldn't just be a dope record in 2021, but in 2026, 2027, as well. Because I have those types of records, like [2012's] "Pop That," which I'm still running out on stage performing and the response is still crazy, you know?

I was just listening to f***ing DJ Quik yesterday. I'm still listening to Bun B, Pimp C — rest in peace. There's no expiration date on incredible music. So, instead of just making a dope banger, let's make a timeless piece of work.

Read More: Bun B On The Fight For Racial Equality & How Artists & Allies Can Help

You mentioned staying overnight in the recording studio — was there anything else you did differently while recording this album?

Well, for the first time in my sessions, I actually had coffee pots in the studio. [Laughs.] We was drinking coffee and smoking weed and s*** in the sessions. The focus was there. We knew what the assignment was. And I just wanted to get it done, and I felt like that's exactly what I did.

The title Richer Than I Ever Been is about more than you being at your peak financially. In what other areas of your life do you feel the richest right now?

Just my direction, going where I need to go. You have to ask yourself, do you feel the best spiritually? Emotionally? A lot of times, we don't even know what the most important things to us are.

If you had to name the three most important things to you, a lot of times people will be like, "Give me a sec." If you're a father, is it to be with your kids? Is it spending time with your mother? Whatever it might be, that's the point where you feel the wealthiest.

This is when I feel the richest, because usually those are the moments that feed all my creations. I've spent time with my loved ones. After I leave my mom's crib, I'm like, "Yo, let's go forth and get it." I don't want to go to sleep for four days, I want to get in the studio and have some fun and do something special.



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A post shared by Biggest Boss Rick Ross (@richforever)

You released your debut album, Port of Miami, in 2006 when you were 30 years old. With so many rappers coming into the game at such young ages now, how do you think getting started as an adult impacted your career and financial decisions?

That maturity most definitely played a major role. You know, if I would have become a multimillionaire at a much younger age, I could have been in the studio flirting around with drugs — versus me coming in at 28 years old, into my early 30s, and having two beautiful children at the time.

I still had fun. I most definitely made mistakes. I still wanted to travel the world. But I wanted to f***ing do something that had never been done before coming from Miami. I wanted to also make sure the music translated that message, that level of success. And not just for financial purposes, but to show everybody else — the youngsters — like, "Yo, you can do it, too." You don't have to just hit a baseball or slam dunk a ball. You could be creative and make something out of nothing.

How have you instilled those same entrepreneurial lessons in your children?

Just letting them actually watch me accomplish what I've accomplished. Letting them watch one franchise turn to two, to three. Letting them see me spend time in the studio and explaining to them why I won't be there on those nights because I'm touring. Calling them on FaceTime backstage, letting them know I'm finna perform, telling them, "Say what's up to Lil Wayne."

I let them enjoy those moments. On their walls, they have pictures with Cash Money Records, DJ Khaled and so forth, so they understood what the mission was. And I know as they continue to grow, they'll understand it that much more.

Earlier this year you gifted your son his own Wingstop franchise for his 16th birthday. What was that moment like?

Well, him being a young athlete — he's a sophomore on an incredible football team — I'm encouraging that entrepreneurship. College athletes can do endorsements now, with fast food companies or whatever, and we want to encourage that business side of it.

I most definitely wanted to let him know that this is an empire that we're building together. Even though he has a small role in it, because his focus is being a student and an athlete, I want to make sure it's always in the back of his mind that he's a businessman, too.

Yungeen Ace, a young, up-and-coming rapper from Florida, appears on the album ["Can't Be Broke," also featuring Major Nine]. Did you give him any career advice when you two worked together?

Anytime I can, I let the youngsters know, man, stay focused. Especially when you have this opportunity and these talents, because homie's walking a fine line of doing some incredible s***, both him and Foolio. Just the city of Jacksonville as a whole. Miami is on fire, but I'm seeing some new things coming from J-Ville. And the record that we collaborated on for the album is one of my favorites.

Anytime I can give a young artist from Florida an opportunity, I feel that's my obligation. And that's if you're from Tampa, Orlando, Miami, wherever. Me having an ear that could possibly help another young artist, that s*** is dope. So, I'm glad we got to collaborate on this level of a record.

Did you give him any advice regarding his beef with Foolio?

My peers know I've always went out of my way to try to get homies to squash any type of beef. Like, let's handle our business. Five years from now, y'all could be the same dudes on an incredible record together that changes the game.

I remember getting Gucci Mane and Yo Gotti on the phone and saying, "Man, let's put that s*** behind us, homie. It's our time to take over the rap game." We got to do this together, because if you're gonna do something legendary, you got to do it with your team. You got to put the bulls*** behind you. So most definitely, that's something I encourage.

I look forward to collaborating with Foolio next. You never know what might come from it. I just know when I see two good dudes that I actually can communicate with, that I should extend that olive branch.

What were some of your other favorite collaborations on this album?

There's one record with me, Future and Wale ["Warm Words in a Cold World"], and it's got that heavy swag. You know, that drip. [Laughs.] It's just one of those fly records.

I also reached out to Willie Falcon to open the album up ["Little Havana, also featuring The-Dream]. He's the first collaboration on the album and he's saying some stuff he really needed to say. With us having to be on the phone, we had to do things a certain way. But that's a powerful collaboration. This is a powerful, expensive album.

You released "Outlawz" with Jazmine Sullivan and 21 Savage off the album first. What made you want to lead with that collaboration?

It felt dramatic. I could see the visual — [Jazmine] in a big dress, draping real long, trying to keep up with her beautiful voice. I could've got some younger artist, but no, I wanted a very experienced, vocal-heavy diva to lead that record. And me and 21 Savage, we just kept it real classy street. I wanted to lead with that and give fans something that felt expensive.

You talked a little bit about creating music that has longevity. You've definitely had several long-lasting hits. What's going through your mind when you're creating one of those records that's going to live on for years?

You know, a lot of it is me getting in the studio with some of the greatest artists and us actually challenging ourselves. It's not just me, Drake and Lil Wayne getting in the studio and chillin' in the corner. Nah, we actually in there popping s***.

I believe that over time, building and creating these relationships, whether it's with producers, whether I'm working with J.U.S.T.I.C.E. League or whoever it is, we keep pushing ourselves. We've done some great things, but we're not relying on our previous records.

Speaking about Drake, have you guys been working on anything for that joint project you teased earlier this year?

Well, just mentioning Drake, I had thought about Astroworld [Festival, where 10 people died this year due to a crowd crush]. I want to send out my prayers to everybody that was affected by that, and I'm sure that's weighing heavy on Drake and Travis [Scott] right now. So, that's my only thought when you mentioned the homie, but I'm sure we'll chop it up soon.

With this being your 11th studio album, dozens of hits and five No. 1 albums under your belt, it'd be easy for you to stand on that track record. But from what you're saying, it sounds like that day-one passion and drive for the music is still there.

They're still there. Even when you feel like you have nothing to prove, it's still dope music that needs to be made, you know? I don't feel I'm above that bar of having to deliver some dope s***. It's not, "Oh it's just my 11th album." Nah. I'm finna give them that business. I still approached this record as a young artist, because in those recording sessions, I be geeked the f*** up! If the beat ain't dope or if it's off by just one word, it's, "Yo, we got to re-record this s***."

Looking back, when I was just an artist, it was easy for me to sit in the studio for f***ing 18 hours a day because that's all I had to focus on. But now, we got so many other partnerships, so many other things that we got our hands in. But it's still the number-one driving motivator — the music. It don't make us the most money, but it's the music, baby. That's the number one love. Everything else can be business, but the music is love.

Joeboy Sets The Record Straight On His Viral Sensation "Sip (Alcohol)," Discusses His Origins & Future: "My Best Songs Are Ahead Of Me"

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Brandy & Monica at 2011 Pre-GRAMMY Gala

Brandy & Monica at 2011 Pre-GRAMMY Gala

Photo: Steve Granitz/WireImage/Getty Images

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Poll: What's Your Favorite Verzuz Battle Matchup? brandy-vs-monica-timbaland-vs-swizz-beatz-whats-your-favorite-verzuz-battle-matchup

From Brandy Vs. Monica To Timbaland Vs. Swizz Beatz, What's Your Favorite Verzuz Battle Matchup?

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On Aug. 31, the latest Verzuz battle will pair up the '90s R&B/pop superstars 22 years after their unforgettable GRAMMY-winning "The Boy Is Mine" duet/duel. We want to know which epic pairing is your favorite
Ana Monroy Yglesias
GRAMMYs
Aug 28, 2020 - 9:10 am

One of the more beautiful and creative things to come out of quarantine has been the Verzuz rap-and-beyond livestream battles, an ongoing, star-studded series hosted by GRAMMY-winning hip-hop icons Timbaland and Swizz Beatz.

The star-studded musical series began with the hosts themselves battling it out during a five-hour Instagram Live back in March, and has since featured such epic pairings as rap kings Rick Ross and 2 Chainz, New York OGs Fabolous and Jadakiss, big dogs DMX and Snoop Dogg, R&B/pop pianists Alicia Keys and John Legend, Jamaican dancehall heavyweights Beenie Man and Bounty Killer and many more.

Learn More: The Verzuz Effect: How Swizz Beatz & Timbaland's Beat Battles Showcase Music's Past, Present And Future

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What's Your Favorite Verzuz Battle Matchup?

The musical faceoffs have also featured OG hit-making R&B producers Teddy Riley and Babyface, rap producer wunderkids Boi-1da and Hit-Boy, neo-soul queens Erykah Badu and Jill Scott, Southern rap champs Nelly and Ludacris, rapper/producer/hype men T-Pain and Lil Jon, as well as gospel legends Fred Hammond and Kirk Franklin.

Our Last Poll: From "WAP" To "Big Booty," What's Your Favorite Megan Thee Stallion Feature?

The latest, highly anticipated Verzuz (airing on Aug. 31 on Verzuz's Instagram, Apple Music and Apple TV) will pair up the '90s R&B/pop superstars Brandy and Monica 22 years after their iconic, GRAMMY-winning "The Boy Is Mine" duet/duel.

In honor of all the magic and realness Verzuz has been sharing worldwide this year, we want to know which epic pairing is your favorite in our poll above. Vote now and scroll down to watch some of the past battles.

Read: Afro Nation Co-Founders Smade & Obi Asika Talk Festival Origins, Uniting The African Diaspora & Celebrating Diversity

Can You Fill Me In: 20 Years Of Craig David's 'Born To Do It'

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Obi Asika & SMADE

Photo: Courtesy of Afro Nation

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Afro Nation Founders On Uniting African Diaspora afro-nation-co-founders-smade-obi-asika-talk-festival-origins-uniting-african-diaspora

Afro Nation Co-Founders Smade & Obi Asika Talk Festival Origins, Uniting The African Diaspora & Celebrating Diversity

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Afro Nation Puerto Rico, taking place March 18-21, is the first-ever American edition of the swiftly expanding event
Ana Monroy Yglesias
GRAMMYs
Mar 5, 2020 - 10:23 am

With Afro Nation Puerto Rico around the corner on March 18-21 (and a second Afro Nation Portugal in July), the fast-growing new music festival is bringing its vibrant energy to the U.S. for the first time. The first-ever American iteration of the fest—taking place beachside at San Juan's Balneario de Carolina—will be the third event in total since its launch last summer.

Nigerian superstar singers Burna Boy and WizKid, American rap kings Fabolous and Rick Ross, Jamaican reggae act Chronixx, Nigerian Afropop songstress Yemi Alade and Trinidadian soca hero Machel Montano are among the headliners for this month's event. Those are just a few of the names within the epic lineup, which has been rolled out in waves over the past four months.

Each Afro Nation fest highlights the biggest players—and up-and-comers—in Afro-fusion, reggae, dancehall, hip-hop, soca and other black-led musical movements. As cofounders SMADE and Obi Asika share, the idea for the event came from what they saw as a lack of representation in the event space for Afrobeats artists they worked with.

https://twitter.com/AfroNationPR/status/1234500294148608002

The diaspora united! 🌍 @ChronixxMusic performing in Kenya 🤩 ⁣
⁣
See him live at #AfroNationPuertoRico 🇵🇷🇵🇷🇵🇷 ⁣ pic.twitter.com/k1vm7m3Hnw

— AfroNationPuertoRico (@AfroNationPR) March 2, 2020

We caught up with the two Nigerian-born, London-based music industry powerhouses over the phone recently to discuss their groundbreaking Afro Nation movement. Read on to learn about the story behind this successful partnership, how they're learning as they go, their hopes and vision for the future and more.

The next Afro Nation fest is coming up soon, the first-ever Puerto Rican event. What are you most looking forward to with this one?

SMADE: We're on our third edition now. The first one was in Portugal in August, and then we've just finished the second one in Ghana in December. We're moving on to Puerto Rico next month, which I'm excited about. I'm looking forward to enjoying the beautiful sandy beaches in San Juan and having fun, as we always do. I'm also looking forward to seeing people from different races and cultures coming together to celebrate African music and seeing the unity that Afro Nation brings to people.

Obi: SMADE and I are both Nigerian, so obviously we do these events to give a platform to artists from the African diaspora. We've done Portugal and it was a lot of the European diaspora. Then, we've done Ghana which is more like the brand coming home. But for me, I'm really looking forward to seeing America because we sold so many tickets to Americans interested in the brand, the music and culture, and the diaspora there.

Also, Puerto Rico is a really interesting place because it's America, but it's also the Caribbean. I can't wait to see how people are going to vibe there and what's going to happen. Every festival we've done so far in different places, they all have their own feel. I think that this is going to be a really interesting one. We've literally got people coming from every part of America. I think it's going to be super interesting and really cool.

Wave 1: Afro Nation Puerto Rico: Patrice Roberts, Beenie Man, 2Baba, Afro B & More

You've been announcing the Puerto Rico lineup in several waves, and it just keeps getting better! How did you choose who to work with?

Obi: When we kick off the lineup, SMADE and I always have a chat and go, "What do we think? Who do we think our crowd's going to be? What are they going to want to see and be interested in?" One of the reasons why we don't announce everything at the beginning is that we want to read the crowd. We read a lot of the messages, we get a lot of the DMs, have all our team telling us what they hear and we do adapt things on the fly. We say, "Okay, let's add that."

These events are something that haven't been done before. We have such a complex and layered culture in terms of from the east, to the south, to the west of Africa, and obviously all the diaspora as well. SMADE and I were saying, we need to go and do a trip to Angola and go and hang there, understand what's going on, so we can understand what the Portuguese side is at.

SMADE: Also, we research and see the best acts to be on the stage. The platform is a huge one. Our stage is one of the biggest stages in the world for the acts, to be honest. What we try to do is research, look out for people that deserve to be on that stage, both from Africa and the diaspora and everywhere really. There's so much talent.

Obi: It is a bit of a voyage of discovery for us. There's so much talent and we want to include everyone, and we want to include everyone for each destination, but it's a process even for us. We are constantly learning about new music and new artists. One thing that we're very fortunate in what we're doing right now is that there's just so much talent. It's a constantly evolving process.

Our crowd is very active on social media. You have some people like, "Why can't we have this person?" and it's always the same names. But we try and give other people opportunities. SMADE and I were laughing the other day because we can't wait to see a performance, I won't say who it is. We wanted to put these two acts together because when we know when they get on the stage, it's just going to be crazy and make new fans. They might be overlooked on social media, but we know that they will be one of the highlights. We try not to make it about booking the same people at every show. We really want to give a focus for everyone. Particularly in Puerto Rico, we are going to add some local acts but expect that year two, there'll be even more local acts.

It's funny, year one of Portugal, everyone was like, "All you guys are about is West Africa." We are West African, so we're understanding things as we go along. SMADE and I spent a lot of time in France this year, because a lot of French people are coming to our show and we didn't even push it for France that much. It was organic. Then we had a couple of shows in France. It was crazy. We realized the market is massive. So, we were like, "We've got to include more French acts next year."

Sometimes we need to push our customers to new things. You don't have to worry about maybe someone doesn't speak the language, because with music you can feel it. When people are on stage, even if they're singing in Spanish or Portuguese or French, we don't actually see an issue in mixing everything up. It can be quite powerful. It's not a worry for us if we think it breaks those barriers.

Watch: Burna Boy Talks 'African Giant,' Damian Marley & Angelique Kidjo Collab, Responsibility As A Global Artist

It sounds like it really keeps growing naturally as you meet more people and explore different scenes. Do you have any plans or ideas for future locations this year or next?

Obi: Yeah, it does. We've already confirmed another location for this year that will be announced in another month or so. We want to always let people focus on what's next. Right now it's Puerto Rico and Portugal, but yeah, we've got another really great location.

SMADE & Obi Asika at Afro Nation

SMADE & Obi onstage at Afro Nation | Photo Courtesy of Afro Nation

Looking back a bit, can you tell me a little more about what inspired you to start Afro Nation together?

SMADE: I think Obi and I, we noticed a lack of representation of our acts. We know how talented they are and how much work they put into their music, but we weren't seeing them on the big stages. So Obi and I came together and we were like, we're just going to do it ourselves. We didn't even think it was going to be this big.

Obi: It's exactly what SMADE said. I'm a talent agent and he is a promoter. One of the things you do as a talent agent is headline shows in order to get your artists on big stages at the festivals. We struck up a partnership quite quickly, because SMADE is incredible. He was selling tickets for Afrobeats where all the big promoters weren't able to do it. We both obviously had a passion for this music, this genre, the culture because of our background. We struck up a partnership and we started having real successes, selling big tickets in London.

It wasn't really translating to the major festivals booking the acts. They wouldn't give them what we perceived as the respect they deserved, and I know a lot of these guys, they're my friends. It was like, "Obi, man, we just got our heads around hip-hop a few years ago, and now you're telling us to put these Afrobeats acts and give them serious, high up billing? We started off as a rock festival." They were also like, all those Afrobeats fans, they won't come to the festivals. They don't buy tickets. Everyone said it's not possible and I was like, how can we be selling out the O2 Arena with WizKid or SMADE selling them out with Davido, and then you're telling me that they can't play this?

"At our events, all the fans are very passionate. It's more than just going to a festival. I feel like it's the pride in their heritage and their culture and in their identity." - Obi Asika

We were just like, "Look, we're just going to do ourselves." And when we did it, it just felt—we weren't expecting it. We just wanted to prove a point, and within 24 hours, all the tickets were gone. People decided to buy a flight, buy a hotel, buy the ticket and go to another country, all for their love of Afrobeats. That's not small, it's a real commitment. I think that's why at our events, all the fans are very passionate. It's more than just going to a festival. I feel like it's the pride in their heritage and their culture and in their identity. It's driven us to keep going. We're having so much fun with it.

It's a very unique situation. Our people are everywhere in every part of the globe and the fans are everywhere. The biggest thing is if you just went on the norms of our industry of music and you say, "Oh, this person isn't on the charts or that person isn't signed to that label," but Afrobeats doesn't actually move to that. One of the things, obviously the success of Wizkid, Burna Boy and Davido, all the younger guys coming through is now shining a light on that in the records world. In the live music world, I think Afro Nation has shocked a lot of people that this crowd will buy tickets in advance and [pauses] I don't know many festivals that most of the crowd are female. In Portugal, we had 85 percent female.

Afro Nation

The crowd at Afro Nation Portugal 2019 | Photo Courtesy of Afro Nation

That's so cool.

Obi: I tell you, they are really amazing. Watching, I felt, "This is girl power going on." It was crazy. We'd never seen anything like it. It's a very powerful statement. It was a very unique festival. [Afro Nation] is such a positive event and is very special to us. We're very proud of it.

When you think of Afro Nation, what song comes to mind?

SMADE: For me, it's Fela [Kuti], any sound that comes from the legend Fela. Because a lot of these new acts now and the ones that have done great, from Wizkid to Davido to Yemi Alade to Burna Boy, when you see them on stage, that right there, for me, is Fela. That reminds me of Afro Nation. It's not just in West Africa alone. If you look at the highlife artists or the dancehall artists in Ghana, Shatta Wale, Stonebwoy, the way they present their performances and all the stuff that they do on stage just reminds me of Fela.

https://twitter.com/afronation/status/1232726873614028800

🇬🇭 Afro Nation is all about celebrating & promoting our culture. Not only do we want to have fun, we also want to make sure that we do a little something extra for the beautiful countries who host us.

Thank you to everyone involved and thank you Ghana. 🙏🏾 ⁣#TogetherWeMove 🌍 pic.twitter.com/JL5bxJfn47

— Afro Nation (@afronation) February 26, 2020

From your perspective, what you think real diversity and inclusion looks like in the music event space?

SMADE: Honestly with this, it's hard to define because everyone's got a different perspective of what equality looks like. However, right now in the music industry, I think we are heading in the right direction although we still have a long way to go. There needs to be more recognition of all types of genres.

That's the beauty of Afro Nation. Even though the most [focus is on] Afrobeats and African music and the culture, we also infuse the Jamaican acts. Like in Portugal, we had Busy Signal, Buju Banton. And there's the different genres, there's your Afroswing, soca, bashment, reggae, and then Afrobeats. There's also hip-hop. We bring everybody together as one on our stages. We had acts from the U.S., the U.K. and then also from the Caribbean and Africa. Bringing them all together to celebrate the African culture and music in Portugal was a great experience and feeling. The way everybody just connected, I felt like it was part of it.

Obi: I really agree with what SMADE said. To be honest with you, as we said before, it's ever-evolving. As an event and as a brand, we are constantly learning about new genres and what different parts of the world are listening to. It's just about trying to push the envelope. There's a lot of people involved in Afro Nation, from all different parts of the world, putting the show together. We're a very diverse brand and company, but we're always trying to do more. We all have to strive to include everyone and just give everyone an opportunity to do their thing. I think we're a very diverse event. I don't think there's many events that have French, Portuguese, Spanish and English speaking artists.

At our first couple of events, we were very aware that we didn't have enough female acts. There's a lot more female acts for Puerto Rico, and that is something that we have to check ourselves on a little bit to make sure. You just can't be lazy with it. Sometimes, you have to just take your time and find new acts. Maybe if your first choice wasn't available, take a risk on a younger act or newer act. It's important.

Read: Beyonce Shares Epic Track List For 'The Lion King: The Gift:' JAY-Z, Kendrick Lamar, Mr. Eazi, Shatta Wale & Many More

What is your biggest hope, for the next five or so years, in connecting the African diaspora through music and entertainment?

SMADE: My biggest hope is to connect and to use this platform to unify not only the Africans in the diaspora but also for other races as well to also experience and know the African culture. I'll give you an example. We just finished Afro Nation Ghana, and we had people from different races and different culture come down to Ghana. We had [Jamaican act] Popcaan buy a house in Ghana, and shown interest in Africa. We have people that never ever thought they would be in Africa celebrating, leaving their homes, or coming with their families to celebrate in Africa during the festive period.

Obi: Yeah, you were right, SMADE. It was crazy, wasn't it? We'd see the tickets sales and be, "Russia?" Russia, Australia, Ukraine…

SMADE: Right. It was amazing. This is what Afro Nation is doing. This can bring unity amongst everyone, every one of us. I hope the generation coming behind can also be inspired by the growth of the industry, and we can have many more superstar talent like Wizkid, Davido, Burna Boy, Tiwa Savage, Yemi Alade. And even the French-speaking and the Portuguese—there's Afro Portuguese now. From Afro Nation Portugal there are people trying to connect with the [Portuguese] culture, people going back home to check their DNA and all that stuff. This is what we're doing. This is what Afro Nation stands for, unifying.

Obi: I know for me, to be honest with you, I've got two real hopes. I want more, like SMADE's saying, of all these young artists coming through. I just want them to get through and become superstars, so we can have more headliners to keep pushing the industry forward. Now, in Europe anyway, every festival is booking Afrobeats, so half of our job's done. We want to see more commercial festivals booking Afrobeats. Those like Coachella, Reading and Leeds, Lollapalooza, we want to see them booking these acts. That helps the whole machine of it.

We got Ghana done and we're very proud of all we achieved because it's very difficult, as there's no infrastructure of the industry. Ghana is an amazing place. A lot of things work in Ghana like the roads, the airport. It's a safe place, it's super cool, but the entertainment industry, they've got lots of artists but there's no festival. You can't just call up someone and say, "Oh yeah, bring me this fence in and bring me this sound." It was really tough and we really put ourselves on the line because it's very expensive doing these events. But, we came through it, we produced something that we're proud of but we want to build it. We want to help keep building the African entertainment industry, because there's so much potential, there's so many acts.

Burna Boy Announces 2020 'Twice As Tall' World Tour

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Travis Barker

Travis Barker

Photo: Aaron J. Thornton/WireImage/Getty Images

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Travis Barker Launches DTA Records, Drops 1st Song travis-barker-launches-dta-records-new-lil-wayne-rick-ross-collab

Travis Barker Launches DTA Records With New Lil Wayne & Rick Ross Collab

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The Blink-182 drummer announced the new record label that will serve as a home for his collabs in hip-hop and other genres, as well as for artist development
Ana Monroy Yglesias
GRAMMYs
Dec 13, 2019 - 12:20 pm

Today, Travis Barker announced a new record label, DTA Records, which he is launching in partnership with Elektra Music Group. The Blink-182 drummer also released its first single, "Gimme Brain," a raunchy collab featuring his frenetic drumbeat and bars from hip-hop icons Lil Wayne and Rick Ross.

The new label caps off a busy year for Barker, who not only toured and released a new album with Blink-182, but also worked on a lot of collab tracks and projects, including two collab EPs; LIVE FAST DIE WHENEVER, with $uicideboy$ and Meet The Drummers with 03 Greedo.

DTA Records will serve as a home for Barker's collabs in hip-hop and other genres, as well for artist development under his leadership.

Read: Blink-182 Announce New Album 'NINE' Release Date, Plus New Song "Darkside"

"I wanted a label partner that I trusted with true artist development," Barker said about Elektra, in a statement shared with Billboard.

"As an artist, it's important to me that an artist's vision is protected at all costs. It's crucial that I'm able to look an artist in the eye and believe it when I say we can take them from a basement to an arena. Elektra's track record and belief are proof of that, and I'm stoked to continue to build that legacy together through DTA Records."

According to a press release, the song "represents a continuation of Barker's passion for beat making and production, especially within hip-hop which was his first love growing up."

Weezy and Blink-182 toured across North America together this summer. He, Barker and Ross first worked together back in 2011 on "Can A Drummer Get Some," from the drummer's similarly titled rap-collab-heavy solo album, Give The Drummer Some.

Blink-182's 'Enema Of The State' Will Never Actually Turn 20

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Drake 

Photo: Paul CHARBIT/Gamma-Rapho via Getty Images

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Drake Releases "Money In The Grave" Video drake-sparks-motivation-money-grave-video-featuring-rick-ross

Drake Sparks Motivation In "Money In The Grave" Video Featuring Rick Ross

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The Toronto rapper released the track, along with "Omertà," in June
Jennifer Velez
GRAMMYs
Aug 26, 2019 - 12:06 pm

Drake is causing some true Monday Motivation in his newly released video for his "Money In The Grave" track featuring Rick Ross. 

The black-and-white visual directed by Theo Skudra, who also directed Drake's video for "Nonstop" off his 2018 album Scorpion, features the 2019 Best Rap Song GRAMMY winner rhyming about his wealth while literal excavating happens in the background. "I got big packs comin' on the way/ I got big stacks comin' out the safe," he raps.

The Toronto rapper released the track, along with "Omertà," in June. Watch the whole video above. 

Missy Elliott Claims Her Throne In "Throw It Back" Off New 'Iconology' EP

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy and its Affiliates. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy and its Affiliates lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy and its Affiliates.