Prince Royce

Prince Royce

 

Courtesy Photo: Elastic People

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Prince Royce Reflects On 10 Years In Music, Talks New Album 'Alter Ego'

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As he prepares to launch his most ambitious tour to date, the Dominican-American superstar discusses his decade-long career as the prince of bachata and dissects his newly released double album
Lucas Villa
GRAMMYs
Mar 2, 2020 - 5:41 am

It's 2010. A 20-year-old Geoffrey Royce Rojas from the Bronx is gearing up to release his debut self-titled album as Prince Royce. Donning his then-signature look, a slick paperboy hat turned slightly sideways, he breathes new life into tropical music across Prince Royce, now officially the fourth best-selling Latin album of the last decade. Released 10 years ago today, the album established the foundation for Prince Royce's prolific career and extensive discography, which would soon grow to encompass 13 Latin GRAMMY nominations and multiple multi-platinum releases. 

Since debuting on the scene a decade ago, Prince Royce has become one of Latin music's most versatile pop stars. Prior to the "Despacito"-fueled Latin music global boom of 2017, Prince Royce's first four Spanish-language releases topped Billboard's Top Latin Albums chart. Aside from conquering the bachata music market, he's crossed over into other genres like pop, R&B, reggaeton and Latin trap and has released high-profile collaborations with legends like Daddy Yankee and Latin pop queens Thalía, Shakira, Anitta and Jennifer Lopez. He also teamed up with Colombia's J Balvin and Maluma and Puerto Rican urbano superstar Bad Bunny as their stars were starting to rise.

In a fickle music industry where artists come and go, Prince Royce has kept up with the times while staying true to his roots. As tastes in music change, he's steadfast in representing the genre of his Dominican heritage, bachata, and adventures into new sounds he's come across in the past decade. "I'm not that kid anymore that I've been. I'm kind of joining the list of veterans," Prince Royce tells the Recording Academy, with a laugh. 

Fast-forward to 2020, and Prince Royce is about to embark on his Alter Ego Tour, a 40-date U.S. trek and his most ambitious tour to date. For the first time, Prince Royce, who's worked his way up from smaller venues to theaters and has opened for major stars like Pitbull and Ariana Grande, will headline arenas on the Alter Ego Tour.

"It's 40 dates," he says. "It's going to be long as hell, but I'm just excited to try to give everybody my best." 

The Alter Ego Tour, kicking off this week (March 4), is supporting his new double album of the same name, which he released last month (Feb. 7). (The tour launches just two days after the 10-year anniversary of his debut album). He calls the newly released Alter Ego, his fifth chart-topper on the Top Latin Albums chart, a reflection of his musical journey so far. 

"I went to the Dominican Republic and really tried to catch that feel from my first album to celebrate the 10 years of my career," he says. 

Alter Ego is a double album tracing Prince Royce's early music days as a teen in the Bronx to the tropical sounds that put him over the top. The "Genesis" side represents the bachata music he is known for since dropping Prince Royce. The "Enigma" side has a mixtape feel rooted in his youth as part of the duo Jino and Royce, who were recording R&B and reggaeton music inspired by Puerto Rican icons Wisin & Yandel. In a full-circle moment for Prince Royce, that dúo dinámico now features on Alter Ego's "Una Aventura."

With momentum running high as he enters his next chapter, Prince Royce chatted with the Recording Academy about the past decade of his career while looking ahead to the future with his latest album and upcoming tour.

Going on a decade in the music industry, what have you learned about yourself in those 10 years?

It's all such a blessing. I'm so proud. It's a bit weird at the same time, because when I first started coming up, I always saw myself as like the underdog or the new kid, that I have to prove something—not that I don't still have to prove something. You always have to prove something to yourself when you're looking for growth. I'm really grateful. I feel like all of this proves that you can really do what you want if you set your mind to it.

In those 10 years, what is one moment that you're most proud of?

There [are] so many moments. But one that really resonates with me was singing "Stand By Me" with Ben E. King at the Latin GRAMMYs [in 2010]. That was so powerful. I recorded the song because Sergio George was telling me, "You should choose a cover." I chose "Stand by Me." It was a weird Spanglish thing in bachata. That song really opened the doors for me. The song was 50 years old when we performed it. Having Ben E. King there, supporting this Spanglish song that I did at the Latin GRAMMYs, was something that I'll always be grateful for. That song is so special to me.

Read: Los Angeles' First Permanent Latin Music Gallery Launches At GRAMMY Museum

How important has it been to you to represent bachata music throughout your career?

It's always important. I think it shapes who I am, where I'm from, a Dominican from New York from Dominican immigrant parents. Although I do a bit of everything, it's what really got me to be successful. With this new album, I was going to put out this R&B mixtape type of thing and then work on my bachata album. The label almost didn't want me to do bachata. They were like, "The urban stuff does so well if you look at the numbers." I still feel the need to represent bachata. That's where the idea came for a double album. I wanted to be genuine and give the fans that fell in love with that Prince Royce from 2010 what they want, which was the bachata album, too.

You've worked with a lot of great artists. Who are some of your favorites?

I think all of them are so different. Daddy Yankee was my first collaboration. That one is always going to be special for me. When I wrote that song, "Ven Conmigo," I was literally still in the Bronx. He was one of the early bidders in my career. [Working with] everyone's been such a great experience, like working with J.Lo, who I admire so much. Her [being] from the Bronx and being a strong woman and doing her thing. And Shakira, too. Seeing them at the Super Bowl [last month] was a very proud moment as a colleague, friend and as a Latino in general. I learned so much from them. I learned something from every collaboration that I just try to absorb as a sponge.

The "Enigma" side of your new album, Alter Ego, has '90s samples, like Keith Sweat's "Nobody" and Ginuwine's "Pony," and a cover of Craig David's "Fill Me In"? Why did you decide to include those throwbacks?

Originally, this was a mixtape idea. I feel like Tory Lanez when he does his mixtapes called Chixtapes. The idea was [to] let me grab some old-school joints and make them into Spanish. It's me bringing in that flavor that I grew up with, which was growing up in New York, hip-hop, English and Spanish. A lot of people don't know that "Fill Me In" is a cover, but it sounds so different. That's a whole other vibe. That B-side to me is like the alter ego side of the album. When you hear that song "Really Real," which has that "Nobody" vibe on it, you hear my voice. I don't sound like myself. I'm singing in a low octave that people haven't really heard before. That B-side is about showing people more of that Prince Royce they haven't heard on the radio.

What can fans expect on the tour?

They can definitely expect the songs that they know and love from the past. We're going to mess around with the Alter Ego concept. We got two stages. There will be some surprises from the collaborations. I'm really going to try to bring out my friends and the people who supported me for so long. It's going to be a big 10-year anniversary party.

I remember on the 2016 Bad Man Tour, with Pitbull, in Anaheim a few years ago, you brought up a gay fan to sing "Stand By Me." You were also a part of the song "Hands" for the LGBTQ+ community. I was wondering if you have a message for your gay fans.

Just a lot of love. For me, it doesn't matter where you're from or who you like: It's all about love. The gay community has shown so much love [to me]. I just try to put out a lot of positivity. In these last 10 years, I wouldn't be able to do it without all these people that have shown love. We've been going through all these hard times recently in general—as Latinos, as human beings—that at the end of the day, we're all human. We all just want to have a good time and enjoy music. I feel like that's what it should be when it comes to concerts and music. Let's go out there. Let's have fun.

What do you see for the future of Latin music?

Things are looking bright, seeing the women out there in the Super Bowl and seeing that it's shattering records. I remember when I first came out how much of a struggle it was to try to get American artists to collaborate with Latin artists. Now it's the reverse. You have all these Anglo artists wanting to get into the Spanish market and collaborate with the Latin artists. I think it's great. Latinos have always represented something great in the U.S. and the world. We're seeing more of it in music now, and I think we're finally getting our shot to demonstrate that we are a big community. That we're powerful. That we're part of the U.S. We can sell records. We can sell concerts. Now we feel like we're f**king here to stay. As long as we keep working, we'll continue to go up. It's been a pleasure to be part of the Latin movement. 

For tickets and for the full routing for Prince Royce's Alter Ego Tour, visit his official website.

Latin Music Industry And Artists Discuss The Genre's History, Cultural Impact And Future Trends At 2020 GRAMMY Week Panel

Selena

Fans remember Selena during Hollywood Walk of Fame ceremony in 2017

Photo: TARA ZIEMBA/AFP via Getty Images

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Selena Forever: Remembering The Latin Pop Icon 25 Years Later

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On the 25th anniversary of her passing, the Recording Academy honors Selena via an industry round-table tribute featuring the artists, creatives and journalists she inspired through her art
John Ochoa
GRAMMYs
Mar 31, 2020 - 7:48 pm

Few artists have transcended genres, decades, languages, cultures and borders like Selena. Born Selena Quintanilla in Lake Jackson, Texas, and reared in the state's Corpus Christi area, the iconic singer is one of the most influential and most successful artists in the wider Latin pop canon.

In her early days, she became a pioneer in the then-male-dominated Tejano music scene, a genre she helped mainstream when she won the GRAMMY for Best Mexican-American Album in 1994 for her 1993 live album, Selena Live! It marked her first, and only, career GRAMMY win and the first time a female Tejano artist won the category, earning her the undisputed title of Queen of Tejano music. It was only one of many accolades for the legendary singer. 

Remembering Selena 25 Years Later

In her short-lived solo career—she released five studio albums between 1989 and 1995—Selena would establish an ever-lasting sound that spanned languages and styles and resonated with fans across a spectrum of cultures and ethnicities. Her multiplatinum 1994 album, Amor Prohibido, gave early indications of her cross-cultural crossover appeal. In addition to topping the Top Latin Albums and the Regional Mexican Albums charts, Amor Prohibido became a top 30 hit on the all-genre Billboard 200 chart. It also received a GRAMMY nomination for Best Mexican-American Performance and spawned four chart-topping hits that conquered the Billboard Hot Latin Songs chart: "Amor Prohibido," "Bidi Bidi Bom Bom," "No Me Queda Más" and "Fotos Y Recuerdos," all considered signature Selena classics today. 

She would later go on to fully establish her mainstream crossover appeal with Dreaming Of You, her final album, released posthumously in July 1995, just three months after she was murdered by a former employee. The album would debut at No. 1 on the Billboard 200 chart in the U.S., becoming the first predominately Spanish-language album to accomplish that feat. It would ultimately prove the full potential of just how far the international star was poised to go.

Selena's reach expands far beyond music, too. A multifaceted businesswoman, she owned and operated two boutiques, called Selena Etc., across Texas, with several other locations across Latin America in the works. As a budding fashion designer, she regularly wore her own designs while performing onstage: Her iconic purple jumpsuit she wore at her final concert in 1995 remains an eternal look. In 2016, MAC Cosmetics released a makeup collection inspired by and in honor of Selena. Selling out within a day, the collection is now considered one of the best-selling MAC celeb collaborations of all time. MAC will be releasing a second Selena capsule collection this April.

The story of Selena, forever immortalized in the 1997 biopic starring a then-rookie Jennifer Lopez in the career-making titular role, is one that's continued since her untimely death in 1995. She has since inspired a new generation of artists and fans alike, who carry on her legacy through music, art and fashion, three areas in which she pushed the envelope with her unique style and vision. Much like her music lives on to this day, so too does her never-ending influence. 

On the 25th anniversary of her passing today (March 31), the Recording Academy honors Selena via an industry round-table tribute featuring the artists, creatives and journalists she's inspired throughout the decades through her music and art.

The quotes and comments used in this feature were edited for clarity and brevity.

She Was A Genuine Soul

Kacey Musgraves (GRAMMY-winning artist; in 2019, she covered Selena's "Como La Flor" at the same site of the Tejano legend's final concert in 1995): Selena had an innate talent for taking something classic and traditional and shaping it with her modern voice. I love when someone has the vision to take something that's been done a million times and knows how to freshen it up in a way that speaks to their generation and also older generations. It's a quality that truly brings people of all ages together. 

Selena was an entrepreneur and woman of business, a songwriter, an iconic vocalist, a trendsetter, and her fashion sense was way ahead of its time. But the attribute I admire most about her was her ability to be real—unabashedly genuine across the board. Being in the spotlight, especially from a young age, can bamboozle people into feeling like they have to shift into something different when the cameras are on. Without ever knowing her, I feel like I can say she never did.

Linda Wilvang (Senior Director, Awards and Latin Genre Manager at the Recording Academy): I have always been attracted to artists who push the envelope, artists who are not conventional, and Selena was one of those artists. She elevated Tejano music to a new high. She successfully blended other musical styles with Tejano and made it her own. She proved to me that you can succeed without compromising your core values, without changing who you are. You can work in any industry and still be real.

John Dyer (photographer; in addition to photographing Selena for several magazine covers in the early '90s, he has contributed images to the Selena Forever/Siempre Selena installation on display at McNay Art Museum in San Antonio, Texas): I spent the day before the shoot setting up several backdrops in the studio so I could photograph her in a variety of situations and costumes ... She jumped out of her car with a big smile. A naturally beautiful, young Latina with jet-black hair, flawless skin, and a perfect figure. She opened the hatchback. It was crammed full of her performing costumes, many handmade, all of her own design … 

For the cover [Mas Magazine, 1992], we shot in front of a gray background. Then we moved in front of a red curtain above a black and white checked floor. We ended outside the studio against a white seamless in the warm afternoon light. Selena's quick smile, infectious laugh, and unending energy made her a pleasure to work with …

In early 1995, Texas Monthly called and wanted to do a spread on Selena. By now, she had achieved incredible fame and transcended the boundaries of the Texas music scene. 

We met at the Majestic Theater in San Antonio, a favorite place of mine. She had just finished two exhausting days of shooting TV commercials for a corporate sponsor. She was tired. I had brought a beautiful handmade jacket for her to wear. I posed her in the alcove on the mezzanine of the theater where the light is particularly nice. She was subdued and pensive. A far cry from the ebullient, excited young singer I'd photographed three years earlier. Later I thought her mood might have been an eerie harbinger of what was to come.

Between when I photographed her at the Majestic and the Texas Monthly article coming out, she was killed. The art director, my old friend DJ Stout, used one of the more somber shots I had done for his cover chronicling her death. He sent me a handwritten note not too long after the issue appeared saying the cover with my photograph of Selena was one of the strongest he'd ever done. It's a cover I would rather not have had. 

She Represented A Different Kind Of Beauty

Patty Rodriguez (Senior Producer for On Air With Ryan Seacrest; her Los Angeles-based children's book publisher, Lil' Libros, released a bilingual picture book biography about Selena; in 2015, her online petition helped launch the Selena-inspired MAC Cosmetics makeup line): She was unapologetically Latina. She was so proud of her identity and carried it with her everywhere, and that is what resonated with us. Growing up, we had no one to look up to, so then here comes a woman … with black hair, brown skin, that sounds and looks like us. Her flamboyant onstage costumes were designed and created by her, an example of the Latina make-it-happen-with-the-limited-resources-we-have attitude. Her trademark red lipstick and hoop earrings are what you see in our neighborhoods, and she took that with her to the world stage. 

Latina women purchase beauty products three times more than any other group, and it wasn't until MAC released Selena's collection did we feel seen; it's unbelievable to me that it took this long. But I see why: The men and women who grew up with Selena are now adults. She taught us to be unapologetically Latinx, and we are no longer afraid to ask for what we deserve. Thank you Selena.

Read: Remember When? Selena Wins Big At The 36th GRAMMYs 

Leila Cobo (VP Latin Industry Lead at Billboard): I think Selena's particular brand of beauty was essential to her success. In a world (still) of telegenic, imported Latin pop stars, and a time when the standard for Latin beauty were largely white soap opera actresses, Selena was an anomaly. Selena embraced her body, her hair, her voluptuousness. She was so real. I would say that, for the first time, a new generation of U.S.-born Mexican-Americans and Latinas overall had a star that they could intimately relate to at all levels. She was their peer. She was a role model for an entire generation of Mexican-American girls who didn't have a role model before. This was key. Only Jenni Rivera, many years later, would come close.

Kate Carey (Head of Education at McNay Art Museum in San Antonio, Texas; Exhibition Curator for Selena Forever / Siempre Selena photography installation): In selecting the photographs on view in Selena Forever/Siempre Selena, I had an opportunity to look through many photos from two different shoots with photographer John Dyer. I recognize that he is a gifted photographer, but her beauty and winning personality were revealed on every frame. I can see why brands wanted to align with her image. Yes, she is beautiful, but she also came across as very real—just like me or you. 

Pabllo Vittar (Brazilian activist, artist and drag queen): Selena embraced her beauty the way it was, not trying to follow the "beauty rules." That's important and it resonates till now, as you can see more and more people feeling good with their bodies and how they look. We are all beautiful in our own way and there's nothing that can tell us otherwise. 

Honey Andrews (transgender performer, based in Corpus Christi, Texas, who's worked as a Selena impersonator for nearly 15 years; "Selena was definitely one of my inspirations and idols and someone I definitely look up to when I began my transition," she says): Selena's fashion was definitely ahead of its time, and she was always up to date on the latest trends. She was an amazing fashion designer. Her amazing onstage costumes are very recognizable, and she has definitely impacted today's women in the music industry; till this day, a lot of women credit her for the fashions they wear ontage and even for just a casual day. She definitely impacted me because she taught me that you can be sexy, even if you're not a size zero. You can still be sexy by having curves, and she definitely embraced her own beautiful body and curves.

Girl Ultra (R&B artist from Mexico City): I feel like she embraced her curves and her body shape so much. She was breaking paradigms about the female body and Latina bodies as well. As Latinas, we have big caderas [hips] and juicy thighs, and when it comes to fashion, it's hard to find the right sizes. And by her designing her own outfits and crafting them, she was breaking all this body stereotyping back in the day. 

Javiera Mena (Chilean electropop artist): She transmitted good vibes with her smile, her eyes, her body—we could feel it. We all feel it when we watch her videos, too. It makes you connect, and that's a real beauty. Also, her mouth and lips were very iconic. I understand MAC [Cosmetics] used it for a [beauty] line, with her big and thick lips, something that influenced me and all the people!

Her Fashion Was Ahead Of The Time

Kate Carey (McNay Art Museum): Selena Forever/Siempre Selena was conceived at the McNay Art Museum in tandem with the 1990s-focused exhibition, Fashion Nirvana: Runway To Everyday. Like many of the designers on view in Fashion Nirvana, Selena took fashion risks, embraced body-conscious ensembles and carefully crafted her image. That brand of fearlessness and innovation characterized the 1990s and Selena's fashion sense. The sparkly bustier tops, revealing performance ensembles and cool leather jackets cement her reputation as a style icon, but she presented an authentic and accessible image by wearing jeans, boots and white T-shirts. Personally, I'm a big fan of the accessories: the newsboy hats or big silver belts. She absorbs these elements of menswear and represents them as both tough and feminine. That, to me, is '90s fashion in a nutshell.

Javiera Mena (artist): I love her aesthetic and style. It is a great influence for me. I have been influenced by the high-cut Texan jackets with large shoulder pads and the glitter and reflective accessories. Also, her jeans and thick eyebrows. She was a pioneer. She had an elegance that brightened without limits when she was on stage.

Christian Serratos (actress; she stars as Selena in the forthcoming Netflix series, "Selena: The Series"): It's amazing to see how many artists, of all backgrounds and genders, have been inspired by Selena. It was her fearlessness and creativity that made her an icon. There are few people who have the power to be remembered by a color or a feeling, or who have become synonymous with an accessory like the hoop earring. The last time I saw what Selena did to the red lip was Marylin Monroe, another icon. I see Selena's influence when I walk down the street, and I know I'll continue seeing that influence for many more generations. 

María (Lead singer of Los Angeles-based Spanglish indie rock/indie pop band, The Marías): My first memory of being introduced to Selena was in her biopic film. Thereafter, I listened to her music and watched her music videos nonstop. I remember when I was around 5 or 6, I wanted to wear a bustier just like Selena. I wasn't even old enough to wear a bra! But my mom, being the angel she was, found some tiny training bras at the store and sewed little beads on them for me. This was my earliest memory of being directly influenced by fashion. When I was old enough to really understand, her style represented confidence in your own body. The fact that she could so freely and confidently dance around in a bustier, against her father's wishes, was inspiring. She wasn't doing it for sex appeal, in my opinion. She was doing it because she simply wanted to feel free and in control of her body.

Raquel Berrios (Puerto Rican designer and co-founder/singer of Buscabulla): Her style sense was very balanced and cool. It was sexy without being slutty, feminine but not fragile. She really created a strong yet down-to-Earth example for Latinas. I personally strive to include that balance in the way that I like to style myself and portray myself as a Latina artist. 

She Was A Multifaceted Businesswoman

Christian Serratos (actress): Selena's ability to create new avenues for herself and work hard to achieve them is inspiring and relatable. We all have the ability to design our own paths. Strong women like Selena show us the power of never giving up and handling adversities with grace. 

Jennifer D'Cunha (Global Head of Latin Music at Apple Music): Selena had an entrepreneurial spirit and extended her self-expression beyond music and into fashion, design and film, while staying true to her personal brand and identity. Her confidence, authenticity and distinctive personal style still resonate and inspire fans all over the world. She had the courage to reinvent herself and the work ethic and raw talent to be successful at anything she committed to. Selena ventured into uncharted territory by expanding her realm of influence outside of music, well before celebrity clothing lines were commonplace and brand partnerships were the norm.

Tatiana Hazel (Mexican-American, Los Angeles-based singer-songwriter, musician, producer and fashion designer): Nowadays, several musicians are starting their own makeup lines, fashion brands, etc. But Selena was definitely a pioneer for this kind of business model. She really was capable of anything she set her mind to accomplish, and I believe that is why she was able to break so many barriers through determination. Also, not only was she determined, but also talented at everything that she pursued.

She Was A Voice For Latinx People Around The World …

Adrian Quesada (GRAMMY-winning guitarist/producer and founding member of GRAMMY-nominated duo Black Pumas; he served as the music director for the Selena For Sanctuary tribute concert series in 2018 and 2019): She had a huge impact and influenced many, and still does to this day, because representation is very important for communities and cultures that haven't always had an icon that transcends boundaries to look up to. For people that looked like her, spoke like her, came from places like she did, it let them know that they could do it, too. I feel like her influence continues to grow exponentially, even for generations who weren't alive when she was. She gives hope and inspires because she was bigger than any one genre, culture, region and country, and was a positive role model at that. 

María (artist): When an artist as undeniably talented as Selena comes along, deep down it doesn't matter where she's from. I became a fan of Selena when I was really little, after watching the movie [Selena] with Jennifer Lopez. It didn't matter to me what Latin country she was from. What mattered to me was that she was Latin and that she was accomplishing so many amazing things. Of course, Latin communities take pride in their countries and flags, but what unites us all is that we're Latin, that we have similar values and morals and beliefs. I'm from Puerto Rico and my father is from Spain, but growing up, all of my friends were from different Latin countries: Venezuela, Colombia, Mexico, Brazil, Uruguay, Guatemala and more. We learned from each other's unique cultures, but deep down we were all the same. 

La Doña (Mexican-America multi-instrumentalist, producer and singer-songwriter): I think the reason her music was so successful with such a diversity of Latinos is because Tejano music and all of the music she is founded in are tremendously diasporic cultural practices. That means that when she revolutionized Tejano music and prepared it for the pop platform, she is representing and reiterating ancient practices that are not confined to the region of Texas. Similarly, when she presented her style of techno-cumbia, she was not only appealing to a young brown audience, who was excited by their contemporary synthetic sounds mixed with familiar and familial rhythms, but also representing Afro-Latinx and Afro-indigenous art forms that have informed all of the musica tipica and popular of Latin America. This commitment to tradition and bravery in transporting it into a new arena is definitely one of the reasons that Selena's music spoke to such a diversity of Latinx fans across the world. 

Isabela Raygoza (Latin Music Editor at SoundCloud): Selena's musical moxie embodied the beautiful complexities of biculturalism. With her insatiable mix of electro-cumbia, ranchera and pop-flavored R&B, Selena went on to represent the experiences and lifestyles of her compatriots: Mexicans (native, first-, second-, third-gen), Texas dwellers and beyond. She was born in the U.S. to Mexican-descendent parents, and she didn't speak fluent Spanish, similar to Chicano rock star Ritchie Valens before her and countless others of Latinx immigrant backgrounds. Brown-skinned, family-oriented, and of humble beginnings, Selena, the pop icon, became the voice of the Latinx diaspora. 

Without Selena's formidable contributions to Latin pop, J.Lo or Becky G's musical career might've not been what they are today: two U.S.-born Latinas who, too, grew up speaking predominantly English, who embrace their biculturalism with endearment and pride and who uphold the enduring legacy left behind by the Queen Of Tejano Music.  

Although Selena's tragic death cut her potential short, she nevertheless managed to leave an indelible mark on Latin pop, and she will surely continue to do so for newer pop stars to come.

Raquel Berrios (artist, Buscabulla): Selena was right there doing her Latin thing in the most unique way in a time when we really didn't get to see a lot of Latina role models on mainstream media. She set such a cool example of a super talented, down-to-Earth Latina woman. I loved how she broke language barriers. That was a huge inspiration for me as an artist.

… But She Was A Role Model For All People

Kali Uchis (GRAMMY-nominated artist): Selena will forever be iconic because that's what she was. Her being taken from us is one of the greatest tragedies known to man, but Selena's raw star power, persistence and dedicated fan base are the reason her legacy will be immortal. As a Latin-American woman, she made me proud to be multicultural when at times it never felt I could be American enough or Colombian enough. I've always listed her as one of my greatest inspirations, because she was the first multicultural global sensation on Earth.  

Honey Andrews (performer/Selena impersonator): Selena's music and art influenced me in so many different ways. Her music is timeless. Selena was a piece of art herself. She was very diverse with her wardrobe as well as her music. She means so much to me as a person because she taught me that the impossible is always possible. She was a one-of-a-kind artist and she was such a great cultural figure for the Hispanic and Latino and Mexican-American community.

Marissa Gastelum (Latin Music Artist Relations at Apple Music): Selena is the only Latin artist to have broken cultural barriers the way she has passed the grave. When you have artists like Beyoncé and Kacey Musgraves performing covers of Selena or Drake wearing a shirt with Selena, you know she has transcended culture. Her spirit lives on through her music, and the Selena movie helps new generations get to know her story and connect to her music. Her album Dreaming Of You is a gem, and those songs are timeless. I think these artists connect to Selena because of her music and her sense of style. She was the epitome of cool and an incredible performer. Selena showed that a woman can be strong and graceful and can command a stage and be sexy at the same time.   

iLe (GRAMMY-winning Puerto Rican singer/artist; member of Calle 13): I think that when you start something that's so good there is no reason to stop. Selena was that dreamer that we all are when we were young. Listening to her songs today is revitalizing. She and her music reminds us about the importance of being alive, enjoying every moment and to keep dreaming. 

Suzy Exposito (Latin Music Editor at Rolling Stone; her former punk band, Shady Hawkins, covered Selena's "Como La Flor" in the past): I was always a sucker for a forbidden romance like that of [Selena's hit song] "Amor Prohibido." Inspired by love letters Selena discovered from her grandmother to her grandfather—a young maid who fell in love with the wealthy son of her employers—it's a heartrending tale of two young sweethearts, who against the conventions of society, flout their class disparity with love. Selena told it with such verve and conviction that even as a 5-year-old, it just rocked me to my core. Yet the context changed as I grew older, and I began to understand that the love I so desired would probably look very different from that of my parents or most of my peers. So when I came out as a bisexual woman 10 years ago, I braced myself to go through it alone; but the biggest surprise and reward of coming out was that, in fact, I was far from it! In being more present in New York City's LGBTQ community, whether by attending protests, drag nights and punk shows, I was able to find a beautiful community of Latinx people who grew up just like me: bilingual children of immigrants, whose resilience and great capacity for love transcends all kinds of borders.

Suzy Exposito (center) performs with her band, Shady Hawkins

Suzy Exposito (center) performs with her band, Shady Hawkins

Adrian Quesada (artist/producer): Being from a South Texas border town, cross-cultural and bilingual feels pretty normal and felt so at the time of her music. But I think it gave hope that it could be bigger than that and reach the masses through multiple avenues. They updated the Tejano sound a bit with modern, at the time, R&B influences, which helped it cross over and resonate with people who weren't familiar with regional Tex-Mex music and did so in a way that was seamless and natural. I do believe she was well on her way to even bigger crossover territory, with collaborations with people like David Byrne, and would have continued to push the envelope musically and culturally to this day. She was just beginning to really branch out before her life was tragically taken. 

She Broke Barriers And Opened Doors For Next-Gen Artists

Angie Romero (Senior Editor, U.S. Latin Music Culture and Editorial at Spotify): Back in the day, artists like Selena had to fight hard against systemic barriers, many of which still exist today. But because of artists like Selena, Gloria Estefan and others, the door for the next generation has been cracked open, and it will forever stay open. Young Latinas can dream of doing anything they want to do in the world, and they don't ever have to stay inside a box, either — they can do it all, just like Selena did.

iLe (artist): Society makes us get used to the same things so much that we don't notice what we're seeking until it suddenly appears. We as women have a voice that should be heard and acknowledged. Selena became a female figure that Tejano and Latin pop music needed and I think she succeeded by not being afraid of being herself. 

Selena Wins GRAMMY For Best Mexican-American Album

Jennifer D'Cunha (Apple Music): Selena broke barriers for women in Latin music. She created her own lane in the male-dominated Tejano music scene, and successfully took the genre to new heights. Whether it was cumbias, traditional Tejano or pop, she made her unique sound mainstream in Latin music. She thrived not by trying to conform, but by pushing the boundaries, following her intuition and playing by her own rules. Her spirit lives on and continues to inspire.

Pabllo Vittar (artist): For me, she was the first Latin diva going global! She was gorgeous and unique! I was born a year before she passed away, but I remember my mom listening to her music and I could watch her videos some years later. She was an icon that comes to mind when we talk about letting the uniqueness of your culture shine through you, and she was an example of how you can take a specific and regional rhythm and work your way into the industry. 

Jesse Baez (Guatemalan contemporary urban/R&B artist): I think the most important thing people should know is that you can live forever through music. You know, Selena passed away when she was 23, so she was incredibly young, and in spite of that, she's still relevant in 2020, maybe more than before. I think people should know that you can live forever if you do something with passion and enjoy what you do—that's what I would take from her. 

Girl Ultra (artist): She had such a big female strength that still empowers upcoming generations. She embraced her roots and her femininity in ways that Mexican culture was not very used to. She also gave Mexican weddings and parties many anthems.

La Doña (artist): Selena was able to supersede systemic barriers for many different reasons; one of those is her raw talent and passion. It is impossible to ignore the sheer amount of energy she put behind not only every song and every performance, but also all of her other creative ventures. Unfortunately, however, we have seen that that is rarely enough for a young star such as Selena to achieve success in the way that she did. 

I think that a huge contributor to this success was the support and contributions of her family. Though working with one's family is never simple or easy—speaking from the perspective of someone who grew up playing Tejano music in a family band—it is also grounding and supportive in a way that you won't experience from a different type of team. 

The last element of this perfect storm that vaulted Selena into super stardom is that the music industry needed her. The huge Latinx population within the United States needed her; the market existed but it was largely ignored until Selena revealed it, and then there was no going back. She opened a door to a market and created an entire Latinx enclave within the pop industry that would always exist as her legacy.

Her Music Still Strikes A Chord Today

Kate Carey (McNay Art Museum): "Como La Flor" is one of the greatest songs ever, and if I have done anything right as a parent, it is that my kids know this song by heart. 

Kali Uchis (artist): My favorite songs are "No Me Queda Más" and "Como La Flor"—because I like to dance and cry.

Angie Romero (Spotify): It's so hard to choose a favorite! But "Como La Flor" is just a perfect song, with the perfect metaphor, and it was also special to her and the band because it was their breakthrough hit in the U.S. and Mexico, reaching No. 6 on Billboard's Hot Latin Songs chart [in 1992]. When she sings the opening notes of that song, live at the Astrodome, and drags out the word "flooor," then moves her hand beautifully like a flamenco dancer, it gives me chills and makes me teary-eyed every time! I also just love that line about "me marcho hoy, yo se perder" ["I'm leaving today, I know how to lose"]. It's a different take on a broken heart in the sense that you aren't just wallowing in sadness, but you accept it and move on, similarly to other iconic songs that I love that also take the high road, like "I Can't Make You Love Me" by Bonnie Raitt. 

iLe (artist): I have many Selena classics that I love, but I would have to say "Techno Cumbia" [is my favorite] because it reminds me of a little dance that I used to do with my cousin, Beatriz, when we were kids.

Jesse Baez (artist): I feel like "No Me Queda Mas" is the only ballad that I can go back to and not feel weird about liking. It just became a permanent song in connection to my childhood. Even though it's sad, and there are a bunch of other Selena songs that I also love, I like how this song goes against everything else I tend to like, so I will pick that song forever.

Jennifer D'Cunha (Apple Music): Selena's [2003] Live: The Last Concert is one of my favorite concert films of all time. Selena's charisma onstage, her vocals, the energy from her fans and that fierce purple jumpsuit make this one of the most iconic live performances ever.

Leila Cobo (Billboard): "Amor Prohibido" is my favorite Selena song. It's a beautiful story, a timeless song, timeless lyrics. It's a song that will forever be relevant.

A New Generation Of Artists And Fans Continues Her Legacy

Leila Cobo (Billboard): While Selena's music traveled internationally, her real influence lies in her impact within the United States. Because she was a homegrown star, she was widely recognized both by Latin and non-Latin fans. Selena was an anomaly: Bilingual and bicultural, she not only looked like her fans, she was like them. That relatability was transformative for Latin pop culture.

Thanks to Selena, for the first time, perhaps ever, U.S.-born Latinas had a role model they could aspire to be. Two generations later, Selena's impact is tangible. Dozens of prominent figures—from Becky G to Jennifer Lopez to Leslie Grace to Selena Gomez—point to Selena as their direct influence. Selena's legacy has been fundamental in creating a new movement of U.S.-born Latin artists who today, 25 years after her death, are collectively reaping success and still naming her as the precursor of their achievements.

Girl Ultra (artist): I feel like any Latina making music since then is part of her legacy. We're fighting for the same cause: breaking paradigms about how ''Latino music'' should sound or look like and breaking with the objectification and the so-called "fetish" of Latinas all over the world.

Linda Wilvang (the Recording Academy): Selena made Tejano music cool! Moreover, she was able to fiercely and creatively convey her passion for the genre, and this you can attest by watching any of her performances. She truly loved her craft, her fans—she loved life. Selena's legacy has endured to this day and will continue, thanks to her family and fans who lovingly have kept her music and spirit alive for 25 years and beyond. 

Marisol "La Marisoul" Hernandez (Lead vocalist of GRAMMY-winning Los Angeles band La Santa Cecilia): When I first witnessed Selena, I was blown away by her amazing vocal skills. It was so inspiring to see a brown, curvaceous woman be so confident and commanding onstage. I could see myself in her, and that was so empowering! At that time, as a teenager, I, too, had dreams of one day becoming a singer myself. Her beautiful music introduced me to the Tejano music genre, which I began to follow. I admired her presence in a mostly male-dominated music scene and soon became a loyal fan. 

Watching her interpret regional Mexican music in Spanish really moved me to continue my personal journey. When I saw an interview with her and [saw] the way she spoke Spanish with her Mexican-American accent, that's what really got me. She spoke the way I spoke. She was a Mexican-American female musician dominating the Tejano, regional Mexican music scene, and at the same time, you could hear in her voice that American R&B style that I would hear later in the [1995 album], Dreaming Of You. That's what made her so special to me and such an inspiration.

Kate Carey (McNay Art Museum): I love visiting the McNay on weekends when I'm not really working. The first weekend of the Selena Forever/Siempre Selena exhibition at the McNay, my parents were visiting; I wanted to show them what I was working on. We saw visitors throughout the museum wearing Selena fan memorabilia. One older gentleman wore a T-shirt that read, Selena es mi reina [Selena is my queen]. Similarly, a young mother encouraged her daughter to pose like Selena in the photos. I don't know why her music is so timeless, but I know that it is, and it's very obvious to me the reverence Selena fans have for her music and her image. 

The Enduring Beauty Of Selena's Legacy

Selena

Selena

 

Photo: Pam Francis/The LIFE Images Collection via Getty Images/Getty Images

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Apple Music To Celebrate 25th Anniversary Of Selena's 'Dreaming Of You' With Radio Special Featuring Demi Lovato, Karol G, Becky G And More

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Airing Friday (July 17), the one-hour special, which will discuss Selena's life and impact on the Latin and pop music worlds, will also feature interviews with the late singer's surviving family members
John Ochoa
GRAMMYs
Jul 17, 2020 - 12:08 pm

Apple Music has announced a one-hour special in celebration of the 25th anniversary of Selena's final album, Dreaming Of You, Rolling Stone reports. The radio special will feature a diverse cast of guests including Demi Lovato, Karol G, Becky G, David Byrne and producer Keith Thomas as well as interviews with the late singer's surviving family members, including her siblings and former bandmates Suzette Quintanilla and A.B. Quintanilla and father Abraham Quintanilla. 

Hosted by Apple Music's Sandra Peña, the special will discuss Selena's "life and legacy," according to Rolling Stone, as well as her influence on the Latin and pop stars she inspired. 

The special will air Friday (July 17), one day before the album's 25-year anniversary, starting at 6 p.m. EST via Apple Music's global livestream.

Remembering Selena 25 Years Later

Released posthumously in July 1995, nearly four months after the beloved singer was murdered by the former manager of her chain of boutiques that July, Dreaming Of You marks Selena's fifth and final studio album. The release fully realized her mainstream crossover appeal: Debuting at No. 1 on the Billboard 200 chart in the U.S., Dreaming Of You became the first predominately Spanish-language album to accomplish that feat.

"Her album Dreaming Of You is a gem, and those songs are timeless," Apple Music's Marissa Gastelum told GRAMMY.com in a special tribute in honor of the 25th anniversary of Selena's passing.

"She was a Mexican-American female musician dominating the Tejano, regional Mexican music scene, and at the same time, you could hear in her voice that American R&B style that I would hear later in the [1995 album], Dreaming Of You. That's what made her so special to me and such an inspiration," Marisol "La Marisoul" Hernandez, lead vocalist of GRAMMY-winning Los Angeles band La Santa Cecilia, added. 

Earlier this year, Selena's family had plans for a special tribute concert, dubbed Selena XXV - Veinticinco Años, to honor the 25-year anniversary of her death. Produced by the family's own Q Productions and originally scheduled for May, the event was rescheduled in March and ultimately canceled in May, both due to the COVID-19 pandemic. 

Selena Forever: Remembering The Latin Pop Icon 25 Years Later

Hit-Boy attends the 2020 GRAMMY Awards

Hit-Boy attends the 2020 GRAMMY Awards

Photo: Frazer Harrison/Getty Images for The Recording Academy

 
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Hit-Boy On Producing Big Sean's 'Detroit 2' And Nas' 'King's Disease,' Carving His Own Path As An Artist

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The two-time GRAMMY-winning superproducer tells GRAMMY.com about his creative process behind some of the biggest hip-hop albums of 2020 and how he's paving a path as a rapper in his own right
John Ochoa
GRAMMYs
Sep 5, 2020 - 5:19 pm

Hit-Boy might be music's busiest person in 2020. Across a four-month timespan, the two-time GRAMMY-winning superproducer quarterbacked four of the biggest projects in rap this year. In May, he dropped the fourth and final installment of his The Chauncey Hollis Project solo series, followed by Also Known As Courtesy Of Half-A-Mil, his collaborative album with Dom Kennedy, in July. He followed up with King's Disease, the 13th album from rap icon Nas, in August, and Big Sean's fresh-out-the-oven Detroit 2, released Friday (Sept. 4)—both of which he executive-produced. 

But for Hit-Boy, it's just another day in the office.

"It's too many artists trying to tap in for me to just work on one thing at a time, but I still am able to give my focus," he tells GRAMMY.com on the eve of the release of Detroit 2. "It's like quantity and quality. I don't know how to explain it right now."

With his mind on his music and his music on his mind, Hit-Boy is used to juggling a packed calendar in the studio. He's kept a 24/7-schedule since first breaking into the industry in the late 2000s. He's since become one of the go-to producers in the game, creating hits for everyone from Kanye West to Beyoncé to Mariah Carey. The versatile creative sees genre-hopping as a learning experience.

"I just get to learn more about different ways people make music," he says of his broad production style. "People in the pop world are totally different from people who make beats for Big Sean and JAY-Z … I honestly just like to learn, no matter what type of music it is."

Hit-Boy, who started off rapping before transitioning to making beats, is also busy carving his own lane as an artist. His new solo album, The Chauncey Hollis Project, and his team-up with Dom Kennedy, Also Known As, see him switching from behind the board as a producer to in front of the mic as a rapper. It's the latest progression in Hit-Boy's ever-evolving creative journey.

"I'm gonna just keep developing, just keep working, man," he says of his next steps. "It's a never-ending process for me."

GRAMMY.com caught up with Hit-Boy to talk about his creative process behind Big Sean's Detroit 2 and Nas' King's Disease, how the COVID-19 pandemic has impacted his artistic approach and how he's paving a path as a rapper in his own right.

You've worked with just about everyone in music, from Kanye West to Jennifer Lopez to Beyoncé. Do you ever get nervous or anxious when you work with a huge superstar?

Earlier in my career, yeah. I definitely used to get a little nervous, but I always just believed I had something, even if all of it wasn't great. I know I have something in the batch that was going to catch people's attention. That's the same method I take on now, but I've just advanced so much at just being a musician and locking in on making beats ... Now that I got that science figured out, I'm just on damn near autopilot right now. I'm just getting placement after placement.

It sounds like you're in high demand. How do you juggle it all? Are you working on multiple projects at once? Or do you stay exclusively focused on one album or one project from beginning to end?

It's too many artists trying to tap in for me to just work on one thing at a time, but I still am able to give my focus. Like with Nas' album, King's Disease, we made time for our sessions, made sure there wasn't too many people around and locked in. My relationship with [Big] Sean—I've got a bunch of stuff on Detroit 2. I was able to still be in the zone, working on his sh*t, then also do a Nas album in the middle of that, and then work on Polo G's album and work on all this other sh*t I got going.

I feel like my method is like: Get to the studio before people show up, make as many tight beats as I can, all type of styles. Then whoever comes through that day, I'm going to have at least one or two that's going to catch your ear ...

It comes from me having my label deal and more so trying to focus on, I feel like, what was too many things at one time, which was trying to be an artist myself, signing a bunch of artists, trying to be a hot producer, trying to produce for everybody at once. That was too much, but now ... I work with whoever comes in my realm and respects what I do ... It's like quantity and quality. I don't know how to explain it right now.

Read: Lil Mosey On The Staying Power of "Blueberry Faygo," Life As A Teen Rap Sensation And Getting The Co-Sign From President Barack Obama 

You recently executive-produced Nas' latest album, King's Disease. Can you talk about the creative and production process behind that album?

I mean, obviously he's Nas. You know what I'm saying? Certain people know me—I'm Hit-Boy. But it's like, let's remove that and let's just try to make songs, let's just try to make records ... You could still pop your sh*t and talk about what you want to, but at the same time, let's just make this as enjoyable as possible. When we was going in, we just was letting the room lead the way and the energy was taking us to every next piece of the puzzle.

I just knew that it was a high standard with this project. People was going to really click play on this, and if it was whack, they was gonna let me know. So for so many people I respect, like younger producers like Metro [Boomin], like Pi'erre [Bourne], Tay Keith, and then I got people like Timbaland, Swizz [Beatz] and all these OGs also reaching out [and] just showing respect—that just shows me [that] this hit the core of music lovers. People who really listening, they understanding this is really quality sh*t.

You also executive-produced the new Big Sean album, Detroit 2. What sort of vibe or sound did you try to create on that album?

I just wanted everything to sound modern, even like some of the soulful [songs]. The song we dropped with [Nipsey Hussle], rest in peace, "Deep Reverence"—it's like a real throwback, Roc-A-Fella-ish sample vibe, but then the drums sound modern; they sound new. So I kinda kept that through the whole project. It's just remnants of music we enjoyed, but it's placed in a modern way, so definitely just trying to make sure it was just a fresh sound.

You mentioned a bunch of artists coming into your studio. Are you currently producing with artists in-person? Or are you working mostly virtually and remotely due to the COVID-19 pandemic?

We started the Nas album before the pandemic hit. That's what's crazy: We named it King's Disease before we even knew about the corona. Giving us that time during the pandemic when it was super shut down, we got to really sit and just really produce the record like how we wanted to. That was a good thing.

I'm kinda doing it both ways. People been hitting me [up] crazy. I've been emailing stuff out, but we always get the better connection when it's in-person. Me and [Big] Sean, we worked on all our stuff just face-to-face. I'm cooking beats from scratch. We really just building it from the ground up, so it's always good to do it that way. But if you do have to email, there's nothing wrong with that either.

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What do you lose and what do you gain from producing virtually and working remotely compared to working with someone in-person?

You just get more of a connection when you work in-person. You're able to get that instant feedback ... It just makes it easier to navigate. When you [send it], you're just kind of shooting blind and just hoping that the person connects with the beat you sent. It's just two different things. They both worked out for me, personally, I have to say. I feel like my best beats come when I'm just dolo, just vibing out, zoning out and just letting whatever come to me. But I also been tapping into just making a lot more beats with people, too. It's just all music at the end of the day.

Behind The Board: Hit-Boy 

Speaking of the pandemic, we've been in quarantine for a long time now. You're in and out of it in your studio. How has this pandemic and quarantine era impacted your creativity?

I honestly feel like I'm more creative than ever ... My son was born right when we went into quarantine, within a day or two. It's just been good for me to have his energy and be able to spend more time with him and not have to fly out [to] no places and doing even more than I'm already doing. I feel like it's just been a blessing for me, for real. It's just looking good, so I'm trying to keep the energy up.

In addition to your production work, you're also an artist. You're able to switch from behind the board as a producer to in front of the mic as a rapper. What kind of challenges come with that creative duality?

Man, it's kind of all just music to me ... Like sometimes, I might not even rap on my own beat; I get beats from other people. I'm able to just separate it that way. I'm not looking at it like, "Oh, I'm Hit-Boy. I'm about to make a song." I'm just like, "I'm about to say what needs to be said on [this beat]." Then when I make the beat, it kinda make me even more tapped in because I can get into the Hit-Boy bag and then just still give it that honest perspective.

What are you developing to carve a lane for yourself as Hit-Boy, the artist?

I'm just recording ... I put out The Chauncey Hollis Project. I did that in installments. I put out three songs at a time until it equaled 12 songs. That was just a moment for me, just being honest, just talking about my life, where I've been, where I'm going, what I'm on now. Just more of that, you know what I'm saying? More projects, more and more people featuring on my music now because I'm working with so many artists. They be hearing my sh*t. They like, "OK, I want to hop on this." I'm gonna just keep developing, just keep working, man. It's a never-ending process for me.

As a producer, you're switching from producing harder rappers like Travis Scott and Clipse to pop stars like Ariana Grande and Selena Gomez. Creatively, what do you gain from jumping around genres like that?

I just get to learn more about different ways people make music. People in the pop world are totally different from people who make beats for Big Sean and JAY-Z and stuff like that, for the most part. There are some people that can hop in multiple lanes, but not everybody can do that. I honestly just like to learn, no matter what type of music it is.

What are some other genres that you are curious to explore that you haven't explored yet?

Like some hardcore rock 'n' roll sh*t. Who knows, man? Country, I haven't done no serious country records. I'm down to just try whatever, as long as it makes sense and I could still really feel the music.

We're almost at the end of the year, which is crazy to think about. What do you have left in the pipeline for 2020?

We've got, obviously tonight, that Big Sean, Detroit 2. Then I got an album with Benny The Butcher that's dropping; we got some dope features on that, some dope, soulful production. I feel like that was the thing with the Nas album. People saw I was producing that, they was like, "He known for club records and 'N****s in Paris.' But what can he give Nas?" 

And then once people heard it, it was like, "OK, we get it now." I feel like with the Benny project, it's going to be [an] even deeper thing. He's a new artist, so it's just a blank canvas to be able to paint something that could be something crazy.

Read: Aminé Talks New Album 'Limbo,' Portland Protests And Black Lives Matter

How do you compare working with newer artists like Benny The Butcher and superstars like Beyoncé and Kanye West?

They both hungry for this sh*t. Beyoncé, she work like a new artist, too. But Benny, he got some crazy, hungry—just really coming from the streets and coming from his background. For him, coming to the studio, he be like, "Man, this sh*t fly that we in the studio together." I feel the same way. He really taking advantage of the moment. When we in there, when I'm playing some sh*t, he understands what's going on. He just attacking everything with the highest intensity.

So we should keep an eye on Benny The Butcher is what you're saying.

One-thousand percent.

You released the fourth and final installment of your The Chauncey Hollis Project solo series in May, followed by Also Known As Courtesy Of Half-A-Mil, your collab album with Dom Kennedy, in July. What do those two albums offer as separate entities?

The music I make with Dom has just got its own specific feeling. And I went for just soulful, just giving people an honest me on my project. That's what I always try to do on every song. But with [Also Known As], we always just kind of create a vibe, something that females can mess with, and then you can just ride to it ... We always just creating music. We always just recording ...

Those two albums put you directly in the artist seat. Where can we expect those two artist projects to go next?

Honestly, I can't even call it, bro, because I was just moving off instinct. When I decided to drop the first installment [of The Chauncey Hollis Project], the first three songs, it was the night before. I just had recorded the songs, started mixing them, and I was like, "Man, I want to drop this sh*t." I made the decision [to drop it] Wednesday, [then] dropped it Thursday ... 

I still got people hitting me, people DMing me daily, listening to The Chauncey Hollis Project, listening to [Also Known As], people in they ride playing it. It's like, "OK, we headed in the right direction." So I can't even call it, man. You never know how this thing is going to go. But I'm just going to continue to make the music that I feel, and hopefully people connect with it.

Go with the flow.

Yup. We one song, one project at a time.

Are you always thinking about music, 24/7?

I am, man. That goes back to when I said I had my artist [deal] and I was working with Kanye and I was working with Beyoncé and JAY-Z. I had a point where I was like, "Man, I'm definitely not even taking no sessions if it's not Kanye, JAY-Z or Beyoncé." That's a crazy thing to be able to say within your lifetime. I'm not going to say it hurt me, but I feel like I should have been spreading my sound out a little bit more, especially with not having a tag and not having my brand all the way up where I needed it to be.

Now I feel like I've been playing catch-up. That's why I was able to do a bunch of songs on [Big] Sean's sh*t, do a bunch of sh*t on [Nas'] King's Disease, because I'm seeing the field different now. Once I catch that connection with an artist, it's over—we just tapping in. It's something about the type of grooves and the type of beats I'm making right now that makes people want to make songs, so [I'm] really trying to take this sh*t to a different level.

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Pabllo Vittar

Pabllo Vittar

Photo: Ernna Cost

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Brazilian Pop Star Pabllo Vittar Talks New Album '111' And Life As Music's Premier Drag Queen

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With the release of the biggest album of her career, Vittar discusses how she proudly represents her native Brazil and her queer identity in Latin music, plus chats Coachella and beyond
Lucas Villa
GRAMMYs
Apr 12, 2020 - 12:56 pm

On the cover of her new album 111, Brazilian pop star Pabllo Vittar is a goddess of multiplicity. The Pabllo in the center fiercely stares down the camera, suspended midair while posing in a leather-boot-legged leap. Much like Vittar's multifaceted drag persona, the surrounding Pabllos show her many sides: A playful Pabllo blows a pink bubblegum bubble, a sexy Pabllo strikes a sensual pose on her knees. In one shot, she's putting her country on the map and serving fierce runway-ready looks along the way.

Phabullo Rodrigues da Silva, who goes by her drag name Pabllo Vittar, reached music superstardom in a short period of time. After first dressing in drag for her 18th birthday in 2011, inspired by watching episodes of "RuPaul's Drag Race," she scored a viral hit in 2015 with her debut single "Open Bar," a Portuguese version of Major Lazer's and DJ Snake's "Lean On." Shortly after, she went from local celebrity to global phenomenon in 2017 when Diplo invited her to collaborate on Major Lazer's "Sua Cara," alongside fellow Brazilian pop star, Anitta.

One year later, in 2018, Vittar made history as the first drag queen to receive a Latin GRAMMY nomination when "Sua Cara" was nominated for Best Urban Fusion/Performance. "I thought to myself as a child watching TV and seeing my favorite artists being nominated for a GRAMMY and winning," she tells the Recording Academy. "Maybe it wasn't my time, but next time I hope to be a winner of the night." 

Vittar's pop culture references are diverse, and they've been important in solidifying her as a force in the industry. She's leveraged her global crossover appeal as a go-to artist for collaborations. British pop futurist Charli XCX tapped Vittar for her 2017 mixtape, Pop 2. The following year, Vittar featured on tracks with Argentine pop princess Lali Espósito, electronic duo Sofi Tukker and Australian rapper Iggy Azalea.

"I love to meet other artists and share my work with them," Vittar says. "I love to do collaborations. I love to work with different types of music and mix everything up to end up with something new."

With all eyes on Vittar, she's now basking in the spotlight with her third album, 111, released last month (March 24). The trilingual album—she sings in Portuguese, Spanish and English—sees Vittar taking on electropop, inspired by the global Pride parades at which she performs, on "Flash Pose" with Charli XCX and tackling a fully Spanish club banger alongside Mexican icon Thalía on the sensual "Tímida." Centerstage on 111 are the sounds of her native Brazil, which are often overlooked in the grand scheme of Latin pop. On "Amor De Que," Vittar gives her motherland's storied forró genre a pop edge. Elsewhere, she embraces the emerging rasteirinha music scene, which filters Brazilian baile funk through an EDM lense, on "Rajadão" and "Parabéns," the latter featuring local group Psirico. 

Fewer than 10 years after donning her first drag look, Vittar now outnumbers, in Instagram followers, one of her main inspirations and the most famous drag queen on the planet: RuPaul. "I would love to meet RuPaul because, for me, she's a big inspiration for my job and my drag," Vittar says. "I feel grateful to be living in the same moment as her." Following in the high-heeled footsteps of her idol, Vittar today lives a fabulous existence that's resistance to homophobia and those not taking the art of drag seriously. 

Vittar spoke with the Recording Academy about her incredible career in the fast lane, her new birthday-inspired album and her now-rescheduled performance at Coachella 2020.

What are some of the inspirations behind your music?

Everything inspires me: my friends, my family and my fans. I love to work with rhythms from Brazil because I'm a Brazilian and I love my country.

Speaking of Brazil, how do you feel about representing your country in the Latin music scene?

I feel so hugely honored to speak about my community. I feel honored to be one of the Brazilian voices in the Latino community with my music. I'm singing in Portuguese. In the Latin scene, I hope to sing more in Spanish and be more involved in that type of music.

Another big pop star from Brazil is Anitta. How was it to work with her on Major Lazer's "Sua Cara"?

She's a star. She's a pop star. She's a queen. I love her and her contributions to Brazilian music and to pop music. I need to do another collaboration with her. We've talked about it. I think by next year we'll have another collaboration.

Thanks to your involvement in "Sua Cara," you made history in 2018 as the first drag queen to be nominated for a Latin GRAMMY. How did that make you feel when you found out the news?

In that moment, I freaked out because it's a dream come true. I feel so blessed. I want to inspire all the girls, all the drag queens and other people in the queer community to believe in your dreams and never forget them because you can do anything.

This month, you were scheduled to perform at Coachella. The event was postponed to October due to the COVID-19 pandemic. Are you still planning to perform at Coachella this year?

For sure! Last year, I was a special guest for Major Lazer's set. I said to the world, "Next year, I'm coming here with my own show and my tour." And b**ch, boom! I'm here! For sure, I'm going. I'm super excited to do it.

Anitta is also one of the confirmed artists at Coachella this year. Will you two perform together during your set?

Maybe yes, maybe no. Right now I don't know the scheduling of the performances. I wish to do something with her at Coachella.

Read: Breaking Down The Coachella 2020 Lineup: Rage Against The Machine, Frank Ocean, Calvin Harris & More Announced

In your music videos, you serve spectacular and sexy looks. Do you see a link between music and fashion?

Yes, I do see a link, because you need to send a message. I send a message with my music. When I put on all my colors and my outfits, I'm also sending a message with that. I feel so grateful because I love fashion and I love music and I get to put them together.

Pabllo Vittar

Pabllo Vittar | Photo: Ernna Cost

What would you say is the message of your new album, 111?

The concept of this album is my birthday. I was born on November 1 [11/1]. I'm a Scorpio. Yasss, hunty! This album is like a birthday playlist. I played all these songs on my birthday. I hope, from the bottom of my heart, that when my fans listen to this album that they feel confident, sexy [and] happy and dance a lot to it at home.

One of the big collaborations on 111 is "Tímida" with Mexican pop icon Thalía. Can you tell me about how she got involved with the song and what it was like to work with her?

Thalía is a queen. Her image is amazing. Last year, I sent her a demo of "Tímida," and she loved the song, put her vocals on it and sent it back to me. I told her, "I can't believe that you did this for me and I thank you so much." This album wouldn't be the same without her. The first time I met her, she told me, "Finally, two Latina queens working together." I was like, "Oh my God!"

Who are some artists you would want to collaborate with next?

I really want to collaborate with ROSALÍA. I love her so much. She's an amazing artist. I would also like to collaborate with Bad Bunny, Maluma and Karol G, for sure. I love so many Latin music artists.

Speaking of Bad Bunny, what did you think when you saw him dressed in drag in his recent music video for "Yo Perreo Sola"?

The video was so sexy. I was feeling it. I love Bad Bunny because he always embraces the queer community. He also does everything with a lot of respect, and we embrace that. He looked stunning! The legs, the nails, the makeup. Everything! The boobs! I love to do my boobs, too. Baby, let's shake our boobs together sometime. It's my dream to work with him. I love him and his new album [YHLQMDLG].

READ: Bad Bunny's 'YHLQMDLG' Breaks Records, Is The Highest-Charting Spanish Language Album Ever

What's one of your favorite moments in your career so far?

My favorite moment, for sure, was last year at the MTV Europe Music Awards [EMAs]. I was the first Brazilian to perform at the EMAs and the first drag queen to win an award there. Yasss!

People are saying music doesn't have to be in English anymore to be successful. What do you think about that?

When you do music with your heart, with positive energy, no matter the language, everyone embraces [it], dances to it and feels your energy. I can speak in English or sing in Italian, but if I don't put love into what I do, then that doesn't matter.

You use your platform as a performer to represent the LGBTQ+ community, especially in Brazil with President Jair Bolsonaro, who has been described as anti-LGBTQ+. How important is it for you to use your platform as an activist?

It's very important for me to give some voice to the community in this country. I'm not alone. I have some friends who are embracing the rainbow flag and the community. I feel so happy because I'm here, I'm Brazilian, and we are staying in this fight together. We are not letting anyone cancel that. We are putting our heads together and fighting.

What are your plans for the rest of the year?

I will work more with my album in a deluxe version. I have some collaborations that I'm recording. I'm so excited to share them with my fans. I will start my new tour. I'm so excited to hug my fans and put on my wig again and dance on the stage. Oh my god! I'm freaking out.

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