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Miley Cyrus, photographed in 2017

Miley Cyrus

Photo: Liam Hensworth

Interview
Interview: Miley Cyrus On Younger Now, Dolly Duet miley-cyrus-talks-dolly-parton-duet-voice-artist-growth

Miley Cyrus Talks Dolly Parton Duet, 'The Voice,' Artist Growth

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The GRAMMY nominee reveals how she has evolved on her new album, 'Younger Now,' and the special song that she is hoping will color positive change
Brian Haack
GRAMMYs
Sep 28, 2017 - 11:33 am

Has Miley Cyrus really found the fountain of youth? We'll have to wait until Sept. 29 when her new album, Younger Now, drops. But if you've heard "Malibu" or tastes of "Inspired" and the title track, you already know that this LP features a very different slice of Miley Cyrus.

Miley Cyrus On Dolly Parton, "Rainbowland" Duet

In contrast to the bombastic big-room pop sounds of Bangerz and the experimental psychedelic stylings of Miley Cyrus & Her Dead Petz, Younger Now tells a tale that sounds both sweet and mature — a song cycle intent on conveying a new perspective on the young singer's place in the world, where she came from, and how she can leverage her fame to spread a wider message of respect and positivity.

Cyrus stopped by Recording Academy headquarters in Santa Monica for a chat about Younger Now, her godmother Dolly Parton (who joins her for a duet on the album) and what she likes most about her role on the TV singing competition "The Voice."

You've mentioned in previous interviews that you're able to grow from record to record because you don't let yourself be boxed in by what the previous album sounded like. How important do you think that mentality is as an artist, and how does it help you keep your sound fresh?
For me, changing from record to record is just me evolving naturally. In my life, I'm not thinking about an album, or what I'm going to present to other people. I'm just being myself and going through what I go through in life, which changes all of us. Every day we all wake up a little different. So I never think about what I did before or who I was before, because that's not the way that you grow. I try to take every day as a new one, try something else and do something that scares me a little bit — grow every day and let the music reflect that.

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Poll: Most Anticipated Album Of Fall 2017

You wrote all the lyrics for this new album. Why was it important for you to keep that part of the creative process all to yourself this time?
Writing the lyrics for me solo on this record was important because I'm really trying to project what I think and feel, and I don't think that anyone can know that besides me. It's just a different time for me in my life — how I want to create, how I want to co-create and how I want to collaborate. Lyrics are very sacred to me, and also to my fans. I want them to understand that this record is really all the truth, from me.

You have a duet on the new album with your godmother, Dolly Parton. Can you tell us about "Rainbowland" and why you teamed with Dolly for it?
I wrote the song "Rainbowland" with my fairy godmother Dolly Parton because we wanted to write a song that could really make a difference — that could speak to the current situation of not only our country but the world. It says "We are Rainbows/Me and you/Every color/Every hue," and it's about embracing everyone that is different. It also says, "I don't think I'll sleep a wink/It's the only thought I think." It's about being dedicated to making change.

https://www.instagram.com/p/BZhJl68h7zM/?hl=en&taken-by=mileycyrus

GRAMMYs

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You're returning as a coach on "The Voice." What is your favorite part of being on the show?
My favorite part about "The Voice" is making music every single day. Anytime you can go to work and just make music all day — that's the best thing ever, that's the ultimate dream. And then working with artists who maybe wouldn't have the opportunity to get their music heard without a platform like "The Voice," I'm just grateful to be a part of it, and to help let unknown artists get their voices out into the world.

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Photo: Daniel Mendoza/Recording Academy

Interview
Interview: Caitlyn Smith On "Starfire" caitlyn-smith-talks-starfire-ep-songwriting-heroes

Caitlyn Smith Talks 'Starfire' EP, Songwriting Heroes

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The successful songwriter-turned-solo artist reveals her favorite track from her 2016 'Starfire' EP, and dishes on her biggest songwriting heroes
Brian Haack
GRAMMYs
Oct 12, 2017 - 6:53 pm

Having fostered a budding career writing hit songs for some of the biggest artists in music – names like Meghan Trainor and John Legend, Kenny Rogers, and Dolly Parton – Caitlyn Smith is ready to take on the world, on her own terms.

Caitlyn Smith On "Starfire": "It's My Anthem"

A year after her top-20 charting Starfire EP (Billboard Americana/Folk Albums) showed enough promise to make Smith one of the first marquee signings to Sony's newly-reformed Monument Records, Smith is making ready to service the title track from her 2016 EP to radio and streaming services, and is making plans to release her debut full-length album in January of next year.

Smith sat down with the Recording Academy to chat about her forthcoming LP, the journey that's brought her to the stage as a solo artist, and the musical heroes who've inspired her to create her best work.

Pick your favorite song off the Starfire EP and tell us a little bit about its story of its writing and its inspiration.
One of my favorite songs on the Starfire EP is the single "Starfire." It really is my theme song. I've been in Nashville for years writing songs for other people and have also, in a way been trying to pave my own way as an artist, trying to figure out what I want to say. Through that journey, there have been a lot of closed doors and a lot of heartache, and "Starfire" is my anthem to never give up continuing to shine my light and just tune out all of the negative voices and keep going. To me, it's just my favorite song.

You said there've been a lot of closed doors and heartache. Can you point to a moment where you knew without a doubt that things were going to move ahead and that you were going to succeed?
I think it comes in waves. Sometimes I'll be having a rough time, and I'll have a song get cut and things will look up or I'll get a gig, and I'll be like, "Okay, here we go. We're going to focus back in and keep trying." I wouldn't say there was one shining moment that's like, "You need to keep going." For an artist, it's up and down, and it's actually like a continual feeling of, "Phew, can I keep running this marathon?" And my husband has been such an incredible lighthouse on my journey to help to keep pushing forward and looking forward.

You have written for some really huge artists, and had great success in that realm. Rolling Stone called you "one of the 10 country artists you need to know." You're one of the first big signings for the reformed Monument Records, and you've got a new full length coming out this year. Two questions, are you ready to share the title and release date? And what's next for Caitlyn Smith?
I'm very excited. The single "Starfire" will be out later this month, and then the full record will be released in January. I can't say the date yet, but I cannot wait. 2018 is shaping up to be quite a fun year!

We'll be watching closely. I've read that you said you knew before graduating high school that music was what you wanted to do for the rest of your life. Was it difficult making that decision at such a young age? What was it like?
I always knew, from when I was a little kid and started singing, that music was what I wanted to do in some capacity. When I was in middle school, I put together a band with some of my friends and was cold-calling venues. It was something that was a passion of mine at a young age, and it continued to grow. I made my first record. Then my parents sat me down with my college fund, and they're like, "Here, we have this for you, but, if you want use it to make a record, pay us back, but here you go."

And so I went and made a record at 15, and that really was a turning point of putting my sights on what I really, really wanted to do. And so I made a couple records in high school, and I just knew before graduating. I was like, "Hey, you know, I'm not going to college for this. I'm just going to gig, and see what happens." So, it was a little bit of a leap of faith, but I think it's working out. Yay! (laughs)

Clearly, it was the right move. So when it comes to songwriting, who would you point to as your greatest hero?
I consider myself a student of songs and listen to all kinds of genres, but some of my top favorites are Patty Griffin, Carole King, Ray LaMontagne, and Paul Simon. I mean I could just keep listing on and on and on. I love songs. (laughs)

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News
Relive GRAMMY Week 2019 In Pictures relive-grammy-week-2019-pictures

Relive GRAMMY Week 2019 In Pictures

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The days leading up to the 61st GRAMMY Awards were filled with star-studded events around Los Angeles honoring some of music's greats—let's take a look at the highlights
Ana Monroy Yglesias
GRAMMYs
Feb 12, 2019 - 5:51 pm

The 61st GRAMMY Awards on Feb. 10 really lived up to its name as Music's Biggest Night, with tons of show-stopping performances, powerful speeches and big wins throughout the night.

Yet the big show was just one piece of the excitement for a celebratory and star-studded GRAMMY Week. Let's take a look at pictures capturing the big moments from some of the other events you may have missed last week.

Kacey Musgraves & Willie Nelson
GRAMMY Week 2019 In Photos

GRAMMY Week was in full-force midweek, with the Producers & Engineers Wing Celebration honoring GRAMMY-winning country legend Willie Nelson on Feb. 6. Artists including fellow GRAMMY winner Dave Matthews paid tribute to the icon.

The week continued with engaging programs and events from the GRAMMY Museum, most of which were geared towards aspiring musicians. This included a Mississippi Songwriting Workshop for local students on Feb. 7, followed by an evening event celebrating the blues with performances from PJ Morton and more. Also on Feb. 7, GRAMMY In The Schools Live! celebrated music educators like honoree Jeffery Redding and rocked The Montalbán with performances from alumni of GRAMMY Camp, one of the museum's student-focused offerings.

Related: See Post Malone, Bebe Rexha And More In The Audience At The 2019 GRAMMYs

There were also handfuls of great sponsored parties, like the Delta Airline's event on Feb. 7 featuring Ella Mai and the Bulova Brunch on Feb. 9 featuring GRAMMY-winning great Chaka Khan.

On Feb. 8, the MusiCares Person Of The Year Celebration celebrated their 2019 honoree, the GRAMMY-winning queen of country Dolly Parton. Her goddaughter Miley Cyrus, along with Katy Perry, Shawn Mendes and more celebrated the legend with dazzling Dolly-inspired looks and tribute performances.

More Pics: The Hottest 2019 GRAMMYs Red Carpet Looks In Photos

Less than 24 hours before the big night, many of the stars that would be onstage and in the audience, including Travis Scott, Brandi Carlile, Chloe x Halle and H.E.R., gave a killer show and practiced their red carpet poses at the Pre-GRAMMY Gala. The insanely star-studded event hosted by industry legend Clive Davis celebrated fellow industry greats, including the evening special honoree Clarence Avant.

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Immediately following the 61st GRAMMY Awards, TLC and En Vogue kept the party going at the GRAMMY Celebration. Check out the photo gallery above to get an insider's look at all these events and visit the links for more photo galleries, including backstage and on the red carpet at the show.

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LiveNation President/CEO Michael Rapino in 2009

Michael Rapino

Photo: Tom Williams/Getty Images

News
LiveNation CEO Signs 5-Year Contract Renewal livenation-executive-michael-rapino-renews-contract

LiveNation Executive Michael Rapino Renews Contract

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An SEC filing has revealed the complete details of LiveNation president/CEO's new contract renewal
Brian Haack
GRAMMYs
Dec 18, 2017 - 1:06 pm

Alongside this morning's announcement of a new joint venture with Bowery Ballroom founders to launch the New York-centric promotion and live event booking firm Mercury East Presents, an SEC filing by LiveNation has revealed that President/CEO Michael Rapino has just inked a five-year contract renewal to stay with the company that will see him potentially earning $9 million a year, plus vested stock, through 2022.

Rapino first joined LiveNation in 2005, and around that time the company launched its initial public offering at $10.75, and as of market close last week, LiveNation's stock value sits at $42.63 a share — a four-fold increase under his leadership.

Rapino's renewed contract, which will remain in effect until Dec. 31, 2022, promises 289,505 shares of common stock, 700,000 shares of performance equity, and a base salary of $3 million per year with eligibility for a performance-based bonus of $6 million. He will also receive an additional one-time bonus of $1 million for 2017, thanks in part to his securing several high-profile acquisitions including the purchase of the Napa, Calif.-based BottleRock Festival, Israel's Blue Note Entertainment, and today's Mercury East Presents launch.

Should Rapino be terminated by LiveNation "without cause" or if he terminates his own employment "for good reason" at any point during the contract period, he will receive a lump-sum cash payment equal to the sum of his base salary and his most recent performance bonus, multiplied by two, and the immediate acceleration of all unvested equity.

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New York State Attorney General Eric Schneiderman, 2017

New York State Attorney General Eric Schneiderman

Photo: Michael Loccisano/Getty Images

News
N.Y. AG: Entertainment Law Event Featured Speaker eric-schneiderman-ny-attorney-general-speak-entertainment-law-event

Eric Schneiderman: N.Y. Attorney General To Speak At Entertainment Law Event

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New York state Attorney General will speak at official GRAMMY Week event on Jan. 26 in New York City
Brian Haack
GRAMMYs
Dec 15, 2017 - 4:52 pm

New York state Attorney General Eric Schneiderman will make a special appearance as a featured speaker during the 20th annual Entertainment Law Initiative Event & Scholarship Presentation on Jan. 26, 2018, two days prior to the 60th GRAMMY Awards.

As Attorney General, Schneiderman has led the fight to protect New Yorkers by suing to block the travel bans, leading a coalition to defend the Clean Power Plan, intervening to defend the Affordable Care Act, and defending the rights of sanctuary cities. His efforts curtailed ticket scalping in New York, protecting artists and fans and securing nearly $7 million in settlements from ticket brokers thus far. He is also an avid jazz enthusiast and music preservation advocate.

The event will also recognize this year's recipient of the ELI Service Award, Fox Rothschild LLP partner Michael Reinert, who is being saluted for his commitment to advancing and supporting the music community through service. Alongside Reinert, attorney Allen Grubman, partner at Grubman, Shire, Meiselas, & Sacks, P.C., will receive the Recording Academy President's Merit Award in recognition of his many years of work protecting the interests of creators.

Also honored at the 20th annual event will be two student winners of the annual ELI Writing Competition, which challenges students attending an ABA-approved law school to write a 3,000-word paper analyzing a compelling legal topic facing the music industry. The winning student will receive a $10,000 scholarship, airfare/hotel accommodations for two and two tickets to the 60th GRAMMY Awards at Madison Square Garden in New York on Sunday, Jan. 28, 2018, and two tickets to GRAMMY Week activities including the MusiCares Person of the Year Gala honoring Fleetwood Mac, the official GRAMMY Awards after-party, and more. The student runner-up will receive a $2,500 scholarship. The results of the competition will be announced in January.

Individual tickets for the Entertainment Law Initiative event are now on sale. For more information on sponsorship and multiticket packages, contact Neil Crilly at neil.crilly@grammy.com.

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.