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Manuel Medrano

Manuel Medrano

Photo: Warner Music Latina

News
How Manuel Medrano Returned To His Roots On Eterno manuel-medrano-interview-returning-to-his-roots-new-album-eterno-starting-over

Manuel Medrano On Returning To His Roots On New Album 'Eterno': "It's Like Starting Over"

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Colombian singer and past Latin GRAMMY Best New Artist winner Manuel Medrano breaks down his greatest hits and the music on his latest album, 'Eterno'
Lucas Villa
GRAMMYs
Nov 2, 2021 - 9:29 am

Five years ago, Manuel Medrano won the Latin GRAMMY Award for Best New Artist. The Colombian rocker took a few years after the win to experiment and take a new direction, working with different sounds and musicians. He turned the sum of these experiences over the past five years into his second album, Eterno, which was released Oct. 1.

"Eterno is like starting over," Medrano tells GRAMMY.com. "I say it's starting over in a cool and beautiful way."

Medrano was born in Cartagena, Colombia, but he grew up in the city of Bogotá. He wrote music as a teen, and in 2014 he released the independent single "Afuera Del Planeta," which became a local hit. That led to Medrano signing with Warner Music Latina the following year and working with then up-and-coming producer Juan Pablo Vega on his debut self-titled album, achieving a global breakthrough with his heart-warming ballad "Bajo El Agua."

At the 2016 Latin GRAMMY Awards, Medrano received three nominations — he was nominated for Song of the Year for "Bajo El Agua," and won GRAMMYs for Best New Artist and Best Singer-Songwriter Album for Manuel Medrano. While he's known for the pop/rock of his debut LP, Medrano used the following five years to explore different genres.

Manuel Medrano

Manuel Medrano. Photo: Warner Music Latina

Last year, Medrano teamed up with Mexican DJ Leon Leiden for "Desde Que Te Vi" and CHIC's Nile Rodgers for "Cielo." He also worked with J Balvin's co-writers Feid and Mosty for the Latin trap-influenced "Buena." While the spirit of Medrano's long-awaited second album, Eterno, continues to embrace new genres, it also returns to his roots in both Latin rock music and Colombian music. 

Medrano picks up his guitar to charm with new love songs like the soft rock of "Nenita" or the alternative edge of "Tengo Que Llegar A Tiempo." Elsewhere, he dabbles in genres that are native to his country like the tropical champeta of "Tesoro" or the spellbinding bambuco of "Negra." Eterno is the essence of Manuel Medrano as an artist. 

In an interview over Zoom, Medrano told GRAMMY.com about his greatest hits, the gap years between his two albums and the inspiration for Eterno.

How did you feel winning the Latin GRAMMY Award for Best New Artist in 2016?

Incredible! [I was] very happy, honestly. I believe there are moments that define a 'before' and an 'after.' I literally felt like, "Wow, this is a very big moment." In my life today, it's taken it to another level both professionally and emotionally. I say emotionally because this changed my life in such a positive way.

One of your biggest hits is "Bajo El Agua." What was the inspiration for that song?

With that song, I was very in love with a girl, honestly. We were living in a moment in that relationship where [I felt] everything was beautiful. That's the message of the song: to connect that beautiful moment with people. In some relationships it's long, and others it's short, but it's about wanting to make that moment last as long as possible — that moment when you're completely in love with and respect your partner, and you want and dream of beautiful things with that person. It's beautiful to preserve that in a song.

Another one of your big hits is "La Mujer Que Bota Fuego." What was the experience like to work with Natalia Jiménez for that song?

Tremendous! Natalia is awesome. She's a beautiful artist and person. I believe I really learned a lot of things from working with her, not only through the music we made, but from her way of being, [her] personality, and her words.

What was the experience like working with Nile Rodgers on "Cielo"?

Amazing! Whoa! That was a dream — a really big dream. I've always dreamed about that, from when he appeared on Daft Punk's Random Access Memories and I saw him playing the guitar there. I'm a big fan of CHIC. I'm a fan of everything that he's produced.

I always wanted to make a funk song. I loved funk music in school. I listened to CHIC, Nile Rodgers, Jamiroquai, all the people that did funk, including in Latin America. What a way to fulfill that dream of making a funk song with one of the biggest stars in the history of funk. That was awesome. I'll always be thankful and happy to have done that in my life. I'm also so grateful to have worked with Nile because we did that in 2020, all from a distance. We produced it through email. We did an animated video. But everything came out great. Nile is a person that's broken down barriers. It's a song that shows you [that] even in your most difficult moments, you can do incredible things.

Why were there five years in between your albums?

When I released my first album in 2015, that meant I spent a year and a half touring. Then there was a year where I was alone and traveling, including filming music videos for songs that I wanted to have videos for [that were filmed] in different parts of the world. We filmed in places like Los Angeles, New York and Miami with directors who were my friends. I started to vibe with what I wanted as an artist and I started to write this album [Eterno]. I feel that was an important time. 

During the last two years, I had the opportunity to work with other artists and great producers. That was enriching for my career. Now I'm back with a new album that was produced by myself and my great friend, Juan Pablo Vega. It's all of me; everything I've learned in these last few years and from my travels.

Why did you decide to name your new album Eterno?

I like to feel that I've always been a part of destiny. [The concept of] eternity together with destiny makes up my music. I hope that people will vibe with my music forever and that they can dedicate it from generation to generation. There's the eternity of love, the eternity of spirituality, the eternity of the universe and space. With my music, I'm trying to capture all the things that make us eternal.

What was it like to work with Juan Pablo Vega on this album?

That was so cool. Juan Pablo is a brilliant musician and working with him always gives us great results. We're a great team. We achieve great things together.

What was the inspiration for your new single, "Tengo Que Llegar A Tiempo"?

First I started with the name of the song as a joke about myself. Like, I have to arrive on time. I have to better connect myself with punctuality. I connected with the idea that you have to arrive on time for business meetings and work meetings, so you should be arriving on time for your partner as well. You should be just as detailed about your love life.

"Negra" is a song that sounds completely different from the rest of the album. What was the inspiration for that song?

The inspiration for me came through in a mysterious way. "Negra" is a bambuco song. Bambuco is a genre of traditional Colombian music. Today it's not a very popular genre, but it's from here, in the roots of Colombia. For this occasion and sentiment, the inspiration came from folkloric music, and it was amazing. I explore music and genres through feelings. I don't consciously think about what genre to take on next. When I'm starting to write a song, my body helps shape the song, whether that leads to a bolero, [a] rock [song], or a ballad. I believe that's magical.  

Like "Negra," there are more proudly Colombian moments on Eterno.

The album has a musical diversity extensively from Latin America. From rock en español to funk and power ballads. There's a particular section of four songs that are exotically Latin and Colombian, like the bambuco or the champeta in "Tesoro." That comes from influences of African rhythms like soca and calypso, but in Colombia, we call it champeta, where that sound was created. There's a bolero ["La Distancia"], and even though you might not believe it, Colombia has been a great exponent of boleros in the history of the genre. There's also a reggae song ["No Sé Si Salga El Sol"]. That genre is known for being Jamaican, but today it's become an important identity in Latin music.

You write a lot of love songs. Where does that romantic energy come from?

I'm a lover of women. I'm a lover of life. I hope people fall in love with life as well, that they know that everything that is around us is magical, and that they love one another. I believe that's the key for everything to [be] a better world. I hope that people are able to love themselves and listen to things about love, and that will result in a better world. If people are good and they love each other, then the world will be getting better each day.

Who are some artists that you want to collaborate with in the future?

Next, I would love to work with some Colombian artists. I would like to work with Diamante Eléctrico and Monsieur Periné. Hopefully! With artists outside of the country, I have a dream that hopefully one day becomes a reality of making a song with Robi Draco Rosa. Ed Sheeran is my favorite on the Anglo side, as well as Khalid. I like him a lot.

What have you learned about yourself in the six years of being a musician?

I learned that everything will always be fine. I learned that faith moves mountains. I learned that it's important to work hard and make money, but that it's also important to work on yourself and your spirituality, and to build yourself from the inside.   

What can we expect from you next?

We want to release more singles from the album and shoot more videos. Next, I'm going to be performing in a few concerts. I'm going to be performing in Puerto Rico at the Coca-Cola Music Hall on November 6, and I'm going to be part of the Tecate Pa'l Norte Festival in Monterrey, Mexico on November 13. We're planning to announce a tour, maybe for next year. 

J Balvin On His New Album Jose, The Future Of Reggaeton & Getting Back On Stage: "It's About Getting Back To Feeling That Vibe Again"

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Alejandro Sanz

Alejandro Sanz

Photo: JB Lacroix/WireImage.com

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Alejandro Sanz: Person Of The Year Highlights alejandro-sanz-stars-honor-latin-academy-person-year

Alejandro Sanz: Stars Honor Latin Academy Person Of The Year

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A cluster of Latin stars paid tribute to the Spanish singer/songwriter with a concert for the ages
Renée Fabian
GRAMMYs
Nov 16, 2017 - 10:47 am

On Nov. 15, esteemed GRAMMY and Latin GRAMMY winner Alejandro Sanz was honored as the Latin Recording Academy's 2017 Person of the Year for his significant artistic and philanthropic contributions to the world.

Hosted at the Mandalay Bay Convention Center in Las Vegas, the centerpiece of the star-studded celebration was a concert tribute, which featured renditions of Sanz' repertoire by notable artists and friends, including Natalia Lafourcade, Juan Luis Guerra, Mon Laferte, Jesse & Joy, Luis Fonsi, Residente, and more. The sold-out gala benefits the year-round education and preservation initiatives of the Latin GRAMMY Cultural Foundation.

Aún no tengo las palabras para explicar el #PersonOfTheYear de los @LatinGRAMMYs 2017 el amor de mis compańeros. Que barbaridad de artistas. Os lo mostraré. Viva la música en Espańol.

— Alejandro Sanz (@AlejandroSanz) November 16, 2017

On to the amazing performance highlights:

Lafourcade and Manuel Medrano kicked off the evening with a performance of "No Es Lo Mismo," which earned Sanz not only Record and Song Of The Year at the 5th Latin GRAMMY Awards, but the album of the same named earned Album Of The Year honors.

.@lafourcade y @manuelmedrano cantan No Es Lo Mismo Persona del Año 2017 en honor a @AlejandroSanz #LatinGRAMMY pic.twitter.com/7y8fXaTa3J

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

Guerra graced the stage next with a cover of "Desde Cuando," which earned a Record Of The Year nod at the 11th Latin GRAMMY Awards for 2010.

.@JuanLuisGuerra canta Desde Cuando Persona del Año 2017 en honor a @AlejandroSanz #LatinGRAMMY pic.twitter.com/ZshGqEMGyR

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

This was followed by a performance of "El Alma Al Aire" by David Bisbal. El Alma … earned Sanz not only the Latin GRAMMY for Album Of The Year for 2001, but the title track also took home Record and Song Of The Year honors that year.

.@davidbisbal canta El Alma Al Aire Persona del Año 2017 en honor a @AlejandroSanz #LatinGRAMMY pic.twitter.com/BknrRv6QvP

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

Niña Pastori delivered a lovely rendition of "La Fuerza Del Corazon," which was followed by a passionate version of "Mi Soledad Y Yo" by Laferte.

.@npastorioficial canta La Fuerza Del Corazón Persona del Año 2017 en honor a @AlejandroSanz #LatinGRAMMY pic.twitter.com/H07QBZZX8M

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

.@monlaferte canta Mi Soledad Y Yo Persona del Año 2017 en honor a @AlejandroSanz #LatinGRAMMY pic.twitter.com/CA3FjY4MwA

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

Guitarist Jose Antonio Rodriguez and dance company Siudy Garrido with El Carpeta brought a little flamenco flare to the stage with their performance of "Manhattan De 2 Frontera."

José Antonio Rodríguez, Siudy Garrido, Manuel Fernández Montoya "El Carpeta" Manhattan de 2 Frontera  Persona del Año 2017 en honor a @AlejandroSanz #LatinGRAMMY pic.twitter.com/El6vZ6RhwA

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

Rosalía took on the Latin GRAMMY-nominated hit "Cuando Nadie Me Ve" with expert pizazz.

.@rosaliavt canta Cuando Nadie Me Ve Persona del Año 2017 en honor a @AlejandroSanz #LatinGRAMMY pic.twitter.com/r1ipjXSrYs

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

Brother and sister duo Jesse & Joy hit the stage next for a version of Sanz' "Siempre Es De Noche."

.@jesseyjoy cantan Siempre Es De Noche Persona del Año 2017 en honor a @AlejandroSanz #LatinGRAMMY pic.twitter.com/d1gVZSMWwV

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

Santiago Cruz, Gian Marco and accordionist Jimmy Zambrano gave an excellent performance of "La Musica No Se Toca."

.@SantiCruz @Gianmarcomusica @JIMMYZAMBRANOF o cantan La Música No Se Toca Persona del Año 2017 en honor a @AlejandroSanz #LatinGRAMMY pic.twitter.com/juqRbUUTHM

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

Fonsi, of "Despacito" fame, took on a version of "Amiga Mia" to honor Sanz.

.@LuisFonsi canta Amiga Mía Persona del Año 2017 en honor a @AlejandroSanz #LatinGRAMMY pic.twitter.com/ll0rNacmdz

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

Next up, Nick Jonas Calle 13's Residente and Anitta had a blast performing "Looking For Paradise." Sanz' original performance of the hit song features GRAMMY winner Alicia Keys.

.@nickjonas @Residente @Anitta cantan Looking For Paradise Persona del Año 2017 en honor a @AlejandroSanz #LatinGRAMMY pic.twitter.com/oaMjHEuG2t

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

Alejandro Fernandez brought to life Sanz's 1997 hit "Y ¿Si Fuera Ella? "

.@alexoficial canta Y, ¿Si Fuera Ella? Persona del Año 2017 en honor a @AlejandroSanz #LatinGRAMMY pic.twitter.com/obXlx6pud7

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

Juanes and Camila Cabello teamed for an exquisite rendition of "Quisiera Ser," leading into the big finale.

.@juanes y @Camila_Cabello cantan Quisiera Ser Persona del Año 2017 en honor a @AlejandroSanz #LatinGRAMMY pic.twitter.com/5b7mNLOXfq

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

To close out the night, Sanz, along with guitarist Jose Antonio Rodriguez, gave an emotional performance of his 1997 smash "Corazón Partío" — the perfect finish to an amazing celebration.

.@AlejandroSanz emociona al público cantando Corazón Partío Persona del Año 2017 #LatinGRAMMY pic.twitter.com/ha6LFDNVRv

— Latin GRAMMYs (@LatinGRAMMYs) November 16, 2017

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Explore 5 Latin GRAMMY Best Singer-Songwriter Album Winners

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From Gian Marco to Manuel Medrano, these 5 artists who have defined excellence in the Latin GRAMMY category devoted to singer/songwriters
Nate Hertweck
GRAMMYs
Sep 19, 2017 - 4:28 pm

The term "singer/songwriter" has come to represent artists devoted to crafting and performing their own songs. The personal connection these artists establish with their material was first recognized by the Latin Recording Academy with the addition of the Best Singer-Songwriter Album category for the 5th Annual Latin GRAMMY Awards in 2004.

The winners in this category have come from diverse geographic and stylistic places. There's the debut album by Columbian pop sensation Manuel Medrano, Afro-Cuban jazz/pop artist and Best New Artist winner Alex Cuba, and  Uruguay's multi-talented and critically acclaimed artist/actor Jorge Drexler — and that's only the past three years!

As we gear up for this year's Latin GRAMMY Awards, take a quick look back at five of the noteworthy previous winners in the Best Singer/Songwriter Album category.

Gian Marco, "Resucitar," Resucitar (2004)

Caetano Veloso, "Um Abraçaço," Abraçaço (2014)

Jorge Drexler, "Universos Paralelos," Bailar En La Cueva (2014)

Alex Cuba, "Sarah," Healer (2015)

Manuel Medrano, "Bajo El Agua," Manuel Medrano (2015)

 

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Press Play At Home: Álvaro Díaz And Sebastián Yatra Team Up For A Fittingly Somber Performance Of "Online ;("

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In the latest episode of Press Play At Home, Puerto Rican rapper Álvaro Díaz pairs up with Sebastián Yatra to deliver a gloomy rendition of their pensive 2021 collaboration "Online ;(."
Taj Mayfield
GRAMMYs
Jan 20, 2022 - 2:51 pm

The mood of this week's Press Play At Home is established well before Álvaro Díaz or Sebastián Yatra utter a single word.

Shot in black and white, the clip's frames reveal unhooked phones, crumpled-up pieces of paper, a rose, and a lighter — which paint the picture of heartache almost as well as the track's heart-rending lyrics themselves.

Watch below to see Díaz pair up with a projection of Yatra for a grim-yet-aptivating performance of "Online ;(." 

Watch Díaz and Yatra Perform "Online ;("

Before "Online ;(," Díaz and Yatra collaborated in 2020 on the more upbeat yet similarly somber single "A Dónde Van." Much like their 2021 collaboration, the track features Díaz and Yatra on the wrong end of unreciprocated love.

Created at the beginning of quarantine, "Online ;(" was featured on Díaz's 2021 album, Felicilandia. The genre-fusing album earned the Puerto Rican rapper the number one spot on Apple Music's Mexico Albums chart and a Top 10 Global Albums debut on Spotify.

Diaz's status as a chart-topper isn't limited to his own work, though. His writing ability also earned him two top spots on Billboard's Latin Airplay chart in 2021 for Selena Gomez's and Rauw Alejandro's "Baila Conmigo" and Tainy & Yandel's "Deja Vu."

Check out more episodes of Press Play At Home below. 

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2022 GRAMMYs: New Date & Location Announced 2022-grammys-awards-64th-new-air-show-date-location-las-vegas-april-3-announcement

New Air Date & Location For 2022 GRAMMYs Show Announced: April 3 In Las Vegas

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The 2022 GRAMMYs, officially known as the 64th GRAMMY Awards, have been rescheduled and will now be broadcast live from the MGM Grand Garden Arena in Las Vegas on Sunday, April 3
GRAMMYs
Jan 18, 2022 - 12:15 pm

The following is a statement from Recording Academy CEO Harvey Mason jr.: 

I'm so pleased to let you know that the 64th Annual GRAMMY Awards have been rescheduled and will now be broadcast live from the MGM Grand Garden Arena in Las Vegas on Sunday, April 3 (8:00-11:30 PM, live ET/5:00-8:30 PM, live PT) on the CBS Television Network and will be available to stream live and on demand on Paramount+. Trevor Noah, the Emmy Award-winning host of "The Daily Show," will return as master of ceremonies for Music's Biggest Night. 

Additional details about the dates and locations of other official GRAMMY Week events, including the GRAMMY Awards Premiere Ceremony, MusiCares' Person of the Year, and the Pre-GRAMMY Gala, will be announced soon. 

We are excited to take the GRAMMYs to Las Vegas for the very first time, and to put on a world-class show. From the moment we announced the postponement of the original show date, we have been inundated with heartfelt messages of support and solidarity from the artist community. We are humbled by their generosity and grateful for their unwavering commitment to the GRAMMY Awards and the Academy's mission. We appreciate the leadership CBS and our production partners at Fulwell 73 have shown during these challenging weeks and the flexibility of everyone who worked toward this solution. 

Onward, 
Harvey 

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