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Anna Bulbrook, Kerry Brown, Natasha Bedingfield, Linda Perry and Monica Zhang

Photo by Timothy Norris/Getty Images for The Recording Academy

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Linda Perry On Supporting Women At GRAMMY Museum linda-perry-natasha-bedingfield-more-talk-creating-collaborative-community-female

Linda Perry, Natasha Bedingfield & More Talk Creating A Collaborative Community For Female Artists At The GRAMMY Museum

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In an hourlong talk during GRAMMY Week 2020, the panel discussed the necessity for artists to feel safe and supported, the rapidly changing music industry and Perry's company, We Are Hear
Pamela Chelin
GRAMMYs
Jan 23, 2020 - 11:46 am

Excitement percolated through the air yesterday afternoon at the "Creating A Collaborative Community for Artists" panel at the GRAMMY Museum where GRAMMY Award-nominated singer/songwriter/musician and record producer Linda Perry, GRAMMY Award winner British pop singer/songwriter Natasha Bedingfield and attorney Monica Zhang (Reed Smith) took the stage for a discussion moderated by Anna Bulbrook (musician and founder of women-led festival and collective Girlschool).  

In an hourlong talk, they talked about their youth, the necessity for artists to feel safe and supported, the rapidly changing music industry and Perry's company We Are Hear - the record label, publishing and management company she co-founded with her business partner Kerry Brown to which Bedingfield is signed. 

Though Bedingfield signed her first record deal 16 years ago, when she was just 22 years old, she said she still vividly remembers her days busking on street corners at Christmastime, making no money. "I grew up with not a lot of money. It really sucks to grow up with no money and to feel beholden to people. The feeling of finally making money gave me a lot of self-confidence. I remember having student debt and feeling like it was crippling and never wanting to be in that position again." In fact, Bedingfield’s first job was stacking shelves at a pharmacy when she was just 11 years old. 

Read More: "Amplifying Music’s Reach" GRAMMY Week Panel Discusses Human Connection, MusiCares Research, Outreach, & More

Perry said that when she was 14 years old, she worked on the docks of San Diego sanding the bottoms of and refurbishing boats. When she got a little older and began working at fast-food chains, she said she’d inevitably be fired for giving her punk rocker friends free food through the drive-thru window. She recalled her first moneymaking gig in San Diego when she showed up at a lesbian bar and convinced the owner not only to let her perform but also to let Perry keep a percentage of the door's ticket sales. “She thinks ‘She’s not going to bring in anybody’ but I ended up promoting that show so hardcore that I ended up making $750 as my first pay in 1989, and that’s a lot of money.” She said that the first money garnering show was a fluke and that it took years before she began to make really good money. 

As to why she started We Are Hear, Perry stressed the importance of honoring artists. "We wanted to create something that was creative, for artists to feel their vision was being heard, that we can help execute their ideas and basically be a good mentor or creative partner. All we want to do is create a community and empower all these creatives and put it in a place where people feel safe and supported."

Perry said when she sat down to start her company, which currently has just one male artist (Pete Molinari) signed to its roster, her intentions weren't deliberately women-oriented. She said she’s just organically gravitated towards women. "We didn’t think about it, like, ‘Let’s be a chick label.’ It just kind of happened and it’s kind of cool, but it wasn’t on purpose that our roster and company is very female-fronted. The artists who were showing up had a sensibility about them that was strong. We felt creatively connected and we felt like this is something we can stand behind. That’s all we look for. We’re not looking for whether you have a pussy or a dick or whatever. We're looking for who can we get together with and advance and get creative with and succeed and it happened to be women."

As soon as Perry finished speaking, the crowd broke into applause and hoots. 

Accordingly, Bedingfield said she switched from a major record label to We Are Hear due to having grown increasingly disheartened with her situation. "I had always been on a major label and I had great success in that structure, but there was a lot of fear in these big corporations. They could sense things were changing and they couldn’t figure out what the new way of listening to music is. I was getting a lot of that frustration of being at big corporations that weren’t able to put their fingers on the pulse to figure it out. They’d just get new executives thinking that maybe the solution is to get a shiny new businessman. There was an emphasis on a savior, finding someone who’s gonna save us. I was feeling a lot of frustration within that system and I asked my label to let me go but, as soon as I left my label, it was, ‘Oh no, I’m out on my own.' That’s scary. I’m a team person. I love writing songs and I love singing onstage, but I need a great team and when I heard Linda started her label and management team, it felt like such a good fit."

Read More: Sheléa Serves GRAMMY Week Motivation: "This Is Why I Do What I Do, To Give To The Next Generation"

A visionary and strong leader, Perry described herself as "macho" and said she was "born very aggressive." She said an abusive background helped her to become stronger, more focused and driven. "I just have a very strong...There’s a very sad and angry emotion that hums and rumbles through my body and that has always been my guide, my fuel, my mentor, my love, my villain, all of it. It’s helped guide me constantly to make these decisions I’ve made in my life."

Bedingfield finds solace, inspiration and strength in Perry. "We focus on those who don’t love us and people who say awful things. But there are signposts and good people around so it’s about being able to receive that. Linda’s been that at this stage of my life. I’m standing up and finding my power and she’s like, ‘Yes and you can even do more. Don’t settle."

We Are Hear’s attorney, Zhang, whom Perry described as incredibly "smart, cool, and a badass," was equally effusive about Perry. "Linda's an inspiration for me because she really, really believes in the artists and the creators."

Much to the delight of the audience, midway through the panel, Bedingfield treated the crowd to a two-song acoustic performance: her hit single "Unwritten," for which she won a GRAMMY Award for Female Pop Vocal Performance in 2007, and "King of the World," a new song she co-wrote with Perry.

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GRAMMY-nominated Producer Sven Thomas

Photo by Leon Bennett/WireImage

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"Careers In Music" Panel | 2020 GRAMMYs careers-music-panel-brings-industry-professionals-students-together-discussions-working

"Careers In Music" Panel Brings Industry Professionals & Students Together For Discussions On Working In Entertainment

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The panelists offered students their stories and best advice for using the skills they are learning now to begin future careers in the music industry
Onaje McDowelle
GRAMMYs
Jan 25, 2020 - 7:21 pm

As music continues to evolve and transform before us, so do the ways that we consume it, interact with it and share it. Between streaming and social media, new self-starting opportunities have been created for artists unlike any other before, while also bringing to the table unfamiliar challenges and barriers to entry that come with internet-first culture. Thus, for many students and music lovers, pursuing a career in the music industry is of viable interest and you don’t have to be the next Billie Eilish or Lil Nas X to do so. However, for many young people looking to get their foot in the door, questions like "who do I need to meet?," "what kinds of jobs can I do?" and "where do I really even begin?" still persist. 

Yesterday, Jan. 24, the GRAMMY Museum's Clive Davis Theater hosted a series of "Careers in the Music Industry," each focused on moderating the discussion and facilitating Q&A’s between industry professionals and students interested in pursuing careers in music. The day’s first panel featured several artists and industry professionals from Sony/ATV Music Publishing who offered insight into their work and beginner's advice for building a career from the ground up, on your own terms. Panelists included A&R and Business Affairs Assistant Kelsey Reddick, Singer/Songwriter Giveon, "Work" and "10 Bands" GRAMMY-nominated Producer turned Executive Sevn Thomas and Creative Marketing Manager of TV and Film Sync KK Salamin.

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The panelists discussed their backgrounds, and how landing where they are in their careers took serious commitment and more often than not, some serious finesse. For each guest, it was their love of music that helped them continue trying to pursue careers in music, even when it may have seemed impossible at times.  The first thing you can do for yourself is putting yourself out there, they offered. "You can’t do what we’re doing from the couch," said Salamin. "It’s about staying patient and keeping faith," said Thomas.

Re-emphasizing the importance of patience, hard work and following your own path as an artist, Giveon offered that constantly working on your craft is the best step in building up to your goals. "Success is when preparation meets opportunity… There’s no formula to do this, this and this, and you're an artist. There wasn’t anywhere that I could go get an internship and I would become an artist," he said. "All I could do was work on my craft, get better and two years later here I am signed to Sony.” He continued, explaining that manifesting his own goals as an artist has been one major key in his career development. "Anything you want, no matter if you know how to get to it, just say I will have it."

GRAMMY In The Schools Live 2020: Bebe Rexha Performs & Mickey Smith Jr. Named Music Educator Of The Year

The sentiment was one that rung thoroughly throughout each panelists response when asked what advice they’d offer to a student, whether pursuing a career in music or otherwise. "Work very hard. Have a focus and go for it relentlessly," offered Thomas. "Everyone’s path is different, it’s never a straight line," said Salamin. "It’s about being persistent… Being absorbed by music, if you love it you will be excited by it every day." Further cosigning the commentary, Reddick added: "There is no ceiling. Speak what you want into existence."

The second panel of the day, moderated by Candace Newman, CEO and Founder of LIVE OUT L!VE, featured a group of women in the industry whose positions and roles spanned the likes of performing artists, managers, philanthropy and live events, including Tour Manager Eboni Gentry, Celebrity Makeup Artist and Live Entertainment Producer Melanesia Hunter, Artist Manager at SAL&CO/Maverick Dina Sahim and Singer/Songwriter Sabrina Lentini.

Emily Lazar, Linda Perry & Other Powerful Industry Women Talk Inclusivity In Music

The panelists offered information about some of the best resources for young women who want to get involved with the music industry both on stage and behind the scenes. Making use of social media is key, they explained, as a tool for reaching out and connecting with support systems throughout the music community. Mentioned by Lentini, the Women’s International Music Network is an anchor in bringing women throughout the industry together for events and opportunities to perform, network and support one another. Further, Newman’s own organization LIVE OUT L!VE is constantly working to create access and opportunity for women in the touring space with events, shows and meetings year-round. For more information, visit the organization’s homepage here.

Be sure to stay tuned to GRAMMY.com throughout the week for your behind-the-scenes pass into 2020 GRAMMY Week events, including the 2020 GRAMMY Awards airing live on CBS tomorrow, Jan. 26, featuring performers Lil Nas X, Billie Eilish, Lizzo and more.

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Jason Daley Kennedy, Rebecca Drucker, Sherri Lewis, Chauntae Pink, Abby Sasser and Mark Poston

Photo by Timothy Norris/Getty Images for The Recording Academy

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HIV/AIDS's Impact On Music Communities storiestelling-music-and-hivaids-highlights-impact-hivaids-education-storytelling

"Storiestelling: Music and HIV/AIDS" Highlights Impact Of HIV/AIDS Education, Storytelling, Activism On Music Communities

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The 2020 GRAMMY Week event was hosted in collaboration with STORIES: The AIDS Monument at the GRAMMY Museum
Onaje McDowelle
GRAMMYs
Jan 23, 2020 - 1:40 pm

As precisely stated by political activist and GRAMMY Hall of Fame Inductee and Lifetime Achievement award recipient Paul Robeson, "Artists are the gatekeepers of truth. We are civilization’s radical voice." The proposition is no exaggeration.

In 1994, hip-hop trio TLC famously released their chart-topping single "Waterfalls" which saw immediate success, landing at the No. 1 spot on Billboard’s top 100 chart shortly after its release. At the 38th Annual GRAMMY Awards the song was nominated for Record Of The Year and Best Pop Performance By A Duo. But beyond its accolades, the song perhaps did even better to openly address the HIV/AIDS crisis on a global scale during a time when speaking out was needed the most. 

On Tuesday, Jan. 21, The GRAMMY Museum’s Clive Davis Theater played host to the panel "STORIESTelling: Music and HIV/AIDS" which focused conversation on the devastating impact of HIV/AIDS on artists, music communities and the music industry, as well as the impact of music on HIV/AIDS. The free-to-the-public panel was brought to life in collaboration with STORIES: The AIDS Monument as a part of the GRAMMY Museum’s GRAMMY week panel series, "Music in Action: conversations with those diversifying, preserving and changing the music industry."

Featured panelists included performing artist and "Poz Roz" actress Chauntae Pink, Director of Talent and Entertainment Relations at ONE Abby Sasser, Moscham CEO and former EMI Music Chairman Mark Poston, Manager Rebecca Drucker and Performer, AIDS Activist and STORIES Board Member Sherri Lewis. The panel was moderated by Producer and Content Creator John Daley Kennedy.

Read More: Women In Music And Film Talk Self-Confidence & Inclusion At The GRAMMY Museum

Lewis was a member of the '80s pop-band Get Wet, whose top 40 hit "Just So Lonely" helped launch music videos on MTV. She tested positive for HIV in 1997 and subsequently followed a path of activism, offering support and fully standing in a message of HIV empowerment for survivors of the virus as well as promoting HIV prevention through involvement with various HIV/AIDS service organizations. "Being able to educate young people based on my own experiences so that they don’t have to go down that path is what gives it purpose," she shared.

During the 1980s, also known as the "plague years" for HIV/AIDS, AIDS was considered a death sentence. There was no known treatment for the virus and HIV/AIDS was negatively stigmatized by the spreading of disinformation and heightened media propaganda, only causing more confusion and fear about HIV/AIDS and how it might affect us. 

Read More: "Amplifying Music’s Reach" GRAMMY Week Panel Discusses Human Connection, MusiCares Research, Outreach, & More

As for music’s impact on HIV/AIDS, Poston explained that its biggest push forward came in the form of speaking out and spreading awareness. "Music and artists help open the discussion and create the awareness," he said. "That’s something that has continued right up until the present day. Artists have a voice, they’re often leading the culture and their tapped in with young people." He continued, noting key moments such as Freddie Mercury’s 1992 HIV/AIDS tribute concert, which garnered over 1 billion viewers worldwide. After contracting HIV, he explained that Mercury’s death helped put a face to the devastation behind the virus for music communities, who began to rally together around the cause after his passing.

The fight against HIV/AIDS itself, for music communities and beyond, is not over. Knowledge around HIV/AIDS is often still mystified and links between healthcare and poverty are intrinsic. According to Sasser, HIV/AIDS is still the number one killer of young girls around the world and spikes in infection amongst black and brown communities and women of color are evident. She is working alongside the STORIES AIDS monument team, continuing to keep the fight for awareness and action alive. Education and storytelling are key in this mission, she stated, which hopes to memorialize lives lost, celebrate activism around the virus that has occurred and to equip future generations with the knowledge necessary to effectively mobilize around HIV/AIDS moving forward. You can find more information on STORIES the AIDS monument here.

The GRAMMY Museum’s educational programming will continue throughout the week including discussions on Careers in the Music Industry, Creating Collaborative Communities for Female Artists and more. For more information on the scheduled events, visit the museum’s programs page here. 

Be sure to stay tuned to GRAMMY.com throughout the week for your behind-the-scenes pass into 2020 GRAMMY Week events, including the 62nd Annual GRAMMY Awards airing live on CBS this Sunday, Jan. 26, featuring performers Lil Nas X, Billie Eilish, Lizzo and more.

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John McKenna, Harry Grammer, Ifunanya Nweke, Erica Krusen and Victoria Stevens at the GRAMMY Museum

Photo by Timothy Norris/Getty Images for The Recording Academy

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"Amplifying Music’s Reach" GRAMMY Week 2020 Panel amplifying-music%E2%80%99s-reach-grammy-week-panel-discusses-human-connection-musicares

"Amplifying Music’s Reach" GRAMMY Week Panel Discusses Human Connection, MusiCares Research, Outreach, & More

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The panel was one of a series of six that will take place throughout GRAMMY Week 2020 at the GRAMMY Museum in Downtown Los Angeles
Onaje McDowelle
GRAMMYs
Jan 22, 2020 - 4:36 pm

Yesterday, Jan. 21, the GRAMMY Museum kicked off a series of educational GRAMMY week events just ahead of the 62nd GRAMMY Awards set to take place this Sunday, Jan. 26 on CBS. Hosted on the museum’s second floor Clive Davis Theater, the panel "Amplifying Music’s Reach" brought students, visitors and industry professionals together for discussions focused on the ways that each panelist is using their career to help harness music's power as a tool for personal growth and mental and emotional healing in others. By dedicating their daily lives and consistent work to creating tangible change through music, each panelist is helping to diversify and ultimately redefine industry spaces, while uplifting underserved musical communities along the way. 

The panel, moderated by clinical Psychologist and GRAMMY Foundation Music and Science Research Special Projects consultant Victoria Stevens, helped its audience to explore what mobilizing through on-the-ground initiatives looks like in today’s music landscape. Stevens opened the proceedings by emphasizing the relevance of music's more tangible and human benefits that are often not fully realized. She explained that we must consider how deeply embedded music is within us culturally, socially and even biologically, in order to move more effectively towards serving communities through music. 

"Music is complex and mysterious. It’s ubiquitous and it’s known as the universal language,” she began. "Music-making and listening have been shown to exist in all current and historically documented human societies. And for all humans, the musical brain is present at birth and continues as a unique way of communicating, processing and understanding emotions throughout our lifetimes… music affects our minds and bodies in ways that we are only beginning to scientifically understand,” she said before detailing several music research initiatives supported through the Recording Academy including studies connected to music’s healing power for those with PTSD, Alzheimer’s and stroke victims.

Read More: Sheléa Serves GRAMMY Week Motivation: "This Is Why I Do What I Do, To Give To The Next Generation"

According to Stevens, the awarding of grants and funding for similar innovative music research projects is an important facet of the GRAMMY’s larger outreach in bringing music to everyone as a means of transforming and healing. Projects like MusiCares, which offers resources like health care and insurance to artists and musicians who may not have immediate access to it, and Jazz Hands for Autism, which empowers creators on the autism spectrum to pursue music as a career with advocacy programs, are the epitome of said efforts. Further, the mentor-based arts and education program New Earth helps exemplify the values of connecting and uplifting through music by bringing music education to juvenile justice system affected youth as a means of empowerment, while Operation Respect uses music as an anti-bullying tool in schools across the country.

Panelists offering their insights to these kinds of projects and other initiatives were Senior Director of the Recording Academy’s charitable arm MusiCares Erica Krusen, Ifunanya Nweke who is creating avenues of expression and employment for musicians on the autism spectrum with her organization Jazz Hands for Autism, New Earth founder, Obama fellow and CNN Hero Harry Grammer, and Executive Director of anti-bullying organization Operation Respect, John McKenna.

On using music as a helping hand for others, when asked what she’d like to leave the audience with, it was Nweke’s response that held itself transcendent in terms of keeping music alive as the connection between one another. "Confidence is knowing that you have something of value to give to somebody, and community thrives when that giving becomes reciprocal."

The GRAMMY Museum's educational programming will continue throughout the week including discussions on Careers in the Music Industry, Creating Collaborative Communities for Female Artists and more. For more information on the scheduled events, visit the museum’s programs page here. 

Be sure to stay tuned to GRAMMY.com throughout the week for your behind-the-scenes pass into 2020 GRAMMY Week events, including the 62nd GRAMMY Awards airing live on CBS this Sunday, Jan. 26. 

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Photo: Daniel Mendoza/The Recording Academy

 
 
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GRAMMY In The Schools Fest Announced: H.E.R., More grammy-museum-announces-grammy-schools-fest

GRAMMY Museum Announces GRAMMY In The Schools Fest: H.E.R., HAIM, Charlie Puth And More Confirmed

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An official GRAMMY Week event, the four-day virtual GRAMMY In The Schools Fest, taking place Monday, March 8, through Thursday, March 11, 2021, celebrates music and music education
Morgan Enos
GRAMMY Museum
Feb 9, 2021 - 6:00 am

As the world is forced to rethink learning in the COVID era, it’s more important than ever to establish music as a cornerstone of a well-rounded education. To that end, the GRAMMY Museum is leading the charge. During GRAMMY Week this year, the Museum will kick off GRAMMY In The Schools Fest (GITS Fest), a four-day virtual festival running Monday, March 8, through Thursday, March 11​.

GITS Fest, previously GRAMMY In The Schools Live!, will feature GRAMMY winner and current nominee Derek "MixedByAli" Ali; current GRAMMY nominees HAIM; GRAMMY winner and current nominee H.E.R.; previous GRAMMY nominee Hunter Hayes; GRAMMY winner and current nominee Michael League of Snarky Puppy; GRAMMY winner and current nominee Manny Marroquin; GRAMMY winner and current nominee PJ Morton; previous GRAMMY nominee Charlie Puth; and Michael Sticka, President of the GRAMMY Museum.

Featuring performances by students and professionals along with engaging, educational panels by artists, educators and other music professionals, GITS Fest will truly localize the GRAMMY Week experience in cities and schools nationwide. Woven throughout the virtual festival will be lessons and other valuable information provided by top practitioners across the broad spectrum of music, music education and its connection to other school subject areas. Lesson plans and study guides will be made available free of charge to all teachers around the country who register their students to participate.

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GRAMMYs

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GITS Fest, presented by MusicPower, incorporates elements of various GRAMMY Museum education programs, including GRAMMY Camp, GRAMMY Career Day and the Music Educator Award. These programs also receive support from Ford Motor Company Fund as part of Ford’s commitment to music education.

The festival will be free to the public for those who register in advance here.

Below, check out the full GRAMMY In the Schools Fest schedule (all times listed are in PST):

Monday, March 8 — Thursday, March 11​, 2021

Monday, March 8

  • 2:00 p.m. – School Feature, Westfield Academy & Central School (NY): Creating a diverse music program and collaborating with other academic subjects to enhance it.
  • 3:00 p.m. – Hot Takes on Real World Scenarios: Career Tips in Music and Beyond with GRAMMY Camp Faculty Members.
  • 4:00 p.m. – Young Professionals in Music: Insights from emerging artists, songwriters, and musicians ft. GRAMMY In The Schools program alumni.
  • 5:00 p.m. – Music Careers in Preservation and Research: Experts discuss careers available in these areas.
  • 6:00 p.m. – Afternoon with HAIM: Insights on being a music professional ft. GRAMMY Nominee HAIM.

Tuesday, March 9

  • 2:00 p.m. – School Feature, University of Central Florida (FL): Socially distanced choral rehearsal techniques.
  • 3:00 p.m. – Afternoon with PJ Morton: Insights on being a music professional featuring GRAMMY winner PJ Morton.
  • 4:00 p.m. – Using Music to Teach Other Subjects
  • 5:00 p.m. – Afternoon with Hunter Hayes: Insights on being a music professional featuring GRAMMY nominee Hunter Hayes.
  • 6:00 p.m. – Business & Performance Latin GRAMMY Cultural Foundation® Panel: Tips on attaining success artistically and otherwise.

Wednesday, March 10

  • 2:00 p.m. – Afternoon with H.E.R.: Insights on being a music professional featuring GRAMMY winner H.E.R.
  • 3:00 p.m. – Afternoon with Michael League (Snarky Puppy): Insights on being a music professional featuring GRAMMY winner Michael League of Snarky Puppy.
  • 4:00 p.m. – The Art of Tech, Performance & Business: Career tips in music and beyond with GRAMMY Camp faculty members.
  • 5:00 p.m. – Afternoon with TBA Artist: Insights on being a music professional.
  • 6:00 p.m. – Young Professionals in Music: Musicians on the road featuring GRAMMY In The Schools program alumni.

Thursday, March 11​

  • 2:00 p.m. – Inside Look: Audio Recording: Explore elements of producing recorded music with multi-GRAMMY winner Derek “MixedByAli” Ali.
  • 3:00 p.m. – Women in the Business of Music: Insights on being a music professional working at a record label with women from Fearless Records.
  • 4:00 p.m. – School Feature, Los Angeles County High School for the Arts (CA): Preparing for a school performance on the GRAMMY telecast while maintaining a rigorous academic schedule.
  • 5:00 p.m. – School Feature, Maplewood Middle School (LA): Skills learned in music that are effective in other subjects.
  • 6:00 p.m. – The Art and Science of Recording, Songwriting & Performing: Insights on being a music professional with multi-GRAMMY winner Manny Marroquin and multi-GRAMMY nominee Charlie Puth.

GRAMMY Museum Announces "Live From The Vault" Digital Series In Partnership With Iron Mountain

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy and its Affiliates. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy and its Affiliates lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy and its Affiliates.