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Sheryl Crow 

Photo: Taylor Hill/Getty Images

News
Jazz Foundation Of America’s "#TheNewGig Live" jazz-foundation-america%E2%80%99s-thenewgig-live-feature-sheryl-crow-elvis-costello-jon-batiste

Jazz Foundation Of America’s "#TheNewGig Live" To Feature Sheryl Crow, Elvis Costello, Jon Batiste & More

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Donations collected throughout the special one-night stream will directly benefit JFA’s Coronavirus Musicians’ Fund
Onaje McDowelle
GRAMMYs
May 14, 2020 - 4:18 pm

As a benefit to the Jazz Foundation of America’s COVID-19 Musicians’ Fund, the organization will host its livestreamed benefit concert, #TheNewGig Live, tonight (May 14) beginning at 8 P.M. Eastern Standard Time. The one-night special event is slated to see performances from GRAMMY-winning and nominated artists Elvis Costello, Sheryl Crow, Jon Batiste and others.

https://twitter.com/JazzFoundation/status/1258400687999913984

The Jazz Foundation of America is proud to announce #TheNewGig Live! Please join us, along with this incredible lineup, on Thursday 05.14 at 8pm EST for a digital fundraiser benefiting jazz, blues and roots musicians affected by COVID-19. (1/2) pic.twitter.com/JTEiL0vmbL

— Jazz Foundation of America (@JazzFoundation) May 7, 2020

In addition to being hosted by comedian Keegan-Michael Key, the two-hour stream will also include appearances from other celebrity guests like Bruce Willis, Danny Glover and Rosie Perez. The program will feature archival footage of live shows and performances by other GRAMMY-winners and nominees like Brittany Howard, Herbie Hancock, Patti Smith, and August Greene (Common, Robert Glasper, and Karriem Riggins). Additional artists set to perform include Robert Cray and Angelique Kidjo.

For fans unable to catch the event in real-time, the livestream will be re-broadcasted at 10 P.M. Eastern Standard Time and will be made available online for viewing for 24 hours. You can stream the event here.

More information on donating to the foundation and their COVID-19 relief efforts can be found here.

"In The House": Katy Perry, John Legend + More

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Carlos Santana performs at the 2020 Pre-GRAMMY Gala and GRAMMY Salute to Industry Icons

Carlos Santana performs at the 2020 Pre-GRAMMY Gala and GRAMMY Salute to Industry Icons

Photo: Kevin Mazur/Getty Images for The Recording Academy

News
Amazonia Benefit: Carlos Santana & More Confirmed carlos-santana-jane-fonda-herbie-hancock-kali-uchis-and-more-confirmed-artists-united

Carlos Santana, Jane Fonda, Herbie Hancock, Kali Uchis And More Confirmed For "Artists United For Amazonia" Livestream Benefit

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Taking place Thursday, May 28, the online event will benefit the Amazon Emergency Fund, which supports indigenous communities and organizations in the Amazon basin who are facing threats from the COVID-19 pandemic
John Ochoa
GRAMMYs
May 23, 2020 - 12:02 pm

The creative, entertainment and music worlds are banding together to raise donations for the Amazon Emergency Fund, which supports indigenous communities and organizations in the Amazon basin who are facing threats from the COVID-19 pandemic, via a star-studded global livestream event. 

Taking place Thursday, May 28, at 5 p.m. PST/8 p.m. EST, the online benefit, dubbed the Artists United For Amazonia: Protecting The Protectors, will feature celebrities, activists and scientists from across various industries, including Carlos Santana, Peter Gabriel, Jane Fonda, Morgan Freeman, famed primatologist and anthropologist Jane Goodall and Brazilian environmental and indigenous activist and politician Sônia Guajajara, among many others. 

Hosted by "Game Of Thrones" actress Oona Chaplin, the livestream benefit will also feature "living-room musical performances, interviews, and calls to action," with confirmed performers including Herbie Hancock, Rocky Dawuni, Butterscotch Clinton, Brazilian GRAMMY nominee Ivan Lins and Brazilian GRAMMY winner Luciana Souza, Deadline reports. Other guests and participants include Kali Uchis, Chloe Smith from Rising Appalachia, Wade Davis and many others.

The livestream will be available via the event's website and Facebook page.

Launched last month, according to Deadline, the Amazon Emergency Fund raises and channels "resources to indigenous communities and grassroots organizations who face the COVID-19 emergency in the entire Amazon basin," according to a press release.

The fund's website states that "100% of each donation will go directly to Indigenous and Forest Communities and Organizations facing COVID-19 in the Amazon Rainforest." The fund will support Rapid Response Grants to provide services including: urgent COVID-19 prevention and care, food and medical supplies, emergency communications and evacuation, and more. 

The Amazon Emergency Fund is accepting donations now.

Read: Recording Academy And MusiCares Establish COVID-19 Relief Fund

As the coronavirus pandemic spreads across the Amazon Basin, the virus has killed 25 indigenous people in the rainforest and surrounding remote villages and more than 100 people in urban areas, according to The New York Times.

"As the COVID-19 pandemic spreads across the Amazon Basin, it threatens the lives and the future of indigenous peoples and traditional forest communities, the Guardians of the Forest," the Amazon Emergency Fund website states. "These populations are disproportionately vulnerable to contracting the illness due to the persistent lack of access to equal and adequate public services, such as housing and health care, and the consequences of centuries of colonization and racism.

"For over 500 years, indigenous peoples of the Amazon and across the Americas have faced invasions and loss of their ancestral territories, ethnic and socioeconomic discrimination, and the constant threat of physical and cultural extermination resulting in displacement, disease, and genocide. Now, indigenous peoples – particularly the elders, wisdomkeepers and those living in voluntary isolation – are gravely at risk by the spread of the COVID-19 pandemic. Traditional forest communities are similarly threatened, including  riverine, quilombola, rubber-tappers, and other extractive populations, who have been defending the forest with their lives."

Dave Matthews, The Avett Brothers, Brandi Carlile, The Lumineers And More Confirmed For Colorado Music Relief Fund Virtual Benefit Concert

Bandcamp

Bandcamp

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Musicians Earn $4.3 Million From Bandcamp musicians-earn-43-million-bandcamp-nearly-800000-items-sold-friday

Musicians Earn $4.3 Million From Bandcamp With Nearly 800,000 Items Sold On Friday

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"On a typical Friday, fans buy about 47,000 items on Bandcamp, but this past Friday, fans bought nearly 800,000, or $4.3 million worth of music and merch"
Rachel Brodsky
GRAMMYs
Mar 23, 2020 - 12:34 pm

Last Friday, March 20, in an effort to help artists impacted by coronavirus-related concert cancelations, music discovery and streaming platform Bandcamp waived its revenue shares for 24 hours, with a number of independent record labels following suit. 

Now, according to a statement from Bandcamp co-founder Ethan Diamond, the streaming platform has reportedly had its biggest sales day ever, with nearly 800,000 items sold. 

Last Friday, fans spent $4.3 million—15x a normal day of sales—in support of artists on Bandcamp https://t.co/ElpCIN3s4f

— bandcamp (@Bandcamp) March 23, 2020

"The numbers tell a remarkable story," Diamond wrote today (Monday, March 23). "On a typical Friday, fans buy about 47,000 items on Bandcamp, but this past Friday, fans bought nearly 800,000, or $4.3 million worth of music and merch. That’s more than 15 times our normal Friday, and at the peak, fans were buying 11 items per second.

"We don’t yet know the long-term impact of Covid-19, but we know that we all need music—to uplift and inspire us, to heal us, and to give us hope,” the message continues. “We’ll continue working to make Bandcamp the best place for fans and artists to come together and sustain each other in the challenging times ahead. Thank you again, and we wish you all good health!”

In support of keeping the music community alive and thriving, you can also donate to the MusiCares COVID-19 relief fund here.

MORE RESOURCES FOR MUSIC CREATORS & PROFESSIONALS:

Resources For Music Creators & Professionals Affected By COVID-19: West Region
Resources For Music Creators & Professionals Affected By COVID-19: East Region
Resources For Music Creators & Professionals Affected By COVID-19: South Region

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CupcakKe performs at POP Montreal 2019

CupcakKe performs at POP Montreal 2019

 

Photo: Stacy Lee

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POP Montreal 2020 Full Lineup Announced pop-montreal-2020-lineup-backxwash-flore-laurentienne-plants-animals

POP Montreal Announces Full Artist Lineup For 2020 Hybrid Virtual And Live Festival Format: Backxwash, Flore Laurentienne, Plants & Animals And More Confirmed

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Canada's long-running eclectic music festival will include a combination of livestreamed concerts as well as live shows, which will feature safety measures including required face masks, social distancing and on-site attendee registration
John Ochoa
GRAMMYs
Sep 9, 2020 - 4:16 pm

POP Montreal, Canada's long-running eclectic music festival, has announced the full musical lineup for its 2020 edition, which will take place as a hybrid virtual and live festival format this year due to the ongoing coronavirus pandemic. 

The five-day event, running September 23-27, will feature a combination of live concerts in several venues across the Rialto Theatre complex, the ornate venue in Montreal hosting part of the festival, as well as local venues Le Ministère and URSA. The festival will also create a virtual 2D rendition of the main venue, which will give attendees access to wander the online festival grounds and attend livestreamed concerts, panels, performances and more. 

The POP Montreal 2020 lineup includes virtual and live performances from Lido Pimienta, Backxwash, Flore Laurentienne, Plants & Animals and many more. 

https://www.instagram.com/p/CE7GP3hhZoG

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According to a press release announcing the full artist lineup, the festival's live portion will feature concerts with "very limited capacity, with advance ticket sales and seating room only" as well as "secret pop-up shows." The live concerts will be limited to 30 minutes maximum.

In-person live events will require face masks, social distancing and on-site attendee registration as part of the festival's safety measures, according to the event's website. Fans will also be required to sanitize/wash their hands before entering the live events and to remain seated during the show. 

According to The New York Times, there have been more than 133,700 confirmed cases of COVID-19 and more than 9,000 coronavirus-related deaths in Canada, at the time of this writing.

To purchase tickets and to view the full festival lineup and schedule of live and online events for POP Montreal 2020, visit the festival's official website.

Capturing Los Angeles' COVID-Closed Venues

Rufus Wainwright

Rufus Wainwright

Photo: Barbara FG (Cleared for any usage with credit)

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Rufus Wainwright & More On Their Favorite Venues sacred-spaces-rufus-wainwright-yungblud-keb-mo-and-others-reflect-independent-venues

Sacred Spaces: Rufus Wainwright, YUNGBLUD, Keb' Mo' And Others Reflect On The Independent Venues And Clubs That Changed Their Lives

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As the majority of the live concert industry across the world remains on pause, GRAMMY.com chatted with a handful of artists about their cherished concert memories at some of their favorite clubs and venues
David McPherson
GRAMMYs
Aug 3, 2020 - 6:00 am

Though it's been more than 50 years since Café Au Go Go closed, Blood, Sweat & Tears frontman David Clayton-Thomas still recalls the cultural significance of this famed NYC basement bar. Formerly located at 152 Bleecker St. and operating from 1964-1969, the Greenwich Village hotspot hosted everyone from Cream, with Eric Clapton, to Jimi Hendrix.

"It was the place to be in those days," Clayton-Thomas reflects. "That is where Blood, Sweat & Tears started. We became the house band for a couple of months while recording our first album at CBS Studios on 52nd Street. We would work the club at night and record during the day. It's hard to forget a club like that. It will always be a part of my wonderful memories of New York."   

It's not a stretch to say that the resulting Blood, Sweat & Tears self-titled 1968 album, which has sold 10 million copies worldwide and won the GRAMMY for Album Of The Year in 1970, would exist today without the band's experience at this small yet renowned club. 

Clayton-Thomas' story illustrates exactly how independent music venues are more than four walls. Within the confines of these cramped clubs is a shared cultural history and community: collective stories of unforgettable nights watching your favorite bands and artists perform. The spirits of these artists—some long gone—are forever etched in the wood and ingrained in the stain-filled dance floors.

Exterior of Café Au Go Go in NYC in 1965

Exterior of Café Au Go Go in NYC in 1965 | Photo: Don Paulsen/Michael Ochs Archives/Getty Images

During the COVID-19 pandemic, the live music ecosystem, already hit hard by rising real estate prices, gentrification and urban sprawl, entered crisis mode. Seminal clubs across North America, from L.A.'s historic Troubadour to Toronto's legendary Horseshoe Tavern, lie silent. 

Like concertgoers, club and venue owners, too, are eagerly awaiting the return of live music. In the interim, these entrepreneurs do what they can to keep their businesses afloat: Some launched GoFundMe fundraisers, while others turned to social media, patrons and local and federal government for financial support. The politicians are starting to hear these pleas. 

Earlier this month, the U.K. government announced a £1.57 billion (approximately $2 billion) aid package for the arts, culture and heritage industries. In the U.S., a pair of senators introduced a relief bill: the Save Our Stages Act. The Recording Academy is also endorsing a pair of solutions: the RESTART Act and the Mixed Earner Pandemic Unemployment Assistance Act.     

The sad reality: Without the leniency of landlords and the passing of stimulus acts by governments, many iconic clubs and independent venues will not survive the financial fallout caused by the coronavirus pandemic. Even with these lifelines, the outlook could be grim. According to a survey from the National Independent Venue Association (NIVA) last month, which surveyed nearly 2,000 music professionals across the U.S., 90 percent of independent venue owners, promoters and bookers said they will have to close permanently within the next few months if they do not receive financial relief from the government. 

As the majority of the live concert industry across the world remains on pause, GRAMMY.com chatted with a handful of artists, including Rufus Wainwright, YUNGBLUD, Keb' Mo' and others, about their cherished concert memories at some of their favorite clubs and venues.

Rufus Wainwright

Venue(s): The Troubadour and Coronet Theatre in Los Angeles, Calif.; McCabe's Guitar Shop in Santa Monica, Calif.; The Town Crier in Beacon, N.Y.; Ursa, owned by his sister Martha Wainwright, in Montreal, Quebec 

Rufus Wainwright

Rufus Wainwright performs in Austin, Texas | Photo: Barbara FG (Cleared for any usage with credit)

Self-isolating these days at his home in Los Angeles finds GRAMMY-nominated singer-songwriter Rufus Wainwright spending time practicing more, especially the piano. "I've been able to dive into the technical forest," he tells GRAMMY.com. Before the pandemic hit, he was on tour and starting the promotion cycle for his newest album, Unfollow The Rules, which he released last month via BMG. He booked gigs at many clubs, including The Troubadour, to promote the record. Then he had to cancel them. 

"The Troubadour, for me, is especially poignant," Wainwright says. "I performed there a couple of times over the years, and I've seen many shows there. We were set to play there at the beginning of this tour. This album is very much influenced by the history of Laurel Canyon [in Los Angeles], songwriting and Hollywood, and we had this symbolic show booked at The Troubadour to emulate some of the grand history that occurred in that venue. Sadly, that opportunity got ripped away when the pandemic struck." 

Read: Beginnings And Endings With Rufus Wainwright

Other touchstone venues for Wainwright in the L.A. area include: The Coronet Theatre, now Largo At The Coronet, where he regularly performed early in his career and McCabe's Guitar Shop on Pico Boulevard in Santa Monica, where the artist played a series of shows before the pandemic hit. 

"I am familiar with the smaller-venue situation mainly because my parents started out playing in coffeehouses in the 1960s and '70s," Wainwright says. "Places like the Caffè Lena in Saratoga Springs, [N.Y.], and The Iron Horse Music Hall in Northampton, Mass., are all part of the really vital, socially important folk music movement my parents [Loudon Wainwright III and Kate McGarrigle] were a part of in the 1960s. For a lot of artists, these venues are like a trampoline that can catch your fall when you aren't necessarily the flavor of the month. I grew up witnessing this dynamic, and I started out in smaller venues. To dominate that dynamic is really important and harder than you think. A lot of big artists cannot play a small venue … it's too scary and too intimate, but I love them!"  

YUNGBLUD

Venue(s): The Crowndale in Camden Town, London, England; The Lock Tavern in London, England; The Electric Ballroom in Camden Town, London, England

YUNGBLUD performs at the Electric Ballroom in 2019

YUNGBLUD performs at the Electric Ballroom in 2019 | Photo: Matthew Baker/Getty Images

Born in Doncaster, Yorkshire, British rocker YUNGBLUD left home at 16 and moved to London. "I ran away because the north of England is not a place for a kid in lipstick playing rock 'n' roll," he says. Once settled in the south, he discovered the live music mecca of Camden Town, north of England's capital. 

"These venues shaped what I am as an artist today," he says. "I remember walking into Camden Town for the first time and my mind exploded; it was everything I ever wanted. It was Willy Wonka & The Chocolate Factory. I had a golden ticket to everything I read about: The Libertines, Amy Winehouse, etc. I used to skive off work to get coffees and go to Camden for hours, telling my dad I had been mugged! 

Read: Yungblud Talks Turning His Tour Postponement Into An Online Rock & Roll Variety Show

"Camden was really a big turning point in my career," he continues. "I've played every tiny venue in Camden, from The Crowndale for 10 people to a sold-out show at The Lock Tavern where Amy Winehouse played early in her career and who is a massive inspiration to me. She taught me being you is good enough. Later, I played the Electric Ballroom to 1,500 people. The Camden Assembly, formerly The Barfly, is where my guitar player [Adam Warrington] and I really connected and when we figured out we were going to play music together for the rest of our lives, bonding over our love of Joy Division, Blur, N.W.A, Foo Fighters and David Bowie.

"When I think about Camden, that spirit, and every show I've played in the clubs there, I remember why I'm here and what I'm doing it for … it's all about the passion!" 

Colin Linden

Venue: The Legendary Horseshoe Tavern
City: Toronto, Ontario, Canada
Opened: 1947

Colin Linden (R) with Robbie Robertson (L) performing at the Legendary Horseshoe Tavern in approximately 1989

Colin Linden (R) with Robbie Robertson (L) performing at the Legendary Horseshoe Tavern in approximately 1989 | Courtesy Photo: Colin Linden

These days, Canadian blues artist Colin Linden lives in Nashville, Tenn., but Toronto is where he cut his teeth. The GRAMMY-nominated songwriter and producer grew up fast, sitting in as an underage teen with local legends like Willie P. Bennett and David Wilcox at small clubs around town. Today, Linden figures this is the longest time he has gone without a gig in his 48-year career. "I feel a real need to connect with people," Linden says. 

Toronto's legendary Horseshoe Tavern is Linden's seminal venue. He still has a scar on his forehead from a time he played The Shoe in the mid-1980s and bounded off the stage a little too recklessly. And in the early 1990s, he played there frequently with a secret band, which included Bruce Cockburn, called Bambi And The Deer Hunters. 

"It is the place where I started playing as a kid and kept on playing over many years," Linden recalls. "It was an important venue long before I ever set foot in there. It's a place where I've had a lot of laughter and a lot of tears. When I think about the Horseshoe Tavern, I think about so many things. I remember sitting in the back alley in booker Peter Graham's car, playing him my demo and talking over my mistakes. I really wanted a gig there." 

The most memorable night for Linden at this venue happened on March 13, 1989, when he shared the stage with The Band members Rick Danko, Garth Hudson and Robbie Robertson. "That was such an amazing night," Linden thinks back. "I remember Robbie getting offstage and asking me, 'How can you guys hear anything?' I realized he had not been on a stage in more than 10 years and forgot how loud it gets in a club!"

Keb' Mo'

Venue: Harvelle's
City: Santa Monica, CA
Opened: 1931

Harvelle's

Harvelle's | Photo: John M. Heller/Getty Images

Harvelle's, a popular West Coast blues club with a long history, is where Kevin Roosevelt Moore started playing in 1992 before he was known as Keb' Mo' and before he had a record deal. His first audition to play the historic venue failed. Later, he landed a gig at the club through a friend who needed a guitarist. After that, Moore played the venue regularly for years. One Tuesday, Moore was performing when television producer and composer Chuck Lorre was in the audience; an introduction led Moore to land the theme song for the popular CBS sitcom, "Mike & Molly."

"It's very important to maintain the local watering holes of our country," Moore, who this year took home a GRAMMY for Best Americana Album for his 2019 album, Oklahoma, explains. "For me, Harvelle's is the place where I figured out who I was. Harvelle's is where I became 'Keb' Mo'.' If not for Harvelle's, I, and many other artists I know, would not be where we are today. It's so important to make sure these local places that feed the community—socially, culturally, and artfully in a musical way—remain open. When you take away the starting point for musicians, you take away the connection. It's the local pubs and the local dives that make us who we are.

Watch: Keb' Mo' Reflects On The Journey To His 'TajMo' GRAMMY Nomination

"Even today, Lady Gaga, Bruce Springsteen, etc., all want to do a dive [bar] tour because the dives are what's happening," he continues. "It's about connecting to the people. It's raw, it's honest and it's genuine. The place you have to be most genuine of any place is in a dive, because when you play a fancy theater, everyone comes to see you and is expecting something. In a dive, no one gives a crap about you, so you have to go to them and figure out how to connect and reach them. In a way, playing a dive is way more difficult than playing a concert. Harvelle's and all the dives, coffee shops [and] restaurants of the world are very important to creating that connection and community within the music business." 

Sarah Jarosz

Venue: The Cactus Café 
City: Austin, Texas
Opened: 1979

Sarah Jarosz

Sarah Jarosz performs at The Cactus Café in approximately 2006 | Photo: Steve Oleson

At 29, New York City-based American Roots singer-songwriter Sarah Jarosz has already won three GRAMMYs. (Her newest album, World On The Ground, released in June, features production from five-time GRAMMY winner John Leventhal.) Jarosz shares her love for The Cactus Café, one of the storied music clubs situated on the campus of the University Of Texas At Austin in her hometown. The venue has hosted a who's who of Texas songwriting legends and bands over the years, from Townes Van Zandt and Guy Clark to The Chicks and Nickel Creek.

Read: Sarah Jarosz Graduates to GRAMMY Winner with 'Undercurrent'

"Since I'm not able to play shows on the road right now, I've naturally turned my thoughts to some of the first venues I began playing in," Jarosz says. "I have a particular fondness for The Cactus Café. That's the first club I remember my parents taking me to as a little kid, even when it was way past my bedtime. I remember the smell of the coffee brewing, the clinking of the glasses at the bar tucked into the back corner, the warmth of being surrounded by kindred spirits and music-lovers. 

"Venues like The Cactus are sacred spaces," she adds. "For the hour or two that you're inside them, the outside world disappears, and musicians and listeners alike find solace in the energy and the sounds."

Jane Bunnett

Venue: Jazz Showcase
City: Chicago, Ill.
Opened: 1947

Jane Bunnett performs at Jazz Showcase in Chicago, Ill.

Jane Bunnett performs at Jazz Showcase in Chicago, Ill. | Photo: Jim Funk

Jane Bunnett, 63, is a soprano saxophonist, bandleader and three-time GRAMMY nominee. The most recent ensemble the Toronto artist assembled is the all-female, GRAMMY-nominated Afro-Cuban jazz group, Jane Bunnett & Maqueque. 

She holds a special place in her heart for Chicago's Jazz Showcase, started by Joe Segal in 1947. Legends from John Coltrane to Miles Davis have played this historic club. Today, you'll still find the 94-year-old NEA Jazz Master Segal hanging around, but his son, Wayne, runs the day-to-day operations. 

The first time Bunnett tried to sit in and play at Jazz Showcase in the late 1980s, Joe refused to let her play. Flash ahead a decade. Bunnett was back in the Windy City for the Chicago Jazz Festival. After her set, musician Ira Sullivan introduced her to Joe, who didn't recall the incident. Amends were made. In the last five years, the club has become a regular anticipated stop for Bunnett & Maqueque; they were scheduled for another gig there this spring before the pandemic hit.

Read: 'Bitches Brew' At 50: Why Miles Davis' Masterpiece Remains Impactful

"I've got incredible memories of playing that room," Bunnett says. "Right behind the bandstand is a beautiful 10-by-12-foot photograph of Charlie Parker. I remember the first night I'm up on that stage, it was such a joyous moment. Joe sat right in front of my percussionist and just stared. I looked around the room at all the paraphernalia and history and just soaked it in. There I was with a bunch of young Cuban kids in their early 20s who didn't have a clue of who many of the artists pictured on the walls were."

Sierra Hull

Venue: The Station Inn
City: Nashville, Tenn.
Opened: 1974

Sierra Hull (R) performs with Justin Moses (L) at The Station Inn in Nashville, Tenn.

Sierra Hull (R) performs with Justin Moses (L) at The Station Inn in Nashville, Tenn. | Courtesy Photo: Sierra Hull

At 28, bluegrass/roots artist Sierra Hull has already released four full-length albums. Her most recent, 25 Trips, released in February on Rounder Records, is the follow-up to her GRAMMY-nominated 2016 album, Weighted Mind. 

"It's easy to take for granted that a venue like The Station Inn will always be there," she says. "It's a staple of the Nashville community and a musical home for so many of us. I've been deeply inspired by the concerts I've seen by both legends and peers there, and have played the stage myself countless times over the years. It's the type of venue that is perfectly small and intimate yet with a history that makes it feel larger than life. 

Read: Sierra Hull Takes Her Place In Bluegrass History, Talks Legacy & New Music At Wide Open Bluegrass

"It really breaks my heart to know that venues we all love are struggling and could potentially go under during this pandemic. I hope and pray they can survive this for the sake of our community and the need we all have to gather together in places with so much history and meaning."

Ondara

Venue: Cedar Cultural Center
City: Minneapolis, Minn.
Opened: 1989

Cedar Cultural Center

Cedar Cultural Center | Photo: Jahi Chikwendiu/The Washington Post via Getty Images

Ondara, previously known as J.S. Ondara, grew up in Nairobi, Kenya, listening to a lot of rock music before moving to the U.S. in 2013. His debut album, Tales Of America, released in 2019, received a nomination for Best Americana Album at the 2020 GRAMMYs. In May, the singer-songwriter released his follow-up, Folk N' Roll, Vol 1: Tales Of Isolation, an 11-song collection written and recorded by Ondara, in less than a week, while in lockdown in Minneapolis. The compositions speak to our times and collective quarantined experience. A direct response to the global pandemic, the album serves as therapy for Ondara. 

Before moving from Africa to America, Ondara had never been to a concert. His first show was at the Cedar Cultural Center, a Twin Cities live music hot spot for the past 30 years. It changed his life. 

Read: Kenyan Singer/Songwriter J.S. Ondara On Telling His Own 'Tales Of America' With Debut LP

"I was new to America, and I had spent some time with music unsuccessfully," he recalls. "Nothing was working out, so I decided to go to school. Halfway through my second semester, a friend invited me to a show to see Seattle singer-songwriter Noah Gundersen. I had a completely spiritual experience at that concert. I dropped out of school the following day and went back to focusing on my music and making my debut record. It was life-changing. The novelty of [it] being my first concert, along with my internal turmoil of my desires to be a musician being stifled, all played a part in the experience. It left a lasting impression. I honestly can't wait until I can be in a room full of people again and sing right in their faces." 

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