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9/11 Memorial

Lower Manhattan on September 10, 2021

ROBERTO SCHMIDT/AFP via Getty Images

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10 Songs To Remember The Emotions Of 9/11 9-11-tribute-10-songs-that-captured-americas-feelings-bruce-springsteen-jay-z-imagine-dragons

10 Songs That Captured America’s Feelings After 9/11

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From emotional tributes to criticizing the government, artists across all genres captured the country’s wide range of feelings about 9/11
Taj Mayfield
GRAMMYs
Sep 10, 2021 - 2:53 pm

Since cave paintings and prehistoric sculptures, art has served as a medium to capture emotions and convey feelings. 

After the 9/11 attacks, with emotions overflowing and feelings scattered, musicians had the large task of making sure the nation’s wide-ranging attitudes towards the tragedy would live on forever.

At the time, major media companies like Clear Channel Communications (now iHeartMedia) urged its 1,100+ radio stations not to play over 150 songs due to potentially offensive material.

But despite occasional media censorship, these 10 artists managed to capture the country’s diverse feelings around the events of September 11th.

Coldplay, "Politik"

According to the book Coldplay: Look at the Stars, "Politik" was heavily inspired by the September 11 attacks. 

"I wrote the song on 9/11 and we recorded it on 9/13. We were all a little confused and frightened," said lead singer Chris Martin. "I want to write songs and do things, 'cause you never know what might happen. You got to live in the moment."

"Politik" served as the intro track for the band’s GRAMMY-winning A Rush Of Blood To The Head'' album. The song’s transcendent production paired with its inquisitive lyrics reflect the nation’s harsh realization of mortality after 9/11.

50 Cent ft. Eminem, "Patiently Waiting"

Despite the song mainly focusing on their respective rivals, both 50 Cent and Eminem incorporated memorable lines about the September 11 attacks on the 2003 track "Patiently Waiting".

"I'm innocent in my head, like a baby born dead, destination heaven, sit and politic with passengers from 9/11," 50 Cent raps on his opening verse.

While the line may catch some off guard on first listen, 50 Cent is essentially stating the innocence of the 9/11 attack victims who lost their lives. 

Eminem conveys the shared feeling of how close to home the attacks hit with his line, "Shady Records was eighty seconds away from the towers."

Jay-Z ft. Alicia Keys, "Empire State Of Mind"

Following 9/11, American patriotism reached new heights. At the center of the country’s newfound patriotism was the site of the initial attacks, New York City. 

Jay-Z’s and Alicia Keys’ "Empire State Of Mind" perfectly captured the love and pride the nation shared with New York. "Long live the World Trade," raps the 23-time GRAMMY winner on his second verse. 

The New York-centric track went on to earn two GRAMMYs at the 53rd GRAMMYs for Best Rap/Sung Collaboration and Best Rap Song.

Heems, "Flag Shopping"

While 9/11 turned many Americans to patriotism, it also pushed many to harmful lanes of pride like nationalism and racism. 

Heems, an American rapper of Punjabi-Indian descent, touches on how he and his family unfairly faced backlash after the September 11 attacks.

"I know why they mad, but why call us A-rabs?" he raps on "Flag Shopping." "We sad like they sad, but now we buy they flags."

Sheryl Crow, "Out of Our Heads"

Released in 2008, "Out of Our Heads" is an anti-conflict song aimed at the Iraq war.

Many of the lyrics were targeted at U.S. leaders, accusing them of manipulating the nation’s anger following the 9/11 attacks.

"Someone's feeding on your anger. Someone's been whispering in your ear. You've seen his face before. You've been played before. These aren't the words you need to hear," sings Crow.

"Out of Our Heads" was released as part of Crow’s 2008 album Detours, which earned a GRAMMY nomination for Best Pop Vocal Album at the 51st GRAMMY Awards.

John Vanderslice, "Exodus Damage"

For every Sheryl Crow urging peace, there was also a John Vanderslice looking for a way to let out feelings.

"Saw the second plane hit at 9:02," sings Vanderslice at the top of the second verse. "An hour went by without a fighter in the sky/ You said there’s a reason why/ Tell me now, I must confess/ I’m not sick enough to guess."

Throughout the song, Vanderslice recounts a conversation with a conspiracy theorist friend on the day of the attacks and questions why the nation’s leaders didn’t immediately respond with force.

Jadakiss, "Why"

If the song’s title didn’t give it away, Jadakiss questions a lot of agreed-upon narratives in "Why". 

Of the 100 or so inquiries in the song, one was a famous conspiracy theory centered around then-president George W. Bush’s supposed role in the 9/11 attacks.

"Why did Bush knock down the towers?" he demands on the popular track. The track was nominated for Best Rap/Sung Collaboration at the 47th GRAMMY Awards.

Dream Theater, "Sacrificed Sons"

"Sacrificed Sons" opens with a combination of news station soundbites from September 11th before Dream Theater delivers an emotional remembrance to all the lost lives.

"Burning City, smoke and fire, planes, we're certain, faith-inspired," questions the two-time GRAMMY-nominated band. "No clues, a complete surprise. Who'll be coming home tonight?"

Lyrics by James LaBrie, "Sacrificed Sons" captures the nation’s confusion, surprise and grief across 10 minutes.

Bruce Springsteen, "Into The Fire"

"Into the Fire" recounts the tragic events of 9/11 from the point of view of a firefighter’s spouse. 

With lyrics like "love and duty called you some place higher, somewhere up the stairs, into the fire" and "may your strength give us strength", the five-minute track serves as a touching tribute to first responders and their families.

18 years after the song’s 2002 release, Springsteen’s son Sam Springsteen joined the Jersey City Fire Department. 

The tribute was a part of Springsteen’s The Rising album, which won Best Male Rock Vocal Performance, Best Rock Song and Best Rock Album at the 45th GRAMMY Awards.

Imagine Dragons, "America"

With lyrics like "from farmers in the fields, to the tallest of the towers that fall and rise, 1-7-7-6, the names upon the list, for all the ones that gave until they died," Imagine Dragons’ "America" captured the resilient nature of the country following the 9/11 attacks.

"America, don’t you cry," the band sings in the chorus. "Lift me up. Give me strength to press on."

It's The One: 45 Years Of Bruce Springsteen's 'Born To Run'

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Clive Davis (R) and John Legend (L)

Clive Davis (R) and John Legend (L)

 

Photo Courtesy of Clive Davis

 
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2021 Pre-GRAMMY Virtual Gala Recap 2021-pre-grammy-virtual-gala-clive-davis-pandemic

2021 Pre-GRAMMY Virtual Gala: How The Annual Clive Davis Extravaganza Adapted To The Pandemic

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With its high-profile guests shushing their pets and grappling with technology, this year's virtual Pre-GRAMMY Gala created a sense of intimate beauty and captured the shared feeling of community online
Morgan Enos
MusiCares
Feb 2, 2021 - 10:03 am

Picture this pantheon: Bruce Springsteen, Carole King, John Legend, Rod Stewart, Jamie Foxx and Barry Gibb, all gathered to pay homage to music's finest executive, Clive Davis. Dynamo performances from the Rolling Stones, Aretha Franklin, Madonna, and more punctuate the gala, while everyone from Dionne Warwick to Martha Stewart watches from the sidelines.

Er, one second—that's "iPhone Dionne Warwick" and "Martha's iPhone XS Max T-Mobile." Wait, is that a Pomeranian-themed calendar behind Warwick? Did Martha Stewart just drop said iPhone in her purse without deactivating the camera first? Holy cats—does she have a marble ceiling?

Nearly a year into the COVID-19 pandemic, it goes without saying that assembling a multitude of celebrities for a Beverly Hills bash remains impossible. So, this year, Clive Davis' annual, high-profile Pre-GRAMMY Gala went virtual.

Clive Davis and Alicia Keys

Alicia Keys (L) and Clive Davis (R) | Photo Courtesy of Clive Davis

The 2021 Pre-GRAMMY Virtual Gala took place Saturday (Jan. 30), the night before the Academy initially planned to throw the 63rd GRAMMY Awards. They have rescheduled the ceremony to Sunday, March 14, due to the ongoing COVID-19 pandemic. The Virtual Gala, benefitting MusiCares, was the first of two events. The second will occur Saturday, March 13, the night before this year's GRAMMY show, and will benefit the GRAMMY Museum.

Clive Davis' annual Pre-GRAMMY bash is one of the starriest nights of the year, an opportunity to rub elbows with music industry giants and House Speaker Nancy Pelosi alike. But 2021 was no ordinary year, and this was no average gala. Swapping bespoke suits and elaborate dresses for pajamas and leisure suits, the famous guests gave viewers a personal, sometimes awkward, look into their homes and lives. Where it lost the spectacle of someone like Travis Scott bringing a crowd to its knees, this year's virtual event created a sense of intimate beauty and captured the shared feeling of community online.

Taking full advantage of the virtual experience, Davis structured the Virtual Gala around archival footage of what he believes to be the most outstanding performances of all time. (The night featured clips of Frank Sinatra, Jay-Z feat. Alicia Keys, Whitney Houston and others.)

Throughout, Davis acted as a tour guide through past live and televised performances from rock, folk and soul artists of the 20th and 21st centuries. A baby-faced Bob Dylan strums his signature song, "Blowin' in the Wind." The Queen of Soul, Aretha Franklin, brings Barack and Michelle Obama to near-tears at the Kennedy Center in 2015 with "(You Make Me Feel Like) A Natural Woman." (The tune's co-writer, Carole King, can hardly contain herself in the crowd.)

"This performance speaks to why I want to do this event tonight," Davis said of the Franklin performance. "Even through your computer screen, if you don't have goosebumps, you should check carefully for a pulse."

Davis later calls Houston's 1994 set, a medley of "I Loves You Porgy," "I Am Telling You I'm Not Going" and "I Have Nothing," "the greatest television performance for any artist."

And while Davis' annual Pre-GRAMMY Gala is typically a place where artists shine, the virtual audience was the main attraction this year. Anyone with an internet connection can watch old rock 'n' roll footage; it's a different, surreal experience to watch Joni Mitchell, George Benson and Herbie Hancock as they watch it. Ditto Carl Bernstein, who helped break the Watergate scandal, and "CNN Tonight" anchor Don Lemon.

If there's one silver lining of the Zoom era, it's that we can be a fly in the wall in celebrities' homes. As such, the Gala's format delivered the lion's share of its fun. Martha Stewart picked at the charcuterie in her kitchen, where her enviable pan collection hung from the ceiling. One of the most magnificent harmonic thinkers of the 20th and 21st centuries, Hancock smiled in front of a series of laser-beam screensavers. "Will you shut up?" Rod Stewart chided his yapping dog with a smile during his interview. "I'm talking to Clive Davis!"

Clive Davis and Bruce Springsteen

Bruce Springsteen (L) and Clive Davis (R) | Photo Courtesy of Clive Davis

Despite the fact we're still housebound, the online Gala’s tenor was one of brighter days ahead. "Perhaps the most uplifting and optimistic song you've ever written is 'Land of Hope and Dreams,'" Davis told Springsteen at one point, citing his late-'90s cut released on Wrecking Ball (2012).

"Are you despondent about the nation's future and the American promise? Or are you as hopeful as you were when you wrote about those 'big wheels rolling through fields where sunlight streams'?" he asked.

"The American dream itself is [an] aspiration," Springsteen replied from the Colts Neck, New Jersey, studio where he and the E Street Band recently slugged out their 2020 album, Letter to You. "The distance between American reality and the American Dream, we are always trying to close, whether you're an artist or a politician … I remain hopeful even in the midst of the great difficulties we are going through at this moment that the nation can reunite and find its better angels and move forward, you know? I have to believe that."
 

Clive Davis and Barry Gibb

Barry Gibb (L) and Clive Davis (R) | Photo Courtesy of Clive Davis

For celebrities and everyday folks alike, the past year has taken a toll on all of us. As such, an extra glint of humility shone through these interviews.

"I've never taken anything for granted, and you've never taken anything for granted," Davis told Barry Gibb. (The latter is having a banner 2020 and 2021 with the HBO doc on the Bee Gees, How Can You Mend a Broken Heart, and his duets album with Americana artists, Greenfields: The Gibb Brothers Songbook, Vol. 1.) "To see this album debut at the top of the charts is thrilling for me as a fan, and it's got to be thrilling for you as the architect."

"It's shocking; there's no question about that," Gibb replied. "It's the first No. 1 in 40 years, and that's something extremely special that I can't put into words … It was all like a dream, and the whole thing came like a vision, including the title."

As expected for a whopping five-hour event, some of the celebs tapped out early, leaving their bewildered pets blinking at the camera. Joni Mitchell, however, was a trooper, observing the telecast stoically while her creamsicle-colored cat pranced around for attention.

Seeing Mitchell happy, healthy and hilarious is bittersweet. In 2015, she suffered an aneurysm; in 2020, she still struggled to walk because of it. Yet at the end of the night, there she was, pajama-clad, munching popcorn and cracking jokes. Throughout the broadcast, Mitchell regally sipped white wine with both hands. (Here's to your next 77 years, Joni.)

While this year's Pre-GRAMMY Gala may have missed the usual hobnobbing and rapport, that bug revealed itself to be a feature. Of course, as always, the point was the music, but housebound legends and their assemblage of furry friends stole the show for once. With vaccines rolling out worldwide, music will be back to business as usual in no time."

And just like every year, this year's (virtual) Pre-GRAMMY Gala was unique and unrepeatable—and it hit different as a result.

2021 GRAMMYs: Complete Nominees List

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Prince circa 1984

Prince

Photo: Richard E. Aaron/Redferns

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New Auction Features Prince, Taylor Swift & More auction-features-items-prince-taylor-swift-michael-jackson-more

Auction Features Items From Prince, Taylor Swift, Michael Jackson & More

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Also bid on a legendary George Harrison guitar, items signed by Britney Spears and Tom Petty benefitting MusiCares, and so much more
Renée Fabian
GRAMMYs
May 15, 2018 - 2:11 pm

Fancy yourself a songwriter who can "Shake It Off" like Taylor Swift? Into '90s divas such as Britney Spears? Want to make "Purple Rain" like Prince? How about a classic rock guitar slinger like Tom Petty? Or maybe the Beatles' George Harrison is more your style. Whatever your musical affinity, the latest Music Icons auctions from Julien's Auctions are sure to have exactly what you need.

The massive auction features two parts: one day devoted entirely to Prince and a second day of memorabilia featuring artists from B.B. King to Michael Jackson, Harry Styles to Elvis Presley, and everyone in between.

The first day celebrates all things Prince, including a 2002 Schecter "White Cloud" electric guitar commissioned by the man himself, a custom electric blue ensemble worn during a 1999 performance with Lenny Kravitz, a long-sleeved lace-up blue shirt with matching pants, signed handwritten lyrics from 1986's "Miss Understood," and a collection of set lists, tour posters and other unforgettable items.

This velvet sequined coat worn by #Prince during his performance at Studio 54 at the MGM Grand in Las Vegas in 1999 is in our "Music Icons: Featuring Property From The Life and Career of Prince" #auction event on May 18th at @HardRockCafeNYC and online at https://t.co/TiME89uOXn! pic.twitter.com/NnXonQrb9h

— Juliens Auctions (@JuliensAuctions) May 15, 2018

The second day of the auction features tons of items music fans will want to get their hands on, such as Spears' demo cassette tapes, outfits worn by Alicia Keys, a handwritten poem from Tupac Shakur, the gold outfit Shakira wore during her GRAMMY Awards performance in 2007, platinum records from Madonna, a Whitney Houston GRAMMY nomination certificate, clothing worn by Cher, a guitar played and smashed by Kurt Cobain, jumpsuits worn in a photoshoot by the Jackson 5, and the auction's signature item: the guitar Bob Dylan played when he went electric in 1966.

Check out this custom #guitar owned by #CarlosSantana and played on stage and in studio by @SantanaCarlos! It's in our two day #music #memorabilia #auction May 18th and 19th at @HardRockCafeNYC and online at https://t.co/TiME89uOXn! #Santana pic.twitter.com/rHtK8vKeni

— Juliens Auctions (@JuliensAuctions) May 15, 2018

The auction also features a slate of keepsakes whose proceeds will benefit the Recording Academy-affiliated health and human services charity MusiCares and the music education and preservation efforts of the GRAMMY Museum. These items include signed memorabilia from the likes of Bruce Springsteen, Linkin Park, Ed Sheeran, and Imagine Dragons, among others.

Julien's will host their 2018 Music Icons auction extravaganza in New York City at the Hard Rock Café. The bidding on all Prince items will take place May 18, while the rest will be available during the auction on May 19.

Don't miss your chance to own a piece of music history!

Catching Up On Music News Powered By The Recording Academy Just Got Easier. Have A Google Home Device? "Talk To GRAMMYs"

'2018 GRAMMY Nominees' album
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'2018 GRAMMY Nominees' Album: Buy Your Copy 2018-grammy-nominees-album-featuring-21-hits-available-now

'2018 GRAMMY Nominees' Album, Featuring 21 Hits, Available Now

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Get your copy of the genre-spanning compilation featuring 60th GRAMMY nominees Bruno Mars, Jay-Z, Lady Gaga, Pink, Kesha, Kenny Chesney, and more
Tim McPhate
GRAMMYs
Jan 12, 2018 - 6:30 am

Available now, the 2018 GRAMMY Nominees album features a 21-deep track listing reflecting the world's top recording artists and emerging talent.

The collection commemorating the 60th GRAMMY Awards nominees includes Album Of The Year nominees Childish Gambino, Jay-Z, Kendrick Lamar, Lorde, and Bruno Mars; and Song Of The Year nominees Luis Fonsi & Daddy Yankee featuring Justin Bieber, Logic featuring Alessia Cara and Khalid, and Julia Michaels, among others. See the full track listing below.

1. Bruno Mars, "24K Magic"
2. Kelly Clarkson, "Love So Soft"
3. Luis Fonsi & Daddy Yankee Feat. Justin Bieber, "Despacito" (Remix)
4. Kendrick Lamar, "HUMBLE."
5. Lorde, "Green Light"
6. Childish Gambino, "Redbone"
7. Jay-Z, "The Story Of O.J."
8. Zedd & Alessia Cara, "Stay"
9. Lady Gaga, "Million Reasons"
10. Imagine Dragons, "Thunder"
11. Portugal. The Man, "Feel It Still" 
12. The Chainsmokers & Coldplay, "Something Just Like This" 
13. P!nk, "What About Us"
14. Logic Feat. Alessia Cara & Khalid, "1-800-273-8255"
15. Julia Michaels, "Issues"
16. Kesha, "Praying"
17. Chris Stapleton, "Broken Halos"
18. Little Big Town, "Better Man"
19. Thomas Rhett Feat. Maren Morris, "Craving You"
20. Lady Antebellum, "You Look Good"
21. Kenny Chesney, "All The Pretty Girls"  

Pick at your copy at any of the below links:

  • 2018grammyalbum.com
  • Amazon 
  • iTunes
  • Target
  • Best Buy
  • Walmart

A portion of album proceeds benefits the year-round work of the GRAMMY Museum and MusiCares — two charitable organizations founded by the Recording Academy that focus on music education programs and critical assistance for music people in need.

The 60th Annual GRAMMY Awards will be broadcast live on CBS Jan. 28 at 7:30 p.m. ET/4:30 p.m. PT.

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Great GRAMMY Acceptance Speeches

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Interactive infographic explores 40 years of GRAMMY acceptances, including Metallica's Jethro Tull quip, Kanye West's powerful sermon, the "Hamilton" rap, and Selena and Whitney Houston's first GRAMMY wins
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May 15, 2017 - 2:36 am

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy and its Affiliates. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy and its Affiliates lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy and its Affiliates.