John Legend & Hakeem Jeffries

L-R: Hakeem Jeffries, John Legend

Photo: Recording Academy

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Celebrating GRAMMY Nominees Who Advocated For Creators' Rights

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Ahead of Sunday’s 63rd GRAMMY Awards, we want to acknowledge those nominees who have helped advance the agenda of music creators during this trying year
Matthew Bango
Advocacy
Mar 10, 2021 - 4:01 pm

Daryl Friedman, Chief Advocacy Officer of the Recording Academy, spoke with Billboard about the important role Academy members played in pushing Congress to include creator-friendly provisions in the recent COVID-19 stimulus package. "Much to the chagrin of our in-house lobbyists, I always say our best lobbyists are our members because they really can tell the story in a compelling way," noted Friedman.

This year, the Academy has repeatedly called on our members to ask their elected officials to support many provisions that would yield positive results for the struggling music ecosystem, including passage of the HITS Act and support for solutions to mitigate the pandemics’ enduring impact. Ahead of Sunday’s 63rd GRAMMY Awards, we want to acknowledge those nominees who answered the call and helped advance the agenda of music creators during this trying year:

Brandi Carlile

A 5-time GRAMMY Award winner, Brandi Carlile is no stranger to using her voice to create change. Carlile spoke with a crowd of music advocates during last year’s GRAMMY Week in support of the GRAMMY Fund for Music Creators. This year, Carlile is nominated for Best Country Song and Best Song Written For Visual Media.

Brandi Carlile | 2021 | Advocacy

Brandi Carlile speaks to a crowd of advocates during GRAMMY Week in 2020.

Brandy Clark

Brandy Clark is nominated for Best Country Solo Performance and Best Country Album. Clark has a long track record as a music advocate, including representing the Nashville Chapter as chair of their Advocacy Committee and serving as a District Advocate leader for last year’s meeting with Rep. Jim Cooper (D-Tenn.).

Dave Haywood

While balancing a busy tour and recording schedule as a member of the band Lady A, Dave Haywood, a seven-time GRAMMY winner, has found time to call on legislators to support and enact meaningful reform to better the entire music ecosystem. Along with the rest of Lady A, Haywood was honored at the GRAMMYs On The Hill Awards in 2014 and is a regular participant in District Advocate. He currently serves as the Vice President of the Academy’s Nashville Chapter Board. This year, Lady A’s Ocean is nominated for Best Country Duo/Group Performance.

Rodney Jerkins

Rodney Jerkins, a legendary producer and two-time GRAMMY winner, has become a mainstay at the Academy’s advocacy initiatives. Most recently, Jerkins participated in the GRAMMY Week Congressional Briefing in 2020. Jerkins showcased his work with emerging artist Jac Ross and shared firsthand testimony of the difficulties faced when launching a career in the creative workforce. Jerkins’ Come Together is nominated for Best Gospel Performance/Song.

Rodney Jerkins

A group of lawmakers and music makers at the Recording Academy’s Congressional briefing on January 25, 2020, in Beverly Hills, CA (L to R) Rep. Michael McCaul (R-Texas), Jac Ross, Cyndi Lauper, Rep. Norma Torres (D-Calif.), Rep. Stephanie Murphy (D-Fla.), Rodney Jerkins, Rep. Linda Sánchez (D-Calif.), and Rep. Billy Long (R-Mo.) 

Emily Lazar 

An accomplished mastering engineer, Emily Lazar has three nominations in the Album Of The Year category for her work on Coldplay’s Everyday Life, Jacob Collier’s Djesse Vol.3, and HAIM’s Women In Music Pt. III. Between recording sessions, Lazar serves as a member of the Academy’s National Advocacy Committee, which is comprised of prominent music creators and determines the Academy’s legislative priorities.

Ledisi

As a member of the Los Angeles Chapter Board, Ledisi has long supported the Academy’s legislative priorities. In a recent “Profile in Advocacy,” Ledisi discussed the importance of using your voice to create meaningful change, noting that, “The most important work for any creator is not merely to create, but to also be of service beyond one's self, and our collective future depends on that.” This year, Ledisi’s Anything For You is nominated for Best Traditional R&B Performance. 

John Legend

An eleven-time GRAMMY winner, John Legend has used his talents to bring joy to the world, and his voice to advocate for change. During District Advocate day in 2020, Legend spoke with Democratic Caucus Chairman Hakeem Jeffries (D-N.Y.) about how to best help the music ecosystem overcome the pandemic’s impact. Legend also serves as a Recording Academy National Trustee and as an Honorary Chair of the Black Music Collective, which officially launched last year. Legend is nominated for Best R&B Performance and Best R&B Album.

John Legend & Hakeem Jeffries

John Legend meets with Democratic Caucus Chairman Hakeem Jeffries during the Academy’s virtual District Advocate day in 2020. (L to R): Chairman Hakeem Jeffries (D-N.Y.) and John Legend (Photo by Recording Academy)

Julia Michaels

Julia Michaels joined the Recording Academy’s Advocacy team for a holiday reception commemorating the opening of the Academy’s new Washington, D.C. office in 2018. Joined by a bipartisan and bicameral group of elected officials, Michaels shared insight into the importance of supporting music priorities and celebrated the recent passage of the Music Modernization Act. Michaels’ and JP Saxe’s If The World Was Ending is nominated for Song Of The Year. 

G ADV Opening

Policymakers and music creators mark the opening of the Advocacy team’s new office with a ribbon cutting ceremony in 2018 (L to R) Rep. Debbie Wasserman Schultz (D-Fla.), National Trustee Tracy Hamlin, Julia Michaels, Daryl Friedman, Leader Steny Hoyer (D-Md.), and Rep. Ron Estes (R-Kan.)

PJ Morton

From attending GRAMMYs On The Hill to Zoom-ing with legislators, PJ Morton is a familiar face on Capitol Hill and in the Louisiana State Capitol due to his long history of championing music policies. When describing his virtual District Advocate day meeting, Morton stressed to Billboard the importance of reaching out to policymakers to raise awareness of a legislative solution. “It’s a slow process to change. But I think once you see it work, once you see your voice can matter, you can be a little more invested in it.” A two-time GRAMMY winner, Morton’s Gospel According To PJ is nominated for Best Gospel Album. 

Bobby Rush

From District Advocate to GRAMMYs on the Hill, GRAMMY winner Bobby Rush has joined music advocates over the years on their mission to directly lobby Congress on the importance of fair compensation for creators. Rush’s Rawer Than Raw is nominated for Best Traditional Blues Album. 

We thank all of the nominees who helped enact change during this incredibly difficult year! Without your overwhelming support, the Academy would not have been able to accomplish the tremendous and historic legislative victories in our fight against the COVID-19 pandemic  

Be sure to join us for the 63rd GRAMMY Awards on Sunday, March 15, 2021, at 8:00 p.m. ET/5:00 p.m. PT.

Read More: Billboard: How The Recording Academy And Its Allies Scored Big Wins In COVID Relief Package

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Bobby Rush at GOTH

Bobby Rush

Photo: Paul Morigi/WireImages for The Recording Academy

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Profiles In Advocacy: Bobby Rush On The Importance Of Uniting In Support Of Creators' Rights

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The Recording Academy has asked our members to reflect on their path of becoming an advocate for music and discuss the importance of using your voice to create change
Advocacy
Apr 21, 2021 - 10:28 am

The Recording Academy has asked our members to reflect on their path of becoming an advocate for music and discuss the importance of using your voice to create change. This "Profile in Advocacy" is from Bobby Rush, who recently took home the 2021 GRAMMY for Best Traditional Blues Album. 

I'm so grateful and honored by the opportunity to write this article about my experiences as an advocate. I'm thankful to be able to speak my opinion about where we have gone and are going, and what is happening now regarding the progress it will bring to the future of music. Let me start out by saying that I'm very appreciative to the Recording Academy for bestowing upon me the six GRAMMY nominations and two GRAMMY Awards for my records throughout my career. It’s an incredibly high honor. I'm mainly involved in this advocacy because I saw Black men not represented or included in the music industry throughout my career, and that I have a presence that can make a difference by being myself so that other Black people can see me and feel encouraged to get involved themselves. I believe that my involvement in various organizations and aspects of the music industry have encouraged Black artists to do the same over the years. I hope that I am able to continue to have that impact on not only Black artists, but all artists. 

I recognize that I am able to have a voice in the process of advocacy because of the success that I've had with the GRAMMYs and through my long career. Now that I have achieved this success, I have been able to be a part of real change on a national level by meeting with members of Congress and highlighting laws that need to be updated to better compensate, and protect, songwriters, artists, and musicians. I have also been able to work with leaders in local and state government, such as mayors and governors, to effect change in my communities.

In 2017, I was asked to participate in GRAMMYs On The Hill in Washington D.C. Of the many policy priorities addressed during the Advocacy Day, our main focus was to stress the importance of passing reforms, like what would become the Music Modernization Act, with members of Congress. Signed in 2018, the legislation immediately impacted my colleagues and I by closing the “pre-1972” loophole that allowed digital services to forgo compensating legacy artists, and securing a system for accounting and issuing payments of mechanical royalties from streaming services which is now set up through the MLC, the Mechanical Licensing Collective. I was blown away by the experience of going to Capitol Hill to meet with our few scheduled meetings, but also by personally being brought outside the House floor and seeing dozens of my friends and fans that are members of Congress. This ranged from Congressman Bobby Rush out of Chicago, to Congressman Stephen Cohen from Memphis, to Senator Roger Wicker of Mississippi, to the great late Congressman John Lewis. Throughout my career, I have become friends with many politicians and performed for those such as Rep. Bennie Thompson, President Bill Clinton and Senator Hillary Clinton, as well as the African American Mayors Association, and the Congressional Black Caucus. However, the experience at GRAMMYs On The Hill gave me a bird's eye view of exactly how legislation is supported and potentially turned into law.

For those of you who don't know me, I was born in the 1930s, in a little town called Carquit just outside of Homer, Louisiana. Throughout my life, I have lived in Louisiana, Arkansas, Chicago, and Mississippi. Even though I didn't live in Memphis or St. Louis, I have been very involved in those communities too. I started performing for the first time in the 1940s, and I eventually made my way to Chicago in the early 1950s. My first record was recorded in 1964, and, arguably, my biggest hit “Chicken Heads” was recorded in 1971. I’ve had the opportunity to release over 400 recordings in my career for a variety of labels, most of which I was the main songwriter for. The reason I mention this is because I’ve had many experiences, both good and bad, that have taken money out of my pocket at that time and for the rest of my career. 

I have learned a lot of lessons, and I have gotten to a point of obtaining a good lawyer and manager to help protect me. I'm grateful to have my manager, Jeff DeLia, by my side who has also been very involved with the Academy's advocacy work, including District Advocate Day. Jeff has been able to speak to members of Congress in his area both in-person and on Zoom, including Congressman Adam Schiff, and recently wrote a letter directly to Senator Dianne Feinstein in support of the HITS Act, which was recently reintroduced.

It's true that we have come a long way since the 1960s and1970s, but we still have a ways to go. As much as the world is changing and has changed throughout my career, it's vital that the laws continue to be updated to better protect and serve the artists, songwriters, producers, and musicians, not just line the pockets of the big corporations. As a man, and as a Black man, I not only didn't have the protection that I was deserved but also I was slighted in many ways. To have an organization and my peers in the industry join together to fight for these rights and generate new legislation by lobbying for it, is something I not only never dreamt of having for myself as a Black man but never dreamt of being a part of personally.

To people with my level of experience in this career as well as newcomers such as young artists rising in the industry, I encourage you all to get involved with your local Recording Academy chapter. Get involved in your local community, and especially, if called upon, get involved in the local, regional, or national advocacy efforts of the Recording Academy to continue to speak for yourself and your colleagues. And, most importantly, get involved for those who have less of a voice in these laws. You won't regret it. – Bobby Rush, the bluesman

Read More: Profiles In Advocacy: Ledisi On The Importance Of Using Your Voice To Make Change

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Photo of Harvey Mason jr.

Harvey Mason jr.

Photo Courtesy of Harvey Mason jr.

 
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Inside Harvey Mason jr.'s Journey From Producer, Songwriter & Advocate To Recording Academy President/CEO

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As Harvey Mason jr. stated during the 2021 GRAMMY Awards show, he initially joined the Recording Academy so he could vote for himself. But this humble admission belies two decades as an outspoken champion and advocate for all music creators
Morgan Enos
Advocacy
May 21, 2021 - 6:35 am

Whether as the Interim President/CEO or the President/CEO proper, Harvey Mason jr.'s trademark is his humble, unassuming air. 

Upon accepting the full-time role, "While I had not initially expected to be in this position, I remain deeply invested in the success of the organization and am motivated to help us achieve our greatest ambitions," he stated in a press release. And during a segment in the 2021 GRAMMY Awards show, Mason freely admitted he originally joined the Academy to cast a vote for himself.

This charmingly "Who, me?" demeanor is just an exterior, though; Mason has been chosen to lead the Recording Academy for very good reasons. Over the last two decades, he has proven to be an outspoken champion and advocate for all music creators. 

From participating in District Advocate to speaking in front of Congress, let's take a look back at Harvey's accomplishments as a music advocate.

Advocacy Committee

Let's rewind to 2016, before Mason was the Chairman of the Board of Trustees at the Recording Academy. At that point, he co-chaired the Academy's National Advocacy Committee, which is responsible for establishing and executing the organization's advocacy positions and priorities. In this role, Mason ensured that the Academy upheld its commitments to all music creators and pushed policymakers towards developing an equitable music ecosystem.

Congressional Panel

Fighting for the rights of music creators on the airwaves has long been a chief concern of Recording Academy advocates, and in 2020, Mason put this value into action. 

That May, he spoke in front of the Senate Judiciary Intellectual Property Subcommittee on the scope of music rights in sound recordings, the dire need for the United States to establish a performance right for sound recordings on AM/FM radio, and the importance of supporting music creators in the next phase of COVID-19 relief stimulus.

"Any future relief package should get people back to work, not give industries unfair advantages," Mason stated. "Unfortunately, musicians will not be able to get back to live performances soon, so the next stimulus should ensure they get paid fairly for their music that has been a lifeline for our fellow citizens."

Department Of Justice Letter

In 2014, Mason signed on to a letter encouraging the Department of Justice to review the ASCAP and BMI consent decrees. 

"The music economy is changing rapidly … and the Consent Decrees have hampered the ability of ASCAP and BMI to respond to those changes in a way that provides fair value to their—and The Academy's—members," the letter read in part. Professional songwriters will only be able to make a secure living if they receive fair compensation for the public performance of their works by digital music services."

District Advocate

Each year, thousands of members across the country mobilize to lobby their members of Congress during the Academy's District Advocate activation. Mason become a frequent sight at these activations, including moderating a conversation with Rep. Brad Sherman (D-Calif.) and Los Angeles Chapter Executive Director Qiana Conley in 2019.

Federal Communications Commission

On a note of security and privacy, Mason visited the Federal Communications Commission (FCC) to educate Commissioners and staff on the importance of protecting wireless microphones for the music industry.

GRAMMYs On The Hill 

Mason has also participated in the Academy's GRAMMYs On The Hill Awards and Advocacy Day, an annual activation in Washington, D.C. that recognizes artists and legislators who have made significant contributions to the music community. (GRAMMYs On The Hill will return on September 22, 2021.)

Holiday Reception

On a lighter note, in 2013, Mason helped get legislators in the festive mood by joining the Academy team's annual holiday reception in Washington, D.C. Mason was even kind enough to play piano for a captivated audience of members of Congress!

Songwriters & Composers Wing

As a songwriter in his own right, Mason has used his platform to advocate for causes most important to this section of the creative community. Under his leadership, the Academy launched the Songwriters & Composers Wing in March.

While the S&C Wing is new, the tireless work by its members is not. Over the years, they have proven to be an instrumental part of the Academy's advocacy work. Together, they have fought for fair market rate standards, the modernization of the mechanical royalty collection process, and, most recently, financial relief to overcome the COVID-19 pandemic.

The Advocacy team and all music advocates thank Harvey Mason jr. for his endless commitment to our causes. Together, we look forward to advancing the legislative agenda of all music creators for years to come!

Read More: Congress: It's Time To Side With Music Creators Over Big Radio 

Songwriters at the Capitol: Kevin Kadish, Harvey Mason jr., Robert Bell, Daryl Friedman, Kendra Foster, Evan Bogart, Jonathan Azu, Jim Lauderdale, and Anna Nalick.

U.S. Capitol

Photo: Paul Morigi/WireImage for the Recording Academy

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Songwriters & Composers Wing: Celebrating Decades of Advocacy

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In honor of the launch of the Academy’s Songwriters & Composers Wing, let’s reflect on the decades of advocacy by these creators.
Advocacy
Mar 14, 2021 - 5:45 am

Congratulations to songwriters and composers on the establishment of the Recording Academy’s Songwriters & Composers Wing!

For decades, these creatives have proven to be an instrumental part of the Academy’s advocacy work. Together, we have fought for fair market rate standards, the modernization of the mechanical royalty collection process, and, most recently, financial relief to overcome the COVID-19 pandemic.  

At a town hall in Los Angeles in 2017, the Academy partnered with MoZella, Om’Mas Keith, and Rodney Jerkins to educate songwriters and composers on the importance of advocacy. Topics included the importance of using your voice to create change, fighting for fair compensation, and pushing elected officials to enact positive legislative reform, among others. These conversations resulted in the upcoming District Advocate day, where creators from all corners of the country held meetings with members of Congress to stress the importance of these issues. Read more about this event in Billboard’s article, “Recording Academy Urges Songwriter Activism to Ensure Music Industry’s Future.”

Songwriters and composers utilized the skills honed during past outreach to policymakers by advocating for the landmark Music Modernization Act (MMA). Once the legislation passed in 2018, songwriters and composers began to see their hard work materialize, which helped many creatives properly receive the funds they earned and established a new mechanical licensing collective. While the MMA made great progress, songwriters and composers continued to advocate for equitable implementation of the bill.

When proposed wording in the U.S. Copyright Office’s (USCO) MMA update had the potential to negatively impact the songwriters it was striving to help, the Academy, representing its songwriter and composer constituency, sent an ex parte letter asking for the USCO to amend any language that could be “construed in any way that changes, diminishes, or alters termination rights, or in any way that makes a substantive determination about the nature of those rights.” The letter’s goal was to ensure that the USCO did not create an additional burden on songwriters attempting to rightfully reclaim their work. 

The Recording Academy also assisted the USCO in designating the entity tasked with administering blanket mechanical licenses for digital streaming services, a key provision of the MMA. The Mechanical Licensing Collective, which started collecting and distributing royalties earlier this year, recently received $424 million in unmatched royalties from streaming services, which will then be distributed to songwriters for free. The Recording Academy hosted a webinar with MLC CEO Kris Ahrend and songwriter Tayla Parx last year to help explain the tremendous benefit of the collective for songwriters and composers.

From meeting with lawmakers on Capitol Hill to actually writing songs with them, let’s take a look back at our years spent together fighting for the rights of songwriters and composers:

Josh Kear and Congressman McCaul Entertain Crowd
Advocacy: Songwriters & Composers Photo Gallery

Above, the Honorable Doug Collins (Ga.) and songwriters Victoria Shaw and Gary Burr collaborate on a new anthem honoring the recently introduced Songwriter Equity Act, and performed the song at GRAMMYs On The Hill in 2014. Credit: Video by Recording Academy/Featured in Washington Post.

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Ledisi Young

Ledisi

Photo: Ron T. Young Photography

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Profiles In Advocacy: Ledisi On The Importance Of Using Your Voice To Make Change

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The Recording Academy has asked our members to reflect on their path of becoming an advocate for music and discuss the importance of using your voice to create change
Advocacy
Feb 17, 2021 - 12:52 pm

The Recording Academy has asked our members to reflect on their path of becoming an advocate for music and discuss the importance of using your voice to create change. The inaugural "Profile in Advocacy" is from thirteen-time GRAMMY-nominated artist and Los Angeles Chapter Governor, Ledisi.

I have always been uncomfortable using this part of my voice. But I feel it is important for many to hear the human side to the numbers and legal/political jargon most creators like myself get bombarded with when it comes to the word Advocacy. 

There was a time I viewed this organization as a prestigious shiny golden statue and thought that my little voice from New Orleans East/East Oakland could never be heard amongst the many voices inside such an elitist tent. That all changed when I agreed to participate in a GRAMMY U panel for the San Francisco Chapter.

I used my little voice, while my stomach was in knots, and spoke about my experiences as a local artist at the time. I looked around and saw everyone was listening. I sat next to major artists who also spoke about their experiences and we were all under one umbrella inspiring future creators. That day lead me to become a member of the Recording Academy. That was 17 years ago and I saw then that there was more to this organization than only what I watched on television.

Today, as a Governor for the Los Angeles Chapter, I can proudly say I am an Advocate for the Arts, and it started here with the Recording Academy. I have found so much joy in helping my beloved music community. My first GRAMMYs On The Hill I walked alongside my peers lobbying in the halls of Congress using my little voice, that shocks sometimes, and still, people listened. I left there inspired understanding that the heartbeat of the Recording Academy is the artists.  It's creators like me who advocate for artist rights and their legacy, for fair representation, diversity and the passion to preserve the history of all music creators.

It wasn't just a guy in a suit speaking for creators. It was us, creators speaking up for ourselves. The most important work for any creator is not merely to create, but to also be of service beyond one's self, and our collective future depends on that. 

I was asked in a recent interview, "Why do you call yourself an advocate for the Arts? Isn't art already radical?" My reply was that "nothing in music is free."  Everything has a cost, and as long as we continue to have outdated laws that don't reflect the times and it affects creators, we will never be "free." Artists are barely surviving through this pandemic on the very art they have given their lives to.  It's diminishing for some and many have had to find other ways to supplement their income. And after all this what do we have to go back to? This is the time we are forced to live off of streaming and music sales.  But publishing alone isn't enough for most of us. So like many others, I advocate for music creators for this very reason. 

There's still much work to be done and we need more artists to become active to help educate others and to speak out on behalf of our music community. We need them to use their voices and to get involved publicly to help make true change a possibility.  Every creative should be an advocate for music. We have so much power as creators, and when we use our voice, even when it shakes… people will listen. 

Celebrating Mary Wilson: A Strong Advocate For Music Creators